ree Dollar Bill Cinema has grown quite a bit in its 16 years. We pr
ree Dollar Bill Cinema has grown quite a bit in its 16 years. We pr
ree Dollar Bill Cinema has grown quite a bit in its 16 years. We pr
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<strong>We</strong>lcome to the <strong>16</strong>th Seattle<br />
Lesbian & Gay Film Festival!<br />
<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> <strong>has</strong><br />
<strong>grown</strong> <strong>quite</strong> a <strong>bit</strong> <strong>in</strong> <strong>its</strong> <strong>16</strong> <strong>years</strong>. <strong>We</strong><br />
<strong>pr</strong>oduce two fi lm festivals; <strong>pr</strong>ovide<br />
<strong>pr</strong>ogramm<strong>in</strong>g every month of the<br />
year, <strong>in</strong>clud<strong>in</strong>g an ever-grow<strong>in</strong>g<br />
series of outdoor movies over the<br />
summer; and also off er a fi scal<br />
sponsorship <strong>pr</strong>ogram that allows<br />
fi lmmakers and burgeon<strong>in</strong>g organizations to raise money us<strong>in</strong>g our<br />
non<strong>pr</strong>ofi t status. And our newest addition is Reel Queer Youth, a video<br />
<strong>pr</strong>oduction and media literacy course for LGBT and allied youth ages<br />
13-20. Fourteen young people made four short fi lms <strong>in</strong> just fi ve days. See<br />
them at REEL QUEER YOUTH SHORTS (p. 59). <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong><br />
<strong>C<strong>in</strong>ema</strong> is committed to support<strong>in</strong>g fi lmmakers by showcas<strong>in</strong>g their work<br />
and help<strong>in</strong>g them raise funds, and also creat<strong>in</strong>g tomorrow’s fi lmmakers<br />
today, thus ensur<strong>in</strong>g future LGBT visibility through fi lm.<br />
e say<strong>in</strong>g “it takes a village” could not be more true when it comes<br />
to plann<strong>in</strong>g and execut<strong>in</strong>g this fi lm festival. (I like to th<strong>in</strong>k it’s the savvy<br />
population of a small metropolitan town rather than a village, but that<br />
would be a <strong>pr</strong>etty long say<strong>in</strong>g.) I am so grateful for the hundreds of people<br />
who come forward to help <strong>in</strong> so many ways. <strong>We</strong> simply could not do what<br />
we do without their support and enthusiasm.<br />
I want to thank the <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> staff , whose passion for<br />
and dedication to LGBT fi lm and our community is unparalleled. ank<br />
you to our hundreds of volunteers who so generously give of their time and<br />
expertise. ank you to the <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> Board of Directors,<br />
whose direction and guidance are <strong>in</strong>tegral to our success. I also want to<br />
thank our sponsors, grant makers, members, and donors, without whom<br />
we could not accomplish so much on such a small budget.<br />
ere is still time to support our eff orts. While ticket sales are an important<br />
source of revenue, they do not susta<strong>in</strong> our organization. Become<br />
a member and enjoy a multitude of benefi ts at the festival. Donate to our<br />
annual fund and help ensure we are around for <strong>years</strong> to come. Your dollars<br />
ensure the future of our <strong>pr</strong>ogramm<strong>in</strong>g and keep our community <strong>in</strong> focus.<br />
ank you for com<strong>in</strong>g out to the movies and support<strong>in</strong>g <strong>ree</strong><br />
<strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong>!<br />
Rachael Brister<br />
Executive Director<br />
ank you for be<strong>in</strong>g a part of<br />
the 2011 Seattle Lesbian & Gay<br />
Film Festival! When read<strong>in</strong>g this<br />
<strong>pr</strong>ogram, you’ll be overwhelmed<br />
by the many tantaliz<strong>in</strong>g “sweets”<br />
<strong>in</strong> this year’s l<strong>in</strong>eup: delicious<br />
short fi lms, refi ned documentaries,<br />
and even sugary guilty<br />
pleasures.<br />
rough this fi lm festival, we<br />
have the opportunity to relive our history and address contemporary<br />
issues. <strong>We</strong> can also share our stories with people new to the LGBT<br />
community. I look forward to the many familiar faces I’ll see <strong>in</strong> the<br />
audience, on sc<strong>ree</strong>n, and on stage (return<strong>in</strong>g to the festival with their<br />
latest fi lms are directors <strong>We</strong>ndy Jo Carlton, Q. Allan Brocka, Casper<br />
Andreas, and others). And it’s always a pleasure to be sur<strong>pr</strong>ised by<br />
someth<strong>in</strong>g new. For example, I was captivated by remarkable <strong>in</strong>dependent<br />
fi lms like THE WISE KIDS and the locally made HEART<br />
BREAKS OPEN.<br />
Our <strong>pr</strong>ogram is so strong this year thanks to the amaz<strong>in</strong>g work of<br />
our <strong>pr</strong>ogram team. e sc<strong>ree</strong>n<strong>in</strong>g committee members and leads Kurt<br />
Schlatter and Julie Borden put <strong>in</strong> countless hours. And Lead Programmer<br />
Keith Bacon, whose dedication and energy makes all of our<br />
year-round <strong>pr</strong>ogramm<strong>in</strong>g sh<strong>in</strong>e, is responsible for br<strong>in</strong>g<strong>in</strong>g some real<br />
gems to the festival, <strong>in</strong>clud<strong>in</strong>g the world <strong>pr</strong>emiere of OUTLAND<br />
(part of our Gay TV D<strong>in</strong>ners <strong>pr</strong>ogram).<br />
F<strong>in</strong>ally, I’m thrilled that we are able to have the powerful VITO<br />
as our Clos<strong>in</strong>g Night fi lm. Vito Russo was a remarkable <strong>in</strong>dividual,<br />
and his book e Celluloid Closet was <strong>in</strong>fl uential and enlighten<strong>in</strong>g to<br />
me, and I’m sure to many of you. If you have any ap<strong>pr</strong>eciation for<br />
LGBT fi lms at all, you cannot miss this aff ect<strong>in</strong>g homage, fi tt<strong>in</strong>gly<br />
<strong>pr</strong>esented on the biggest sc<strong>ree</strong>n <strong>in</strong> Seattle.<br />
Enjoy the festival,<br />
Jason Plourde<br />
Programm<strong>in</strong>g Director<br />
1
FESTIVAL CREDITS<br />
EXECUTIVE DIRECTOR<br />
Rachael Brister<br />
PROGRAMMING DIRECTOR<br />
Jason Plourde<br />
DEVELOPMENT MANAGER<br />
Ryan Hicks<br />
VOLUNTEER COORDINATOR<br />
Kev<strong>in</strong> Fansler<br />
ART DIRECTOR<br />
Corianton Hale<br />
LEAD PROGRAMMER/<br />
SOCIAL MEDIA MANAGER<br />
Keith Bacon<br />
ADMINISTRATIVE COORDINATOR<br />
Sheila Bixler<br />
OFFICE ASSISTANT<br />
Michael Santovec<br />
DEVELOPMENT ASSISTANT<br />
Scott MacPhee<br />
PR & COMMUNICATIONS<br />
Gail Benzler<br />
OUTREACH COORDINATOR<br />
Janet <strong>We</strong>lt<br />
FISCAL SPONSORSHIP<br />
COORDINATOR<br />
Tania Leeman<br />
GUEST RELATIONS<br />
COORDINATORS<br />
James Gallegos<br />
Cresdan Maite<br />
RECEPTIONS COORDINATOR<br />
Alix Mendonca<br />
RECEPTIONS ASSISTANT<br />
William McClelland<br />
PARTIES COORDINATOR<br />
Jonathan Schlegel<br />
AWARDS COORDINATOR<br />
Marijana Pavlich<br />
MEMBERSHIP ASSISTANTS<br />
Just<strong>in</strong> Craig<br />
Julia Pels<br />
ASL INTERPRETER COORDINATOR<br />
Donna Platt<br />
BOOKKEEPER<br />
Lillian McDonell<br />
FESTIVAL WEBSITE<br />
Corianton Hale<br />
Michiko Swiggs<br />
The Stranger<br />
VOLUNTEER WEBSITE GURU<br />
Julie Goldberg<br />
COMPUTER GURU<br />
Matt Centurion<br />
PRINT TRAFFIC COORDINATOR<br />
Alex Wyche<br />
REEL QUEER YOUTH PROGRAM<br />
MANAGER<br />
Reid Kuennen<br />
PHOTO EDITOR<br />
Les Sterl<strong>in</strong>g<br />
FESTIVAL PHOTOGRAPHERS<br />
Kathy Bugajsky<br />
Dee Lugo<br />
TICKETING MANAGER<br />
Morgan Elliott<br />
TICKETING ASSISTANTS<br />
Dan Helman<br />
Samantha Ross<br />
Eric Sorlien<br />
Rob<strong>in</strong> Tartow<br />
OPERATIONS MANAGER<br />
Jay Walls<br />
OPERATIONS ASSISTANT<br />
Dave Hovenden<br />
TECHNICAL MANAGER<br />
G<strong>in</strong>a Hicks<br />
HOUSE MANAGER LEADS<br />
Carmel Curtis & Jessie Benet<br />
HOUSE MANAGERS<br />
Dorcas Bean<br />
Alicia Bennett<br />
Nancy Clark<br />
David Daniels<br />
Sean Johnson<br />
Emily Juhre<br />
Anna Markee<br />
Jeremy Moser<br />
Shawn Nicholson<br />
Leslie Saber<br />
Mariam Serengian<br />
Ashley Smith<br />
Daniel Strommen<br />
Beth Varner<br />
FEATURES SCREENING<br />
COMMITTEE<br />
Kurt Schlatter (Lead)<br />
Susan Burdick<br />
David Daniels<br />
Mary Lonien<br />
Er<strong>in</strong> “Mac” MacDonald<br />
Brandon McNeely<br />
Topher Shields<br />
Tom Yang<br />
SHORTS SCREENING COMMITTEE<br />
Julie Borden (Lead)<br />
Malic Amalya<br />
Keith Bacon<br />
Jen Coig<br />
Ben Gazy<br />
Anna Hurwitz<br />
Brian Judd<br />
David Thorpe<br />
PROGRAM BOOK DESIGN<br />
Steve Meyer<br />
PROGRAM BOOK EDITOR<br />
Richard Isaac<br />
PROGRAM BOOK WRITERS<br />
Malic Amalya<br />
Keith Bacon<br />
Julie Borden<br />
Susan Burdick<br />
Jen Coig<br />
David Daniels<br />
Ben Gazy<br />
Anna Hurwitz<br />
Richard Isaac<br />
Brian Judd<br />
Mary Lonien<br />
Er<strong>in</strong> “Mac” MacDonald<br />
Brandon McNeely<br />
Jason Plourde<br />
Kurt Schlatter<br />
Topher Shields<br />
David Thorpe<br />
Michael <strong>We</strong>lls<br />
Tom Yang<br />
PROGRAM BOOK<br />
PROOFREADERS<br />
Naomi Davidson<br />
Samuel Mitchell<br />
Sandra Mitchell<br />
Sheri Quirt<br />
Sam Whit<strong>in</strong>g<br />
THREE DOLLAR BILL CINEMA<br />
BOARD OF DIRECTORS<br />
Carrie Carson, PRESIDENT<br />
Ashley Smith, VICE PRESIDENT<br />
Arthur Kuniyuki, SECRETARY<br />
David Thorpe, TREASURER<br />
Jamie Ew<strong>in</strong>g<br />
Theressia Hazelmyer<br />
Mary Lonien<br />
Michele Maynard<br />
Jeff Morgan<br />
Thomas Nelson<br />
Gregor Perotto<br />
Craig Snyder<br />
Jean<strong>in</strong>e Spence<br />
SPECIAL<br />
THANKS<br />
Nef Anton<br />
Kat Behrend<br />
Nick Carlson<br />
Scott Carnz<br />
Raymond Cha<br />
Just<strong>in</strong> Craig<br />
Ingrid Hu Dahl<br />
G<strong>in</strong>a Hicks<br />
Baylen Jackson<br />
Elliott Jones<br />
Lila Kitaeff<br />
Todd Kulczyk<br />
Dan Lane<br />
Betty & <strong>Bill</strong> Meyer<br />
Virg<strong>in</strong>ia Meyer<br />
Rob Miller<br />
Lance Park<br />
Clyde Peterson<br />
Kanako Pooknyw<br />
Michael Santovec<br />
Sahar Shakeri<br />
Aust<strong>in</strong> Sloan<br />
Darcy Stewart<br />
Louie Swalby &<br />
Steven <strong>We</strong>lls<br />
John Teegarden<br />
Teegarden/Nash<br />
Photo Archive<br />
Holly Teige<br />
Donald Vanhook<br />
Nadja Dee Witherbee<br />
Shanna Porter<br />
Leigh Woody<br />
Richard Yeager<br />
3
CREW<br />
Executive Producer Rachael Brister<br />
Executive Producer Jason Plourde<br />
Story concept by Frank Unlimited-<br />
Forrest Healy, Zach Hitner<br />
Producer Brian Homman<br />
Producer Chris Borden<br />
Director Matthew J Clark<br />
Lead Designer Caleb Van W<strong>in</strong>kle<br />
Director of Photography <strong>Bill</strong>y Summers<br />
L<strong>in</strong>e Producer Mark Campbell<br />
Production Coord<strong>in</strong>ator Vanessa Eng<br />
1st AC Randy Sears<br />
Gaffer V<strong>in</strong>cent Klimek<br />
Best Boy Electric Mike Walker<br />
Key Grip Kerry Flanagan<br />
Best Boy Grip Brody Willis<br />
Production Designer<br />
Dana Thompson-Carver<br />
Production Designer Melissa Purcell<br />
Art Assistant Jill McBride<br />
Art Assistant Matt Boucard<br />
Wardrobe Stylist Ron Leamon<br />
Wardrobe Assistant Gerard Parr<br />
Hair and Makeup Akemi Hart<br />
Hair and Makeup Assistant Natalie Burnett<br />
Production Assistant Robert Kael<strong>in</strong><br />
Production Assistant Victoria Kieburtz<br />
Production Assistant Michael Whelan<br />
Post Production Supervisor Tiffany Davies<br />
Editor Michael Southworth<br />
Designer Brady Anderson<br />
Designer Charlie Bartlett<br />
Designer Joe Garber<br />
Post Sound Design & Mix<strong>in</strong>g Pure Audio<br />
Orig<strong>in</strong>al Music Matthew Hutch<strong>in</strong>son<br />
Pr<strong>in</strong>ts Alpha C<strong>in</strong>e Labs<br />
CAST<br />
Tranny Popp<strong>in</strong>s J<strong>in</strong>kx Monsoon<br />
Bear/Military #1 Brendan Mack<br />
Military #2 Jason Campbell<br />
Military #3 Man Le<br />
Cowgirl Teresa Darragh<br />
Dancer Dolly Dom<strong>in</strong>o<br />
Vampire Krist<strong>in</strong>a Thalen<br />
Victim Jessica Mart<strong>in</strong><br />
Act Up Protester Kyle Johnson<br />
Cop Rob Grant<br />
EXTRAS<br />
Brian Schlittenhardt<br />
Roan Ako<br />
Jenny Mears<br />
Tim O’Conner<br />
Crystal Liston<br />
Cynthia Wallace<br />
Michael G<strong>ree</strong>ne<br />
Richard Snyder<br />
Ryan Hicks<br />
Steven Schultz<br />
Joe Garber<br />
TRAILER CREDITS<br />
Thank You!<br />
<strong>Bill</strong>y Summers<br />
Koerner Camera<br />
Paci c Grip and Light<strong>in</strong>g<br />
Alpha C<strong>in</strong>e<br />
Nuge, Inc.<br />
Seattle Antiques Market<br />
Keith Bacon<br />
5
FESTIVAL SPONSORS<br />
PRESENTING<br />
GRAND<br />
MARQUEE<br />
PREMIER<br />
MAJOR
F ESTIVAL SPONS ORS<br />
SUPPORTING<br />
PARTNER<br />
COMMUNITY PARTNER<br />
FUNDER<br />
7
COMMUNITY COPRESENTERS<br />
Camp Ten T<strong>ree</strong>s (camptent<strong>ree</strong>s.org) is a lov<strong>in</strong>g, engag<strong>in</strong>g youth camp for children<br />
ages 8-17 from LGBT or nontraditional families. Camp Ten T<strong>ree</strong>s honors<br />
creativity, <strong>in</strong>dividual choice, and community liv<strong>in</strong>g, <strong>pr</strong>ovid<strong>in</strong>g opportunities to<br />
strengthen <strong>in</strong>ner courage, make new friends, and develop leadership skills<br />
through traditional camp <strong>pr</strong>ogramm<strong>in</strong>g rooted <strong>in</strong> a commitment to social justice.<br />
Entre Hermanos (entrehermanos.org) is a non<strong>pr</strong>ot organization that <strong>pr</strong>omotes<br />
the health and well-be<strong>in</strong>g of the Lat<strong>in</strong>o LGBTQ community <strong>in</strong> a culturally, socially,<br />
and emotionally ap<strong>pr</strong>o<strong>pr</strong>iate environment. Its <strong>pr</strong>ograms and services <strong>in</strong>clude HIV<br />
and STD education and <strong>pr</strong>evention, support groups, workshops, community forums,<br />
outreach, and social activities, <strong>in</strong>clud<strong>in</strong>g Noche Lat<strong>in</strong>a.<br />
Equal Rights Wash<strong>in</strong>gton (equalrightswash<strong>in</strong>gton.org) works to ensure and <strong>pr</strong>omote<br />
dignity, safety, and equality for all LGBT Wash<strong>in</strong>gtonians through grassroots<br />
organiz<strong>in</strong>g, <strong>in</strong>uenc<strong>in</strong>g policy makers, and educat<strong>in</strong>g voters. Get engaged for<br />
marriage equality, anti-bully<strong>in</strong>g, and more at www.equalrightswash<strong>in</strong>gton.org.<br />
The Foundation for Sex Positive Culture (sexpositiveculture.org) mission is to<br />
<strong>pr</strong>omote the many ways sex is benecial through education, outreach, the arts,<br />
advocacy, and research <strong>pr</strong>ograms that serve the public. One way it achieves this<br />
is through the Seattle Erotic Art Festival (seattleerotic.org)<br />
Gay City Health Project is a multicultural gay men’s health organization and the<br />
<strong>pr</strong>emier <strong>pr</strong>ovider of HIV and STD test<strong>in</strong>g <strong>in</strong> K<strong>in</strong>g County. Its mission is to <strong>pr</strong>omote<br />
gay and bisexual men’s health and <strong>pr</strong>event HIV transmission by build<strong>in</strong>g community,<br />
foster<strong>in</strong>g communication and nurtur<strong>in</strong>g self-esteem. Contact Gay City at<br />
206-860-6969 or gaycity.org.<br />
The GSBA (thegsba.org) is the largest LGBT bus<strong>in</strong>ess chamber <strong>in</strong> the United<br />
States and the second-largest bus<strong>in</strong>ess chamber <strong>in</strong> Wash<strong>in</strong>gton State. The GSBA<br />
is a vibrant community organization with a broad and diverse membership base.<br />
Its mission is to comb<strong>in</strong>e bus<strong>in</strong>ess development, social action, and leadership to<br />
expand economic opportunities for the LGBT community and those who support<br />
equality for all.<br />
HIV30: Take Action Seattle is a collaboration of Seattle HIV/AIDS service organizations<br />
work<strong>in</strong>g together to commemorate the 30th anniversary of the epidemic.<br />
F<strong>in</strong>d out more at hiv-30.org.<br />
Ingersoll Gender Center (<strong>in</strong>gersollcenter.org) supports transgender people towards<br />
growth and well-be<strong>in</strong>g. In order to <strong>pr</strong>omote understand<strong>in</strong>g, awareness,<br />
and acceptance of gender diversity, it <strong>pr</strong>ovides support, education, advocacy,<br />
and <strong>in</strong>formation for people <strong>in</strong>terested <strong>in</strong> gender identity issues and for service<br />
<strong>pr</strong>oviders, employers, families, and friends.<br />
Jewish Family Service (jfsseattle.org) is a com<strong>pr</strong>ehensive social service agency<br />
offer<strong>in</strong>g workshops, events, and counsel<strong>in</strong>g services that strengthen <strong>in</strong>dividuals,<br />
families, and the community. It <strong>pr</strong>ovides services for people from diverse backgrounds,<br />
as well as culturally relevant <strong>pr</strong>ogramm<strong>in</strong>g. Contact Marjorie Schnyder<br />
at 206-461-3240 or familylife@jfsseattle.org.<br />
Lambert House (lamberthouse.org), a safe place for LGBT and question<strong>in</strong>g youth<br />
aged 22 and under, encourages empowerment through the development of<br />
leadership and social and life skills. Its calendar is packed with support groups,<br />
dances, and other fun activities. The drop-<strong>in</strong> center is open Mon.-Fri. 4:00-<br />
9:30pm at 1818 15th Ave. on Capitol Hill <strong>in</strong> Seattle (at E. Denny Way).<br />
The Lesbians Over 40 Group is a social group for lesbians over 40 who are<br />
<strong>in</strong>terested <strong>in</strong> extend<strong>in</strong>g their friendship circle and hav<strong>in</strong>g fun. It hosts weekly meet<strong>in</strong>gs<br />
and lots of outside activities. Contact 206-722-0729 for more <strong>in</strong>formation.<br />
Lifelong AIDS Alliance (llaa.org) is committed to <strong>pr</strong>event<strong>in</strong>g the s<strong>pr</strong>ead of HIV,<br />
<strong>pr</strong>ovid<strong>in</strong>g <strong>pr</strong>actical support services, and advocat<strong>in</strong>g for those whose lives are<br />
affected by HIV/AIDS. Its vision statement is “A world without HIV or AIDS, where<br />
every person liv<strong>in</strong>g with illness is treated with dignity and respect.”<br />
The Northwest Network (nwnetwork.org) <strong>in</strong>creases our communities’ ability to<br />
support the self-determ<strong>in</strong>ation and safety of LGBT survivors of abuse through education,<br />
organiz<strong>in</strong>g, and advocacy. It works with<strong>in</strong> a broad liberation movement<br />
dedicated to social and economic justice, equality, and respect for all people<br />
and the creation of lov<strong>in</strong>g, <strong>in</strong>clusive, and accountable communities.<br />
Pacic Northwest Lesbian Archives (pnwlesbianarchives.org/) gathers, <strong>pr</strong>eserves,<br />
and shares <strong>pr</strong>imary source materials to enhance public and scholarly<br />
understand<strong>in</strong>g of lesbians’ diverse, regional herstory and to <strong>pr</strong>omote learn<strong>in</strong>g,<br />
visibility, and community strength. It envisions a community <strong>in</strong> which lesbians are<br />
embraced, honored, and respected for their past, <strong>pr</strong>esent, and future contributions<br />
and accomplishments. Call 206-654-4477 for more <strong>in</strong>formation.<br />
POCAAN (pocaan.org) is a multicultural organization br<strong>in</strong>g<strong>in</strong>g people of color<br />
together to develop, implement, and <strong>pr</strong>omote com<strong>pr</strong>ehensive HIV/AIDS <strong>pr</strong>evention<br />
models. POCAAN opposes barriers created by sexism, racism, and<br />
homophobia, which limit access to healthcare services and risk reduction messages.<br />
The Safe Schools Coalition (safeschoolscoalition.org) is an <strong>in</strong>ternational public<strong>pr</strong>ivate<br />
partnership <strong>in</strong> support of LGBT youth, that is work<strong>in</strong>g to help schools,<br />
at home and all over the world, become safe places where every family can<br />
belong, where every educator can teach and every child can learn, regardless<br />
of gender identity or sexual orientation.<br />
Seattle Counsel<strong>in</strong>g Service (seattlecounsel<strong>in</strong>g.org) <strong>pr</strong>ovides mental health and<br />
chemical dependency recovery services for the LGBT communities. It <strong>has</strong> a slid<strong>in</strong>g<br />
fee scale and works with all <strong>in</strong>surance plans. It is located at 12<strong>16</strong> P<strong>in</strong>e St. (at<br />
Melrose) and can be reached at 206-323-1768.<br />
Seattle Frontrunners (seattlefrontrunners.org) is a runn<strong>in</strong>g and walk<strong>in</strong>g club of<br />
over 300 LGBT members and their friends. It welcomes everyone’s participation,<br />
regardless of age, race, gender, sexual orientation, or athletic ability. It<br />
especially encourages more women <strong>in</strong> Seattle to jo<strong>in</strong>. Jo<strong>in</strong> the Frontrunners any<br />
Saturday morn<strong>in</strong>g at G<strong>ree</strong>n Lake or <strong>We</strong>dnesday night at Volunteer Park.<br />
The Seattle Men’s Chorus and Seattle Women’s Chorus (y<strong>in</strong>ghouse.org/smc,<br />
y<strong>in</strong>ghouse.org/swc) enterta<strong>in</strong>, enlighten, unify, and heal audiences and members,<br />
us<strong>in</strong>g the power of words and music to recognize the value of gay and<br />
straight people and their relationships.<br />
Seattle Out and Proud (seattle<strong>pr</strong>ide.org) coord<strong>in</strong>ates LGBT Pride events <strong>in</strong> Seattle<br />
and the Pacic Northwest. Its <strong>pr</strong>emiere event, the Seattle Pride Parade, one of<br />
the largest such events <strong>in</strong> the country, is run by an all-volunteer board of directors.<br />
The Sisters of Perpetual Indulgence—Abbey of St. Joan (theabbey.org) is an<br />
order of 21st-century nuns dedicated to the <strong>pr</strong>omulgation of universal joy and the<br />
expiation of stigmatic guilt. It works to raise money for AIDS charities, ghts for<br />
queer rights and visibility, conducts safer sex outreach, and strives diligently to<br />
never take <strong>its</strong>elf so seriously that it forgets to have fun. The Sisters gladly welcome<br />
all races, c<strong>ree</strong>ds, genders, and sexual orientations.<br />
TEAM Seattle (teamseattle.org) fosters support for the LGBT communities <strong>in</strong> Seattle.<br />
It seeks to <strong>pr</strong>omote health, educate new athletes, develop communication<br />
between sports teams, and work together to attend local, regional, and <strong>in</strong>ternational<br />
sports events.<br />
The Youth Suicide Prevention Program (yspp.org) <strong>pr</strong>ovides public education<br />
on the issues of suicide, de<strong>pr</strong>ession, and self-harm among youth <strong>in</strong> Wash<strong>in</strong>gton<br />
State. OUTLoud, a <strong>pr</strong>oject of YSPP, focuses on LGBTQ youth and bully<strong>in</strong>g and<br />
bias-based harassment. For more <strong>in</strong>formation, contact Heather Carter, OUTLoud<br />
Project Manager, at 206-297-5922, ext. 1<strong>16</strong> or heather@yspp.org.<br />
9
OUR MEMBERS ARE SUPER SWEET<br />
It’s a fact. Without the generosity and support of<br />
donors like the ones listed below, Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong><br />
<strong>C<strong>in</strong>ema</strong> and the Seattle Lesbian & Gay Film Festival<br />
would disappear faster than a bowl of M&Ms. Let’s<br />
give them a round of applause!<br />
Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members are fans of queer<br />
c<strong>in</strong>ema who want to share that love with others.<br />
They see film as an important tool for chang<strong>in</strong>g attitudes<br />
toward lesbian, gay, bisexual, and transgender<br />
people around the world. They are supporters<br />
of LGBT civil rights, devotees of LGBT history, and<br />
DIRECTORS CIRCLE<br />
Carrie Carson & Lori Robb<br />
Scott MacKay & Michael Lambert<br />
Michele Maynard<br />
Lance Park & Scott Carnz<br />
Kathy <strong>We</strong>hle & Theresa Haynie<br />
CARMEN MIRANDAS<br />
Neelu Bhuman & Andrew Nicholson<br />
Jim Butler & Ricardo Gallegos<br />
Jamie Ew<strong>in</strong>g & Mike Novasio<br />
Eileen Forrester<br />
Jon Frank & Dan Lane<br />
E.K. Kriengkraipetch<br />
Mary Lonien & Sandy Smith<br />
Alex Nachman<br />
Thomas Nelson & Jeffrey Jones<br />
Chris Porter & Ross Parker<br />
Geoffrey Prentiss<br />
Mike Scott<br />
David Thorpe & Geoff G<strong>ree</strong>nlee<br />
Michael <strong>We</strong>idemann<br />
Sam Whit<strong>in</strong>g & Samuel Mitchell<br />
PINEAPPLES<br />
Telved Devlet & Brian <strong>We</strong>iss<br />
Heidi Herman<br />
Chris Luz & Matt Wallace<br />
Jeff Morgan & Hank Balson<br />
Gregor Perotto<br />
Jill Perry & Tania Holland<br />
David Scalabr<strong>in</strong>i<br />
Michael C. Shannon<br />
Jeremy Steward & Eric Hartmann<br />
Scott Thompson<br />
STRAWBERRIES<br />
Michael Antee & Bryan Peters<br />
Dana Belkholm<br />
James Fesalbon & Edward Darr<br />
Roy Hamrick<br />
Arthur Kuniyuki<br />
Matthew Maza<br />
Ela<strong>in</strong>e Mowery<br />
Nick Nussbaum<br />
Jean<strong>in</strong>e Spence<br />
Michael Underhill & Mark Radcliffe<br />
CHERRIES<br />
Jane Altemose & Merf Ehman<br />
Traci Birkett & Tamara Div<strong>in</strong><br />
Guy Caspary<br />
Rob Cherry<br />
Ray Deardorf<br />
David Dunham<br />
Merf Ehman & Jane Altemose<br />
Julie Fe<strong>in</strong> & Cynthia Wallace<br />
Joseph Flynn & Mark Nowlan<br />
Julie Goldberg<br />
Joseph Grande & Arnold Altamirano<br />
David Owen Hast<strong>in</strong>gs & Brian Palmer<br />
Glenn Haussmann & Tod Pease<br />
Cather<strong>in</strong>e Hillenbrand & Joseph Hudson<br />
Dave Hovenden<br />
Rebecca Hubbard & Amity Gann<br />
Paul Ikeda<br />
Kim Kolowitz & Karyn Kostyk<br />
Jason Lamb & Alan Kristal<br />
W<strong>in</strong>ston L<strong>in</strong><br />
Hannah Love & Julie Garbutt<br />
Scott Macphee & Gregory Flem<strong>in</strong>g<br />
Jerry Malmo & Marshall Liv<strong>in</strong>gston<br />
Craig Mart<strong>in</strong><br />
Mark & Michael Mendelow<br />
Barbara Metz<br />
Jeremy Moser & Jackson Holtz<br />
Mark F. Posteher & Kev<strong>in</strong> M. Ramos<br />
Eric Robison<br />
fans of local queer artists and filmmakers. In other<br />
words, our members are people just like you.<br />
Membership is the sweetest deal at the Seattle Lesbian<br />
& Gay Film Festival, because our members<br />
enjoy benef<strong>its</strong> all year long. Rewards like shorter<br />
members-only l<strong>in</strong>es, discounts on tickets for all of<br />
Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong>’s <strong>pr</strong>ograms, <strong>in</strong>vite-only film<br />
sc<strong>ree</strong>n<strong>in</strong>gs, ticket giveaways, and much more. Visit<br />
the membership table at any Festival venue to f<strong>in</strong>d<br />
out how you can become the super-sweet member<br />
we know you are!<br />
THREE DOLLAR BILL CINEMA MEMBERS (as of September 8, 2011)<br />
Michael A. Schemm<br />
Tracy Schultz & Stuart Calet<br />
Topher Shields & Jimmie O’Hara<br />
Benjam<strong>in</strong> Smith & Jeffery DiFranco<br />
Craig Snyder<br />
Michael Stewart<br />
Daniel Strommen<br />
Karl Swenson<br />
Kent Thoelke & Kev<strong>in</strong> Gaspari<br />
Sean C. Thomas<br />
Jim Vollendroff & Kent Pflugrath<br />
Jay Walls & Kari Kesler<br />
ORANGES<br />
Norma Barr<strong>in</strong>eau<br />
Tasha Bassett & Zone Montoya<br />
Mark Becker<br />
Rusty Blackwood<br />
Thom Britton & Richard Lopez<br />
Gian Bruno & Anthony Pap<strong>in</strong>i<br />
Nancy Burns<br />
Andrew Cleary & Rico Ortega<br />
Jennifer Coburn<br />
Oliver Colbert<br />
Spencer Cotton<br />
David Daniels<br />
Abigail Daquiz & James Babcock<br />
Jeff Dorion & Ryan Hicks<br />
Tim Eannar<strong>in</strong>o & Rick Moerloos<br />
Brent Eller<br />
Jayda Evans<br />
Randy Feigner & Chuck Lust<br />
Claudia Fernandez<br />
Joseph Fields<br />
Chad F<strong>in</strong>dlay & Som Siriya<br />
James Fotter<br />
Craig Friedson & Craig Brown<br />
Brian Giddens & Steve Rovig<br />
Loren Goeres<br />
Allen Goodw<strong>in</strong> & Tim Camphouse<br />
Michael G<strong>ree</strong>ne & Richard Snyder<br />
Paul Hanson & Neil Ostroff<br />
Michael Harris & Cl<strong>in</strong>t Keithley<br />
Ted Hazard<br />
Michael Herzfeld & Charles Drabk<strong>in</strong><br />
Dale Histman<br />
Phyllis Huster<br />
Sara Intriligator<br />
Laurie Jones<br />
Tracey Lake<br />
Michael Lane & Paul McKee<br />
Adam Lev<strong>in</strong>e<br />
Patrick Mart<strong>in</strong> & Samuel Holmes<br />
Brandon Maust<br />
Mark McClung<br />
Mac McIntosh<br />
John McLean<br />
Roger Meers<br />
Cather<strong>in</strong>e Mess<strong>in</strong>a & Lucy P. Baraquio<br />
Kurt Metzger<br />
Glen Meyers<br />
Lisa Mills & Alicia Healy<br />
Richard Morris<br />
René Neidhart & Arthur Davis<br />
Amanda Oberholtzer & Viveka Lazor<br />
Tim O’Connor & Jeff Stolz<br />
Robert Pearson<br />
Joseph Pentheroudakis<br />
Susan Petcoff & Ala<strong>in</strong>a Dyrness<br />
C<strong>in</strong>dy Phillips<br />
Lee Powelson<br />
Mike Ramey<br />
Jean Rietschel & Lois Thetford<br />
Patty Rose<br />
Lyle Rudensey<br />
Amy Ryken & Holly Senn<br />
Angela Satcher<br />
Adam Schiff
Steven Scholz<br />
Jeffrey Schoner<br />
Mauraan C. Schultz<br />
Barry Shaw & Rabih<br />
AbouJaoudé<br />
John S<strong>in</strong>no<br />
Ashley Smith & Kirsten Stack<br />
Chris Spengler<br />
Jan Stark & Marge Rosen<br />
Rosena Stroy<br />
Evan Switzer<br />
Miles Taka<strong>has</strong>hi & Job Ramirez<br />
Theresa Tr<strong>in</strong>idad<br />
Silvia Vega<br />
Anthony Viggiano<br />
& Chuck Mart<strong>in</strong><br />
Steven Wall<strong>in</strong> & Robb Hamm<br />
Wayne F. W<strong>in</strong>ters &<br />
David A. Bair<br />
Anonymous<br />
BANANAS<br />
Genevieve Aguilar<br />
Brittany Alsot<br />
Carolyn Anderson<br />
Don Armstrong<br />
Mary Ayres<br />
Elizabeth Barbuto<br />
Lacey All<br />
Arthur Alper<br />
Mike Anitas<br />
Gilbert Archuleta & Gary Ireland<br />
Patricia Vandenburgh Arnot<br />
Annie Baker<br />
Patti Baker<br />
Cathy Banks<br />
David Bates<br />
Julie Borden<br />
Donna Boysen<br />
Rachael Brister<br />
Doug Brooks<br />
Amy Buckalter<br />
Alessandra Bulzomi<br />
Barbara Bulzomi<br />
Michael Bulzomi<br />
Amy Burdick<br />
Thomas Butts & Scott Carter<br />
Adrianne Ca<strong>pr</strong>etto<br />
Matthew Carpenter<br />
Carrie Carson & Lori Robb<br />
Colleen Comidy<br />
<strong>Bill</strong> Craven & Just<strong>in</strong> Huff<br />
John Davis<br />
Maddi Davis<br />
Jeff Dorion & Ryan Hicks<br />
Donald Driftmier<br />
John Farris<br />
Jon Frank & Dan Lane<br />
Ruth Frobe<br />
Margaret Becker<br />
Sue Bell<br />
Troy Bodnar<br />
BRACE<br />
Brett Buchanan<br />
Eric Bulson<br />
Marty Carothers<br />
Just<strong>in</strong> Cavanaugh<br />
Brad Clark<br />
Matthew J Clark<br />
Christy Cochran<br />
Fai Coff<strong>in</strong><br />
Charles Bryan Colson<br />
Richard Cook<br />
Jeremy Crawford<br />
Ryan Crawford<br />
William Cupps<br />
Susan Cutshall<br />
Dana Davenport<br />
Robby Davis<br />
Dianne the Fem<strong>in</strong><strong>in</strong>e<br />
Face of Money<br />
Dar<strong>in</strong> Dressler<br />
Elizabeth Duroe<br />
Nick Eckert<br />
Jeremy Eknoian<br />
Dwayne Flansburgh<br />
Karl Frantz<br />
Penny F<strong>ree</strong>dman<br />
Marshall F<strong>ree</strong>man<br />
E. Steven Fried<br />
Carolyn Fuller<br />
Jason Ganwich<br />
Brian Garman<br />
<strong>Bill</strong> Gaughran<br />
Margaret Geisheker<br />
Donna Gogg<strong>in</strong><br />
Alan Goldwasser<br />
Richard G<strong>ree</strong>nberg<br />
W. D. Gula<br />
Theressia Hazelmyer<br />
Joe Heidt<br />
Anthony Hesselt<strong>in</strong>e<br />
Beth Hester<br />
G<strong>in</strong>a Hicks<br />
Andrew Higg<strong>in</strong>s<br />
John Hitchcock<br />
John Holland<br />
Sue Holland<br />
David Hua<br />
Ryan Hursh<br />
Richard Isaac<br />
Jeff Jones<br />
Jacquel<strong>in</strong>e Jordan<br />
Brian Judd<br />
Joan Larson<br />
Judy Laub<br />
Mary Lytle<br />
John Marsh<br />
Lisa Mell<strong>in</strong>ger<br />
Michael Melnick<br />
Sandra Mitchell<br />
Gerry Munroe<br />
Marla S. Nonken<br />
Mimi Noyes<br />
Peter Oehlert<br />
Shan Ottey<br />
John Otto<br />
Vicki Panzeri<br />
Lonnie Peck<br />
Carlos Pedraza<br />
Stephen Phillips<br />
Mandy Phipps<br />
Marcia Postma<br />
Richard Prasad<br />
Beau Preston<br />
Jill Prichard<br />
Laurel Ramseyer<br />
Jerry Reif<br />
Kev<strong>in</strong> Re<strong>in</strong>ste<strong>in</strong><br />
Jude Rosenberg<br />
ANNUAL FUND & FUND-A-NEED DONORS (as of September 8, 2011)<br />
Kev<strong>in</strong> Gaspari & Kent R. Thoelke<br />
Brian Giddens & Steve Rovig<br />
Julie Goldberg<br />
Benjam<strong>in</strong> Golden<br />
Geoff G<strong>ree</strong>nlee & David Thorpe<br />
Dana Hamel<br />
<strong>Bill</strong> Hammer & Jim Miersma<br />
Theressia Hazelmyer<br />
Beth Hester<br />
Cather<strong>in</strong>e Hillenbrand & Joseph Hudson<br />
David Isla & Gary Southerton<br />
Alan Johnson<br />
Chris Jones<br />
Brian Judd<br />
Judith Kahan<br />
Barbara K<strong>in</strong>ney<br />
Mary Kle<strong>in</strong><br />
Alan Kristal<br />
Arthur Kuniyuki<br />
Edward Lachica<br />
Michael Lane & Paul McKee<br />
Mary Lonien & Sandy Smith<br />
Hannah Love & Julie Garbutt<br />
Chris Luz & Matt Wallace<br />
Emily Maddox<br />
Cheryl Marland<br />
Melanie Matthews<br />
Michele Maynard<br />
Nicki McCraw<br />
Jennifer McCreary<br />
Jennifer S. McCullar<br />
Timothy Mentele<br />
Whitney Miller<br />
Jeff Morgan & Hank Balson<br />
Bonnie Morris<br />
Roger Morris<br />
Jeremy Moser & Jackson Holtz<br />
Bruce Moynagh<br />
Tim Murphy & Kelly Stevens<br />
Mau<strong>ree</strong>n Murphy Ryan<br />
Michael Novasio & James Ew<strong>in</strong>g<br />
Chris Pardo<br />
Lonnie Peck<br />
Jen Perret<br />
Jason Plourde<br />
Geoffrey Prentiss<br />
Mike Ramey<br />
Laurel Ramseyer &<br />
Marie Vanschravendijk<br />
Kabien Rendel & Elizabeth Adelaide<br />
Michelle Ruelas<br />
Deirdre Runnette & Ingrid Anderson<br />
Natasha Safarian<br />
Debra Samuels<br />
Faye Samuels<br />
Stephen Schenzel<br />
Adam Schiff<br />
Chris Scott<br />
Joseph Self<br />
Greg Serum<br />
Patricia Simon<br />
Ashley Smith & Kirsten Stack<br />
Oscar Salas<br />
Fletcher Sandbeck<br />
Kathy Savory<br />
Robert Scheffel<br />
Kurt Schlatter<br />
Lewis Schrock<br />
Michel Schummer<br />
Susan Seibert<br />
Roxi Smith<br />
Bruce P. S<strong>pr</strong>ague<br />
Ralph Steetle<br />
Jim Sutthoff<br />
Paul Verner<br />
Chris V<strong>in</strong>cent<br />
Steven Wakefield<br />
Zheng Wang<br />
Kyle Waterman<br />
Eric <strong>We</strong>iss<br />
Jack <strong>We</strong>st<br />
Peter Wilsnack<br />
Chad Wilson<br />
W<strong>in</strong>e Diva Deb<br />
Dan Woodard<br />
Michael Workman<br />
Tom Yang<br />
Frank Young<br />
Anonymous (2)<br />
Mona Smith<br />
Jean<strong>in</strong>e Spence<br />
Frank Stilwagner<br />
Naomi Strauss<br />
Jen Sullivan<br />
Miles Taka<strong>has</strong>hi & Job Ramirez<br />
Scott Thompson<br />
Adam Tillotson<br />
Alanna Trill<strong>in</strong>gham<br />
Richard Turko<br />
John Ullman & Irene Namkung<br />
Paige Vales<br />
G<strong>in</strong>a Venolia<br />
Gerard Verkerk<br />
Jeff Vogt<br />
Rosalie Volpone<br />
Lauren Walley & Tania Leeman<br />
Kathy <strong>We</strong>hle & Theresa Haynie<br />
Bryan White<br />
Marv Wh<strong>its</strong>on<br />
Wayne F. W<strong>in</strong>ters & David A. Bair<br />
John Wong & Greg Combs<br />
Larry Yok<br />
11
Open<strong>in</strong>g Night<br />
DIRTY GIRL<br />
FRIDAY | OCTOBER 14 | 7:30PM | EGYPTIAN THEATRE<br />
Norman High School, <strong>in</strong> Norman, OK, is the uncomfortable home to two social outcasts<br />
When the who couldn’t be more diff erent. Danielle (Juno Temple, KABOOM) is the wild-child<br />
local bad girl party girl, desperate to make connections one backseat date at a time. Clarke (Jer-<br />
gets paired with emy Dozier) is the frumpy closet case, constantly worshipp<strong>in</strong>g at his Walkman altar.<br />
a frumpy gay boy, When the two are paired up to form a family for a homework assignment, they ease<br />
sparks fl y, wheels <strong>in</strong>to an unexpected friendship. But their bond is threatened when Clarke’s homopho-<br />
sp<strong>in</strong>, and the good bic dad decides to ship his son off to military school and Danielle’s broken home life<br />
times roll! becomes too much. e two take off <strong>in</strong> search of a man they’ve never met: Danielle’s<br />
real father, who she recently learned is liv<strong>in</strong>g <strong>in</strong> bucolic Fresno. With police and parents<br />
(Dwight Yoakam, Milla Jovovich, and Mary Steenburgen) <strong>in</strong> hot pursuit, Danielle and<br />
Clarke saddle up for a raucous road trip full of action, laughs, and a very sexy male stripper.<br />
Not s<strong>in</strong>ce Will & Grace <strong>has</strong> a gay/gal duo spawned such outrageous adventures and side-splitt<strong>in</strong>g comedy.<br />
Puls<strong>in</strong>g to the beat of a late-’80s pop diva soundtrack and burst<strong>in</strong>g with fun-fi lled energy at every turn,<br />
DIRTY GIRL is a wild ride you won’t want to end.<br />
ASL Inter<strong>pr</strong>eted<br />
Abe Sylvia; 2011; US; 90 m<strong>in</strong>. U Guests <strong>in</strong> Attendance<br />
OPENING NIGHT GALA The <strong>16</strong>th festival kicks off at a sweet new event space on Capitol Hill and a sweet new<br />
collaboration. Our Open<strong>in</strong>g Night Gala is <strong>pr</strong>esented by Trouble. Experience huge wall <strong>pr</strong>ojections, fantastic DJs, and food<br />
and dr<strong>in</strong>k <strong>pr</strong>ovided by our generous sponsors below. Ticket to the Open<strong>in</strong>g Night Film and Gala required. 21 and over only.<br />
Fred Wildlife Refuge | 98 Belmont Avenue E. | Across the st<strong>ree</strong>t from Capta<strong>in</strong> Blacks | Seattle WA 98102<br />
13
Clos<strong>in</strong>g Night<br />
VITO<br />
SUNDAY | OCTOBER 23 | 6:30PM | CINERAMA<br />
<strong>We</strong> are honored to <strong>pr</strong>esent the <strong>We</strong>st Coast <strong>pr</strong>emiere of VITO, an <strong>in</strong>spir<strong>in</strong>g tribute to the<br />
legendary Vito Russo: groundbreak<strong>in</strong>g author and an outspoken found<strong>in</strong>g father of the<br />
gay liberation movement.<br />
As a young man <strong>in</strong> New York City, Vito was <strong>pr</strong>om<strong>in</strong>ent and resourceful <strong>in</strong> the fi ght for<br />
gay rights. He staged an engagement party <strong>in</strong> 1971 to <strong>pr</strong>otest marriage <strong>in</strong>equality. When<br />
<strong>in</strong>fi ght<strong>in</strong>g threatened New York’s 1973 Pride rally, Vito, as emcee, restored harmony by<br />
hav<strong>in</strong>g friend (and <strong>in</strong>genue) Bette Midler perform. With the onset of AIDS, he became<br />
<strong>in</strong>strumental <strong>in</strong> form<strong>in</strong>g ACT-UP.<br />
Vito understood that culture is as important as politics <strong>in</strong> the struggle for equal rights. He<br />
hosted gay movie nights <strong>in</strong> the early ’70s, remark<strong>in</strong>g that see<strong>in</strong>g fi lms with a gay audience was completely<br />
diff erent than with a general audience. is passion for c<strong>in</strong>ema led him to travel the world and sc<strong>ree</strong>n<br />
hundreds of fi lms, fi nd<strong>in</strong>g LGBT characters and stories often hidden from c<strong>in</strong>ematic history. e culm<strong>in</strong>ation<br />
of this research, e Celluloid Closet, was the most extensive record of LGBT re<strong>pr</strong>esentation on sc<strong>ree</strong>n<br />
and exposed c<strong>in</strong>ema’s often-homophobic messages.<br />
Heartwarm<strong>in</strong>g and humorous <strong>in</strong>terviews of Vito’s family and friends (Armistead Maup<strong>in</strong>, Jeff rey Freidman,<br />
and Lily Toml<strong>in</strong> among them) and clips from an astonish<strong>in</strong>g collection of fi lm treasures coalesce <strong>in</strong>to a mov<strong>in</strong>g<br />
portrait of the person who paved the way for—and <strong>pr</strong>oved the importance of—LGBT fi lm festivals like ours.<br />
WEST<br />
COAST<br />
PREMIERE<br />
Jeffrey Schwarz; 2011; US; 93 m<strong>in</strong>. U Guest <strong>in</strong> Attendance ASL Inter<strong>pr</strong>eted<br />
CLOSING NIGHT GALA Celebrate the sweet end<strong>in</strong>g to 10 days of lms with our Clos<strong>in</strong>g Night Gala. <strong>We</strong> are<br />
pleased to be back at the newly remodeled South Lake Union Discovery Center. Enjoy a delicious sampl<strong>in</strong>g of food from South<br />
Lake Union restaurants and caterers and dr<strong>in</strong>ks <strong>pr</strong>ovided by our generous sponsors. Presented by Seattle Met Magaz<strong>in</strong>e.<br />
Ticket to the Clos<strong>in</strong>g Night Film and Gala required.<br />
South Lake Union Discovery Center | 101 <strong>We</strong>stlake Avenue N. | Seattle WA 98109<br />
15
Strike a<br />
pose for this<br />
high-energy,<br />
modern mix<br />
of PARIS IS<br />
BURNING<br />
and Rent.<br />
Centerpiece<br />
LEAVE IT ON THE FLOOR<br />
SUNDAY | OCTOBER <strong>16</strong> | 7:00PM | EGYPTIAN THEATRE<br />
Set <strong>in</strong> the underground drag ball scene of LA, this Centerpiece features fierce<br />
dance sequences that will leave you floored.<br />
When Brad is kicked out of his dysfunctional home for be<strong>in</strong>g gay, he must f<strong>in</strong>d a<br />
way to survive on the mean st<strong>ree</strong>ts of Los Angeles. By chance, he stumbles <strong>in</strong>to<br />
a ball and is transfixed by the ragtag teams of fierce talent and colorful personalities.<br />
Taken <strong>in</strong> by the struggl<strong>in</strong>g House of Em<strong>in</strong>ence and <strong>its</strong> family of outcasts,<br />
Brad f<strong>in</strong>ally starts to feel like he belongs. But rag<strong>in</strong>g hormones create a love triangle<br />
that threatens to tear his newfound family apart. Can the House of Em<strong>in</strong>ence<br />
leave <strong>its</strong> conflicts backstage and come together to f<strong>in</strong>ally w<strong>in</strong> the coveted house trophy?<br />
Or will Brad be forced to cont<strong>in</strong>ue his search for love, community, and acceptance?<br />
Featur<strong>in</strong>g 11 new songs (from show tunes to techno) and electrify<strong>in</strong>g dance numbers, LEAVE IT ON<br />
THE FLOOR is the 20-year passion <strong>pr</strong>oject of award-w<strong>in</strong>n<strong>in</strong>g director Sheldon Larry. Support<strong>in</strong>g him<br />
are an exceptional sc<strong>ree</strong>nplay and lyrics by Glenn Gaylord, an orig<strong>in</strong>al score by Beyoncé’s creative director<br />
Kim Burse, and eye-popp<strong>in</strong>g choreography by Frank Gatson Jr., the wizard beh<strong>in</strong>d Beyoncé’s “S<strong>in</strong>gle<br />
Ladies” music video.<br />
Sheldon Larry; 2011; US; 107 m<strong>in</strong>. U<br />
Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by POCAAN<br />
CENTERPIECE RECEPTION Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of LEAVE IT ON THE FLOOR, please jo<strong>in</strong> us for a gala<br />
reception at the Lobby Bar. Your ticket to the lm <strong>in</strong>cludes the gala reception. 21 and over only.<br />
The Lobby Bar | 9<strong>16</strong> East Pike St<strong>ree</strong>t | Seattle WA 98122<br />
17
Country<br />
music star<br />
Chely Wright had<br />
a huge secret that<br />
seemed impossible to<br />
reveal to her family,<br />
friends, and<br />
fans.<br />
Centerpiece<br />
WISH ME AWAY<br />
FRIDAY | OCTOBER 21 | 7:15PM | PACIFIC PLACE<br />
Raised <strong>in</strong> a deeply religious home and diligently work<strong>in</strong>g her way to fame <strong>in</strong> the homophobic<br />
country music <strong>in</strong>dustry, Chely <strong>pr</strong>ayed for <strong>years</strong> that her homosexuality would just<br />
go away. As her dreams of stardom came true, her reality could no longer be denied.<br />
In 2010, Chely began an arduous but carefully mapped journey of com<strong>in</strong>g out to the<br />
world. Over a th<strong>ree</strong>-year period, award-w<strong>in</strong>n<strong>in</strong>g filmmakers Bobbie Birleffi and Beverly<br />
Kopf captured every moment of Chely’s struggle, from her most <strong>in</strong>timate moments<br />
of confession (<strong>in</strong>clud<strong>in</strong>g her own video diaries) to very public appearances <strong>in</strong> the ma<strong>in</strong>stream<br />
media. Every touch<strong>in</strong>g and rivet<strong>in</strong>g moment is captured and crafted <strong>in</strong>to this powerful<br />
and mov<strong>in</strong>g documentary that <strong>has</strong> left audiences cheer<strong>in</strong>g.<br />
W<strong>in</strong>ner of the Outstand<strong>in</strong>g Documentary Feature Award at Framel<strong>in</strong>e 35: e 2011 San Fran-<br />
cisco International LGBT Film Festival, the Grand Jury Prize for Best Documentary at the 2011 Los Angeles<br />
Film Festival, the Audience Award for Best Documentary at the 2011 Nashville Film Festival, and the Jury<br />
Award for Best Documentary at the 2011 Philadelphia QFest.<br />
Bobbie Birlef and Beverly Kopf; 2011; US; 95 m<strong>in</strong>.<br />
U Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by The Seattle Men’s Chorus and The Seattle Women’s Chorus<br />
CENTERPIECE RECEPTION Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of WISH ME AWAY, please jo<strong>in</strong> us for a gala reception <strong>in</strong> the<br />
atrium of Pacic Place at Il Fornaio Bakery and Café. Enjoy some of Il Fornaio’s signature savory <strong>bit</strong>es and desserts and an<br />
array of beverages. Your ticket to the lm <strong>in</strong>cludes the gala reception.<br />
Il Fornaio Restaurant and Bakery | 600 P<strong>in</strong>e St<strong>ree</strong>t | Seattle WA 98101<br />
19
SLGFF AWARDS<br />
THE SEATTLE LESBIAN & GAY FILM FESTIVAL <strong>pr</strong>esents selected lmmakers with audience favorite and juried awards.<br />
AUDIENCE FAVORITE AWARDS are determ<strong>in</strong>ed by ballots completed by attendees dur<strong>in</strong>g the festival. The Audience Awards<br />
<strong>pr</strong>esented on Clos<strong>in</strong>g Night are Favorite Narrative Feature, Favorite Documentary Feature, Favorite Gay Short Film, Favorite<br />
Lesbian Short Film, and Favorite Local Film. Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> AWARDS FOR EXCELLENCE are chosen by our esteemed<br />
panel of jurors and <strong>in</strong>clude a cash <strong>pr</strong>ize. Th<strong>ree</strong> juries convene to select the follow<strong>in</strong>g awards: Best Feature Film, Best Documentary<br />
Film, Best Short Film, and Most Innovative Short Film.<br />
NARRATIVE JURY<br />
Emma Smart is a <strong>pr</strong>ogrammer for the London Lesbian<br />
& Gay Film Festival. She <strong>has</strong> a background<br />
<strong>in</strong> film studies and <strong>has</strong> given numerous papers<br />
on queer c<strong>in</strong>ema. She <strong>has</strong> a penchant for Dusty<br />
S<strong>pr</strong><strong>in</strong>gfield and all th<strong>in</strong>gs camp.<br />
Daniel Tayara <strong>has</strong> been mak<strong>in</strong>g short films for two<br />
<strong>years</strong>. He is <strong>in</strong> school for computer animation and<br />
<strong>has</strong> been a Reel Queer Youth participant. Work<strong>in</strong>g<br />
for Pixar is a long-term goal of his.<br />
John Kirk was a film archivist for MGM Studios for<br />
almost 20 <strong>years</strong>, restor<strong>in</strong>g such classics as SOME<br />
LIKE IT HOT and FELLINI SATYRICON. His film<br />
<strong>pr</strong>esentation “Sons of Hercules” was at the 2000<br />
SLGFF. He is on the advisory board of the Legacy<br />
Project, the LGBT film restoration and <strong>pr</strong>eservation<br />
<strong>pr</strong>ogram.<br />
DOCUMENTARY JURY<br />
Aubrey Scheffel is Market<strong>in</strong>g Manager at SIFF<br />
and past board member of Bent Arts. She moved<br />
to Seattle <strong>in</strong> 2007 to fulfill her dream of be<strong>in</strong>g a<br />
Pacific Northwest garden gnome.<br />
L<strong>in</strong>dsay Mart<strong>in</strong> studied documentary <strong>pr</strong>oduction at<br />
Rhode Island School of Design and moved to Seattle<br />
for the outdoor adventures and the welcom<strong>in</strong>g<br />
film community. She is currently a segment <strong>pr</strong>oducer<br />
on a television series, creat<strong>in</strong>g short documentary<br />
<strong>pr</strong>ofiles on young entre<strong>pr</strong>eneurs around the country.<br />
She couldn’t be happier.<br />
Zheng Wang, PhD, is an award-w<strong>in</strong>n<strong>in</strong>g documentary<br />
filmmaker who constantly seeks to expand<br />
his artistic horizons. Recent additions to his list of<br />
creative pursu<strong>its</strong> <strong>in</strong>clude playwrit<strong>in</strong>g, songwrit<strong>in</strong>g,<br />
choreography, and <strong>in</strong>terior design. He believes <strong>in</strong><br />
the power of love.<br />
SHORTS JURY<br />
Dust<strong>in</strong> Kaspar works year-round as the Educational<br />
Programs Manager and as a shorts/feature <strong>pr</strong>ogrammer<br />
with SIFF. In his spare time, he s<strong>in</strong>gs opera<br />
and cooks any recipe that captures his imag<strong>in</strong>ation.<br />
Felicia Gonzalez was born <strong>in</strong> Cuba. A poet and<br />
short fiction writer, she is currently work<strong>in</strong>g on Swimm<strong>in</strong>g<br />
<strong>in</strong> Mercury, stories explor<strong>in</strong>g the relationship<br />
of language to identity.<br />
V<strong>in</strong>cent Kovar is a writer and <strong>pr</strong>ofessor who teaches<br />
media and LGBT studies. He also performs on<br />
stage, <strong>in</strong> commercials, and <strong>in</strong> <strong>in</strong>dependent film.
It’s<br />
been<br />
30 <strong>years</strong><br />
s<strong>in</strong>ce AIDS<br />
descended on<br />
the world.<br />
Spotlight<br />
WE WERE HERE<br />
SATURDAY | OCTOBER 15 | 5:00PM | EGYPTIAN THEATRE<br />
WE WERE HERE documents what was called the “gay plague” as it hit San<br />
Francisco <strong>in</strong> the early 1980s. Focus<strong>in</strong>g on fi ve survivors of the epidemic and their<br />
gripp<strong>in</strong>g recollections of the ordeal, this is an <strong>in</strong>spir<strong>in</strong>g tale of empowerment, as<br />
the community came together to face a threat the government ignored. Awardw<strong>in</strong>n<strong>in</strong>g<br />
director David <strong>We</strong>issman br<strong>in</strong>gs a unique understand<strong>in</strong>g to this ordeal,<br />
hav<strong>in</strong>g lived through it himself. Mean<strong>in</strong>gful and memorable, this journey through<br />
<strong>in</strong>credible suff er<strong>in</strong>g and loss is ultimately a story of compassion, support, and hope.<br />
David <strong>We</strong>issman; 2011; US; 90 m<strong>in</strong>. U Guest <strong>in</strong> Attendance<br />
POST-SCREENING RECEPTION Seattle Volvo | 1120 Pike St<strong>ree</strong>t | Seattle WA 98122<br />
HIV30 FILM SERIES<br />
ASL Inter<strong>pr</strong>eted<br />
HIV30: Take Action Seattle is a collaboration of Seattle HIV/AIDS service organizations work<strong>in</strong>g together<br />
to commemorate the 30th anniversary of the HIV/AIDS epidemic. In conjunction with this eff ort, the Seattle<br />
Lesbian & Gay Film Festival is <strong>pr</strong>oud to <strong>pr</strong>esent WE WERE HERE along with these other powerful and<br />
important fi lms related to the impact and experience of HIV over the last th<strong>ree</strong> decades: THE GROVE,<br />
HEART BREAKS OPEN, STILL AROUND, and VITO.<br />
21
FILM FESTIVAL HIGHLIGHTS<br />
Pull on your boots and bust out those<br />
Wranglers for these lms with a country<br />
twang and rural spirit.<br />
WISH ME AWAY THE BEST LITTLE WHOREHOUSE IN TEXAS HARVEST LONGHORNS<br />
From grunge to hip-hop and with a healthy dose of Glee, you’ll nd<br />
plenty to s<strong>in</strong>g and dance about <strong>in</strong> these music-oriented offer<strong>in</strong>gs.<br />
HIT SO HARD MARY LOU JAMIE AND JESSIE ARE NOT TOGETHER LEAVE IT ON THE FLOOR<br />
ECLECTIC YOUTH<br />
p.17<br />
GOING DOWN UNDER<br />
There’s another Oz that glitters with fabulous gay characters,<br />
and these <strong>pr</strong>ograms imported from Australia will give you a<br />
taste of life <strong>in</strong> that fantastic, faraway land.<br />
SAUCY AUSSIES OUTLAND HANNAH & THE HASBIAN MY PAST MY PRESENT<br />
p.60<br />
p.35<br />
A LITTLE BIT COUNTRY<br />
WE GOT THE BEAT<br />
Outstand<strong>in</strong>g athletes, quirky characters, and local lmmakers will dazzle<br />
you with their talent and courage <strong>in</strong> <strong>pr</strong>ograms showcas<strong>in</strong>g the next generation<br />
defy<strong>in</strong>g gender stereotypes.<br />
OUT FOR THE LONG RUN REEL QUEER YOUTH SHORTS BOY CHEERLEADERS SPORK<br />
p.45<br />
p.25<br />
p.29<br />
p.41<br />
p.59<br />
p.35<br />
p.31<br />
p.37<br />
p.27<br />
23<br />
p.39<br />
p.43<br />
p.17<br />
p.49
FEATURE FILMS<br />
MONDAY – OCTOBER 17 – 9:30PM – NORTHWEST FILM FORUM<br />
(A)SEXUAL<br />
Angela Tucker; 2011; US; 75 m<strong>in</strong>.<br />
In the summer of 2002, David Jay’s new website brought worldwide attention to asexuals:<br />
people like himself who do not experience sexual attraction…to anyone. With humor and<br />
<strong>in</strong>telligence, (A)SEXUAL sheds light on the phenomenon and debunks some misconceptions<br />
about people who just don’t want to have sex. From hilarious person-on-the-st<strong>ree</strong>t<br />
reactions to commentary by sexperts such as Carol McQueen and Dan Savage, the film<br />
addresses everyth<strong>in</strong>g from relationships and masturbation to common perceptions about<br />
asexuality (<strong>in</strong>clud<strong>in</strong>g the familiar “you just haven’t met the right person”). F<strong>in</strong>ally, is there a<br />
place for asexuals <strong>in</strong> the ever-expand<strong>in</strong>g queer community?<br />
U<br />
SUNDAY – OCTOBER <strong>16</strong> – 9:30PM – EGYPTIAN THEATRE<br />
THE ADVOCATE FOR FAGDOM<br />
Angélique Bosio; 2011; France; 91 m<strong>in</strong>.<br />
Subversive genius, pioneer<strong>in</strong>g <strong>pr</strong>ovocateur, reluctant pornographer: all describe queercore<br />
filmmaker Bruce LaBruce, whose transgressive aesthetic <strong>has</strong> maddened and enchanted audiences<br />
for decades. Evolv<strong>in</strong>g from quiet Ontario farm boy to the toast of the Toronto and<br />
New York underground scenes, LaBruce became the master of re<strong>in</strong>vention, his punk attitude<br />
<strong>in</strong>fus<strong>in</strong>g his low-budget films with hardcore gay sex, schlock horror, and sophisticated<br />
political commentary. Archival clips of his rough, seductive films (<strong>in</strong>clud<strong>in</strong>g LA ZOMBIE,<br />
SLGFF 2010) comb<strong>in</strong>e with penetrat<strong>in</strong>g <strong>in</strong>ter<strong>pr</strong>etation and anecdotes from collaborators<br />
and admirers (Gus Van Sant and John Waters among them) to form a fasc<strong>in</strong>at<strong>in</strong>g portrait<br />
of a s<strong>in</strong>gular talent.<br />
TUESDAY – OCTOBER 18 – 9:15PM – CENTRAL CINEMA<br />
THE BEST LITTLE WHOREHOUSE IN TEXAS SING-ALONG<br />
Col<strong>in</strong> Higg<strong>in</strong>s; 1982; US; 114 m<strong>in</strong>.<br />
Yeehaw! Embrace your <strong>in</strong>ner good ol’ girl and visit Miss Mona (Dolly Parton), the nononsense<br />
<strong>pr</strong>o<strong>pr</strong>ietress of the Chicken Ranch, a beloved Texas <strong>in</strong>stitution under siege from<br />
religious conservative TV personality Melv<strong>in</strong> P. Thorpe (brilliantly played by Dom De-<br />
Luise). But with a smok<strong>in</strong>’ hot sheriff (Burt Reynolds) stand<strong>in</strong>g by Mona’s side, what<br />
could go wrong? There won’t be noth<strong>in</strong>’ dirty go<strong>in</strong>’ on at this s<strong>in</strong>g-along, but maybe more<br />
than a thrill when the Texas Aggie football team (s<strong>in</strong>g<strong>in</strong>g! danc<strong>in</strong>g! naked!) a-whoop it up<br />
all right. And if you’re worried about a “Hard Candy Christmas,” rest assured that Dolly<br />
will always love you.<br />
Ages 21+ only.<br />
SUNDAY – OCTOBER <strong>16</strong> – 12:00PM – EGYPTIAN THEATRE<br />
BOB’S NEW SUIT<br />
Alan R. Howard; 2009; US; 97 m<strong>in</strong>.<br />
Narrated by a fabulous Italian suit, this is a touch<strong>in</strong>g tribute to the strength of family bonds.<br />
Sexy (and often shirtless) Bob is gett<strong>in</strong>g married to his girlfriend Jenny, while his sister<br />
Stephanie is transition<strong>in</strong>g to be<strong>in</strong>g Steve. While their mom resists Steve’s “entrance” <strong>in</strong>to<br />
the family, she and Dad struggle with a long-buried secret that surfaces amid a tragedy. A<br />
complex, k<strong>in</strong>dhearted film, BOB’S NEW SUIT highlights Shay Astar’s sensitive portrayal<br />
of Steve as humane, compassionate, and whip-smart. This is a must-see for everyone who<br />
understands the struggle to realize one’s true identity.<br />
U<br />
Guest <strong>in</strong> Attendance<br />
Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Ingersoll Gender Center<br />
25
FEATURE FILMS<br />
SATURDAY – OCTOBER 22 – 4:30PM – PACIFIC PLACE 1<br />
BOY CHEERLEADERS<br />
James Newton; 2010; UK; 62 m<strong>in</strong>.<br />
This refresh<strong>in</strong>g documentary follows the DAZL Diamonds, from the <strong>in</strong>dustrial, work<strong>in</strong>gclass<br />
northern English town of Leeds, as they attempt to become the first all-boy cheerlead<strong>in</strong>g<br />
squad to place <strong>in</strong> the UK National Cheerlead<strong>in</strong>g F<strong>in</strong>als. These enthusiastic and talented<br />
lads, rang<strong>in</strong>g <strong>in</strong> age from 8 to 13, dream of becom<strong>in</strong>g “the next <strong>Bill</strong>y Elliot,” while their<br />
charm<strong>in</strong>g s<strong>in</strong>gle moms struggle with despair over their challeng<strong>in</strong>g circumstances. The <strong>in</strong>spirational<br />
<strong>in</strong>structors Ian and Cherry fill the roles of surrogate parents and emotional supporters<br />
<strong>in</strong> this affect<strong>in</strong>g story of determ<strong>in</strong>ation and triumph aga<strong>in</strong>st the odds.<br />
U Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by The Safe Schools Coalition<br />
Play<strong>in</strong>g with: FRANSWA SHARL Hannah Hilliard; 2010; Australia; 14 m<strong>in</strong>.<br />
Greg, who <strong>has</strong> <strong>in</strong>herited his father’s competitive streak, gives a fierce performance <strong>in</strong> the Miss Fiji Pageant.<br />
SATURDAY – OCTOBER 22 – 9:30PM – PACIFIC PLACE 1<br />
CODEPENDENT LESBIAN SPACE ALIEN SEEKS SAME<br />
Madele<strong>in</strong>e Olnek; 2011; US; 70 m<strong>in</strong>.<br />
When studies show that residents of planet Zotz are caus<strong>in</strong>g the depletion of their ozone<br />
layer with unseemly “big feel<strong>in</strong>gs,” the cul<strong>pr</strong><strong>its</strong> are sent to Earth to cure themselves through<br />
heartbreak. The th<strong>ree</strong> lovely but awkward aliens dodge government agents, needy human<br />
exes, and the treacherous allure of cheesecake <strong>in</strong> their quest to f<strong>in</strong>d, and subsequently part<br />
with, a human companion. A hilarious commentary on queer culture, as well as an homage<br />
to early sci-fi classics (with a touch of Ed Wood), writer-director Madele<strong>in</strong>e Olnek’s first<br />
feature is as campy as they come.<br />
WEDNESDAY – OCTOBER 19 – 7:15PM – NORTHWEST FILM FORUM<br />
EAST BLOC LOVE<br />
Logan Mucha; 2011; Australia; 70 m<strong>in</strong>.<br />
In Belarus, Europe’s last dictatorship, the police and neo-Nazi sk<strong>in</strong>heads f<strong>ree</strong>ly attack gay<br />
and lesbian citizens. When Sergey Yen<strong>in</strong>’s boyfriend is shot on the border, it becomes a call<br />
to action for this activist. He helps rally a few brave gay and lesbian advocates, who risk their<br />
lives by stag<strong>in</strong>g an illegal Pride event <strong>in</strong> the capital, M<strong>in</strong>sk. Logan Mucha’s debut feature<br />
documentary, filmed <strong>in</strong> six eastern European countries, explores evolv<strong>in</strong>g attitudes toward<br />
homosexuality <strong>in</strong> these nascent democracies still struggl<strong>in</strong>g with public, governmental, and<br />
religious <strong>in</strong>tolerance and the LGBT community’s reluctance to be visible.<br />
Co<strong>pr</strong>esented by Foundation for Seeattle Out and Proud<br />
SATURDAY – OCTOBER 22 – 7:00PM – PACIFIC PLACE 1<br />
EATING OUT 5: THE OPEN WEEKEND<br />
Q. Allan Brocka; 2011; US; 83 m<strong>in</strong>.<br />
In the fifth <strong>in</strong>stallment of the popular EATING OUT series, sexy couple Zach and Benji<br />
decide to have an “open” weekend when they go on vacation to a gay getaway <strong>in</strong> Palm<br />
S<strong>pr</strong><strong>in</strong>gs. Tension mounts when Zach runs <strong>in</strong>to his ex at the resort, and they both do their<br />
best to look like they are hav<strong>in</strong>g a good time. How could they not, when they are surrounded<br />
by cute, horny guys with six-packs and very little cloth<strong>in</strong>g? Seattle native Q. Allan Brocka’s<br />
latest film is sure to be a hit with fans of the series and newbies alike.<br />
U<br />
Guests <strong>in</strong> Attendance<br />
Reception follow<strong>in</strong>g the film,<br />
see page 62<br />
27
FEATURE FILMS<br />
SATURDAY – OCTOBER 15 – 12:30PM – EGYPTIAN THEATRE<br />
eCUPID<br />
J. C. Calciano; 2011; US; 93 m<strong>in</strong>.<br />
Marshall and Gabe appear to be a happy couple, although their jobs keep them too busy for<br />
each other. When Marshall starts experienc<strong>in</strong>g the seven-year itch, he turns to a mysterious<br />
new dat<strong>in</strong>g app, eCupid, to see what he might be miss<strong>in</strong>g. What seems like a w<strong>in</strong>dfall of hot<br />
guys soon gets a <strong>bit</strong> out of hand when technology starts runn<strong>in</strong>g Marshall’s life. Some sage<br />
advice from a waitress (Morgan Fairchild) rem<strong>in</strong>ds Marshall to listen to his heart. Writerdirector<br />
J. C. Calciano (IS IT JUST ME?, SLGFF 2010) br<strong>in</strong>gs this romantic comedy about<br />
gett<strong>in</strong>g what you th<strong>in</strong>k you wish for.<br />
TUESDAY – OCTOBER 18 – 6:00PM – CENTRAL CINEMA<br />
GAY TV DINNER: OUTLAND 1-3 World Premiere<br />
Kev<strong>in</strong> Carl<strong>in</strong>; 2011; Australia; 80 m<strong>in</strong>.<br />
LGBT geeks, unite! <strong>We</strong>’re thrilled to <strong>pr</strong>esent the world <strong>pr</strong>emiere of the hotly anticipated<br />
new Australian TV series, OUTLAND. Based on the only short film to play both the<br />
Melbourne Queer Film Festival and the World Science Fiction Convention, this six-part<br />
comedy series focuses on members of a gay science-fiction fan club and their adventures <strong>in</strong><br />
our weird world. The Force is strong <strong>in</strong> this one!<br />
Episodes 1–3: Bondage & Bionics. Open about their sexuality but not so much about their<br />
geekdom, the gang outs one of their own on a first date, stumbles <strong>in</strong>to a complicated BDSM<br />
scene, and faces the Khan-like wrath of their club’s former leader.<br />
WEDNESDAY – OCTOBER 19 – 6:00PM – CENTRAL CINEMA<br />
GAY TV DINNER: OUTLAND 4-6 World Premiere<br />
Kev<strong>in</strong> Carl<strong>in</strong>; 2011; Australia; 80 m<strong>in</strong>.<br />
Boldly go<strong>in</strong>g where no TV show <strong>has</strong> gone before, the <strong>pr</strong>emiere of this outrageous new Australian<br />
comedy series cont<strong>in</strong>ues with th<strong>ree</strong> more out-of-this world episodes.<br />
Episodes 4–6: Close Encounters. Our ragtag fleet of friends cont<strong>in</strong>ues their search for signs<br />
of <strong>in</strong>telligent life among them, lead<strong>in</strong>g to a c<strong>ree</strong>py apartment of X Files-style terrors, a futuristic<br />
penthouse where a secret crush is revealed (<strong>in</strong> song!), and a Gay Pride parade where<br />
their ultimate sci-fi gay icon is honored with hilarious results.<br />
U<br />
SATURDAY – OCTOBER 15 – 9:45PM – EGYPTIAN THEATRE<br />
GOING DOWN IN LA-LA LAND<br />
Casper Andreas; 2011; US; 105 m<strong>in</strong>.<br />
Based on the novel by Andy Zeffer, GOING DOWN IN LA-LA LAND is a seem<strong>in</strong>gly<br />
simple story: a hunky young man (Matthew Ludw<strong>in</strong>ski) moves to LA, seek<strong>in</strong>g his big break<br />
<strong>in</strong> showbiz while liv<strong>in</strong>g with his best friend, a straight woman who spends her time shopp<strong>in</strong>g<br />
and c<strong>has</strong><strong>in</strong>g men. But throw <strong>in</strong> a foray <strong>in</strong>to the steamy world of gay porn stardom and escort<strong>in</strong>g,<br />
and a blossom<strong>in</strong>g relationship yearn<strong>in</strong>g for survival amid the hysterics of Hollywood,<br />
and you’ve got an updated, uncensored twist on the “rom-com” genre from the director of<br />
VIOLET TENDENCIES (SLGFF 2010) and FOUR LETTER WORD (SLGFF 2007).<br />
U<br />
Guests <strong>in</strong> Attendance<br />
Guests <strong>in</strong> Attendance<br />
29
FEATURE FILMS<br />
FRIDAY – OCTOBER 21 – 7:45PM – ADMIRAL THEATER<br />
THE GREEN<br />
Steven Williford; 2010; US; 90 m<strong>in</strong>.<br />
Hav<strong>in</strong>g escaped New York for small-town Connecticut, <strong>pr</strong>ep-school teacher Michael (Jason<br />
Butler Harner) takes a special <strong>in</strong>terest <strong>in</strong> Jason, a troubled student, but avoids his own fail<strong>in</strong>g<br />
relationship with hunky Daniel (Cheyenne Jackson from Glee, Broadway’s Xanadu). Jason<br />
claims that Michael molested him, quickly upend<strong>in</strong>g the teacher’s life and turn<strong>in</strong>g the town<br />
aga<strong>in</strong>st the gay couple. Julia Ormond <strong>pr</strong>ovides a shrewd performance as a lesbian lawyer<br />
try<strong>in</strong>g to discern the truth amid the subtle homophobia of neighbors, the suspicions of Michael’s<br />
coworkers, and Daniel’s doubts about his partner’s <strong>in</strong>nocence after the <strong>in</strong>vestigation<br />
reveals a secret from the past.<br />
SUNDAY – OCTOBER <strong>16</strong> – 12:00PM – NORTHWEST FILM FORUM<br />
THE GROVE<br />
Andy Abrahams Wilson and Tom Shepard; 2011; US; 61 m<strong>in</strong>.<br />
How do we mark a time of unimag<strong>in</strong>able loss? More Americans have been lost to AIDS<br />
than <strong>in</strong> all the nation’s wars s<strong>in</strong>ce 1900, yet few know about the National AIDS Memorial,<br />
a seven-acre sanctuary <strong>in</strong> San Francisco’s Golden Gate Park. S<strong>in</strong>ce the late ’80s, this place of<br />
remembrance and heal<strong>in</strong>g, known as “The Grove,” <strong>has</strong> been landscaped and tended by those<br />
who lost loved ones to AIDS. But the fight to remember becomes heated when some board<br />
members seek broader public recognition through an <strong>in</strong>ternational design competition, ignit<strong>in</strong>g<br />
a debate on the ap<strong>pr</strong>o<strong>pr</strong>iateness and mean<strong>in</strong>g of this national memorial.<br />
Play<strong>in</strong>g with: BLINK Alka Joshi and Yoni Kle<strong>in</strong>; 2010; US; 8 m<strong>in</strong>. A lifelong obsession with photography<br />
gave Russ Osterweil a way to record his near-death bout with his AIDS-related illness.<br />
THURSDAY – OCTOBER 20 – 9:30PM – ADMIRAL THEATER<br />
GUN HILL ROAD<br />
Rashaad Ernesto G<strong>ree</strong>n; 2011; US; 88 m<strong>in</strong>.<br />
When Enrique (Esai Morales) returns home after a th<strong>ree</strong>-year <strong>pr</strong>ison sentence, he f<strong>in</strong>ds<br />
his family transformed. His wife is hid<strong>in</strong>g an affair, and his teenage son, Michael, <strong>has</strong><br />
become Vanessa (poignantly played by Harmony Santana, who was undergo<strong>in</strong>g her own<br />
gender transition dur<strong>in</strong>g the film<strong>in</strong>g). Can Enrique f<strong>in</strong>d the strength to accept his son for<br />
who he <strong>has</strong> become, or will he cl<strong>in</strong>g to his conceptions of mascul<strong>in</strong>ity and revert to the<br />
patterns of his crim<strong>in</strong>al past? Despite <strong>its</strong> brutality, this Sundance favorite is a touch<strong>in</strong>g<br />
story of acceptance <strong>in</strong> the tough, unforgiv<strong>in</strong>g world of the Bronx.<br />
Co<strong>pr</strong>esented by Ingersoll Gender Center<br />
MONDAY – OCTOBER 17 – 7:15PM – EGYPTIAN THEATRE<br />
HANNAH & THE HASBIAN<br />
Gordon Napier; 2011; Australia; 71 m<strong>in</strong>.<br />
Reception follow<strong>in</strong>g the film,<br />
see page 62<br />
Hannah gave up everyth<strong>in</strong>g to be with Breigh: her family, her religion, and men. But now<br />
Breigh’s decided she wants to go straight and Hannah’s left wonder<strong>in</strong>g: WTF? Caught <strong>in</strong><br />
the crossfire is their quick-witted and acid-tongued flatmate, D<strong>in</strong>ka, who’s thrilled to have<br />
a w<strong>in</strong>gman <strong>in</strong> the bruis<strong>in</strong>g hetero world. However, D<strong>in</strong>ka’s hardly a role model, as she’s<br />
still stalk<strong>in</strong>g her ex-fiancé after he dumped her for cheat<strong>in</strong>g on him. Breigh quickly learns<br />
for herself that dat<strong>in</strong>g men is no picnic. As their household descends <strong>in</strong>to a hilarious rehab<br />
center for bruised egos and mixed emotions, this often-riotous romantic comedy becomes a<br />
quirky story of f<strong>in</strong>d<strong>in</strong>g true love. Co<strong>pr</strong>esented by Front Runners<br />
Play<strong>in</strong>g with: VIGILANT! HEALTHY! WHOLESOME! Lauren Anderson; 2009; Australia; 14 m<strong>in</strong>.<br />
A plague of homosexuality is sweep<strong>in</strong>g down under <strong>in</strong> this award-w<strong>in</strong>n<strong>in</strong>g B-movie spoof.<br />
31
14<br />
FRI<br />
15<br />
SAT<br />
<strong>16</strong><br />
SUN<br />
CENTERPIECE GALA!<br />
17<br />
MON<br />
18<br />
TUES<br />
19<br />
WED<br />
EGYPTIAN NW FILM FORUM CENTRAL CINEMA<br />
7:30 Dirty Girl (p.13)<br />
12:30 eCupid (p.29)<br />
12:30 SHORTS Saturgay Morn<strong>in</strong>g<br />
Cartoons (p.59)<br />
2:30 SHORTS Girls Shorts (p.57) 2:30 Man 2 Man (p.41)<br />
5:00 <strong>We</strong> <strong>We</strong>re Here (p.21)<br />
7:15 Jamie and Jessie Are Not<br />
Together (p.37)<br />
4:30 Orchids: My Intersex Adventure<br />
(p.45)<br />
7:00 K<strong>in</strong>k Crusaders (p.39)<br />
9:45 Go<strong>in</strong>g Down <strong>in</strong> La-La Land (p.29) 9:30 Unhappy Birthday (p.51)<br />
MIDNIGHT Varla Jean & the<br />
Mushroomheads (p.51)<br />
NOON Bob’s New Suit (p.25) NOON The Grove (p.31)<br />
2:00 SHORTS Boys Shorts (p.55) 2:00 Sappho’s Fire (p.47)<br />
4:00 Mary Lou (p.41) 4:30 The Lulu Sessions (p.39)<br />
7:00 Leave it On The Floor (p.17) 7:00 The Scandalous Four (p.47)<br />
9:30 The Advocate for Fagdom (p.25) 9:30 Joe + Belle (p.37)<br />
5:45 SHORTS Funny Girls (p.57)<br />
7:15 Hannah & the Hasbian (p.31) 7:15 Morgan (p.41)<br />
9:15 SHORTS Saucy Aussies (p.60) 9:30 (A)sexual (p.25)<br />
5:45 Our Lips are Sealed (p.57)<br />
7:15 Heart Breaks Open (p.35) 7:15 Tomboy (p.51)<br />
9:30 SHORTS Manhunt<strong>in</strong>g (p.58) 9:30 SHORTS Be With Me (p.55)<br />
5:45 The Wolf In Shorts (p.53)<br />
7:15 The Wise Kids (p.51) 7:15 East Bloc Love (p.27)<br />
9:30 My Last Round (p.43)<br />
OPENING NIGHT FILM!<br />
9:30 SHORTS Infrared:<br />
Experimental Shorts (p.57)<br />
6:00 Gay TV D<strong>in</strong>ner: Outland 1-3<br />
(p.29)<br />
9:15 The Best Little Whorehouse In<br />
Texas S<strong>in</strong>g-Along (p.25)<br />
6:00 Gay TV D<strong>in</strong>ner: Outland 4-6<br />
(p.29)<br />
9:15 SHORTS Attack of the<br />
Musicals (p.55)
20<br />
THUR<br />
21<br />
FRI<br />
22<br />
SAT<br />
23<br />
SUN<br />
EGYPTIAN NW FILM FORUM ADMIRAL THEATER<br />
5:45 SHORTS Perceptions: Trans Shorts (p.59) 6:00 Married In Spandex (p.41)<br />
7:15 The Night Watch (p.43) 7:15 SHORTS Like a Virg<strong>in</strong> (p.58) 7:30 Spork (p.49)<br />
9:30 Judas Kiss (p.37) 9:30 How Are You (p.35) 9:30 Gun Hill Road (p.31)<br />
PACIFIC PLACE 6:00 The Sisterhood (p.47)<br />
7:15 Wish Me Away (p.19) 7:45 The G<strong>ree</strong>n (p.31)<br />
9:30 Longhorns (p.39) 9:45 Romeos (p.45)<br />
12:30 SHORTS Local Produce (p.58) 12:30 Still Around (p.49)<br />
2:30 My Past My Present (p.43)<br />
2:30 This Is What Love <strong>in</strong> Action<br />
Looks Like (p.49)<br />
4:30 Boy Cheerleaders (p.27) 4:30 I Am (p.37) 4:30 Kawa (p.39)<br />
7:00 Eat<strong>in</strong>g Out 5 (p.27) 7:00 Mother Tongue (p.43) 7:00 Th<strong>ree</strong> (p.49)<br />
9:30 Codependent Lesbian Space<br />
Alien Seeks Same (p.27)<br />
9:30 Harvest (p.35) 9:30 Hit So Hard (p.35)<br />
CINERAMA 12:00 SHORTS Reel Queer Youth Shorts (p.59)<br />
2:30 Sister Smile (p.47) 2:30 Out For the Long Run (p.45)<br />
6:30 Vito (p.15)<br />
CLOSING NIGHT FILM!<br />
CENTERPIECE GALA!<br />
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FEATURE FILMS<br />
SATURDAY – OCTOBER 22 – 9:30PM – PACIFIC PLACE 2<br />
HARVEST<br />
Benjam<strong>in</strong> Cantu; 2011; Germany; 88 m<strong>in</strong>; <strong>in</strong> German, with English subtitles<br />
W<strong>in</strong>ner of a Teddy Award at the 2011 Berl<strong>in</strong> Film Festival, director-writer Benjam<strong>in</strong> Cantu’s<br />
feature debut follows a simple, organic, and sweet com<strong>in</strong>g-of-age romance between two<br />
ap<strong>pr</strong>entice farmers, set aga<strong>in</strong>st the gorgeous backdrop of Brandenburg, Germany. Teenage<br />
Marco, a loner, is uncerta<strong>in</strong> if he wants to become a farmer, just weeks before his f<strong>in</strong>al exams.<br />
Enter Jacob, a new farm ap<strong>pr</strong>entice who befriends Marco while navigat<strong>in</strong>g the unfamiliar<br />
environment. Cleverly avoid<strong>in</strong>g obvious clichés, HARVEST <strong>in</strong>stead portrays their young<br />
love flourish<strong>in</strong>g through the most mundane farm activities. Cantu’s realistic and natural<br />
storytell<strong>in</strong>g recaptures the <strong>in</strong>nocence lost <strong>in</strong> modern gay c<strong>in</strong>ema.<br />
TUESDAY – OCTOBER 18 – 7:15PM – EGYPTIAN THEATRE<br />
HEART BREAKS OPEN<br />
billie ra<strong>in</strong>; 2011; US; 81 m<strong>in</strong>.<br />
Jesús, a model queer activist and community advocate, is on the br<strong>in</strong>k of self-destruction. He’s<br />
cheated on his long-time FTM partner Johnny and <strong>has</strong> had un<strong>pr</strong>otected sex. After test<strong>in</strong>g<br />
positive for HIV, Jesús parties recklessly and nearly overdoses on drugs. But Sister of Perpetual<br />
Indulgence Alysa Trailer helps him face his fears of the unknown and beg<strong>in</strong> the journey<br />
of self-discovery. Us<strong>in</strong>g im<strong>pr</strong>ovisation and vérité techniques, HEART BREAKS OPEN<br />
portrays the contemporary experience of receiv<strong>in</strong>g an HIV-positive diagnosis and f<strong>in</strong>d<strong>in</strong>g the<br />
will to live. Many faces and places may be familiar <strong>in</strong> this Seattle-based <strong>pr</strong>oduction.<br />
U<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
GUESTS IN ATTENDANCE<br />
ASL <strong>in</strong>ter<strong>pr</strong>eted Co<strong>pr</strong>esented by Sisters of Perpetual Indulgence—Abbey of St. Joan<br />
SATURDAY – OCTOBER 22 – 9:30PM – ADMIRAL THEATER<br />
HIT SO HARD: THE LIFE & NEAR DEATH STORY<br />
OF PATTY SCHEMEL<br />
P. David Ebersole; 2011; US; 101 m<strong>in</strong>.<br />
Patty Schemel, drummer for the <strong>in</strong>fluential rock band Hole, is an out lesbian who was at the<br />
center of the Seattle music scene <strong>in</strong> the 1990s. Grow<strong>in</strong>g up <strong>in</strong> Marysville, WA, Patty never<br />
dreamed that one day she’d make the cover of Roll<strong>in</strong>g Stone, much less come out <strong>in</strong> the pages<br />
of the magaz<strong>in</strong>e. With fame came temptation, <strong>pr</strong>essure, friends lost to addiction (Kurt Coba<strong>in</strong><br />
and Hole’s guitarist Kristen Pfaff), and her own drug-fueled b<strong>in</strong>ges and battles. Filled<br />
with reveal<strong>in</strong>g looks beh<strong>in</strong>d the scenes of the cultural touchstone that was grunge, HITS<br />
SO HARD is an unfl<strong>in</strong>ch<strong>in</strong>g rock-doc <strong>in</strong> the f<strong>in</strong>est tradition.<br />
THURSDAY – OCTOBER 20 – 9:30PM – NORTHWEST FILM FORUM<br />
HOW ARE YOU<br />
Jannik Splidsboel; 2011; Denmark; 70 m<strong>in</strong>.; <strong>in</strong> Danish and English, with English subtitles<br />
The subjects of this remarkable portrait are Michael Elmg<strong>ree</strong>n and Ingar Dragset, two<br />
enfants terribles of the <strong>in</strong>ternational art world, who use their irreverence and humor to force<br />
audiences to question the status quo. HOW ARE YOU <strong>in</strong>troduces us to this creative couple<br />
who fell <strong>in</strong> love and began to work together <strong>in</strong> 1995. The film shows how, <strong>in</strong> just a few <strong>years</strong>,<br />
they became white-hot stars who stirred controversy through their sculptural <strong>in</strong>stallations.<br />
In a sharp, playful, and humorous way, they p<strong>in</strong>po<strong>in</strong>t important themes such as identity,<br />
sexuality, and democracy, w<strong>in</strong>n<strong>in</strong>g accolades and competitions along the way.<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
Reception follow<strong>in</strong>g the film,<br />
see page 62<br />
35
FEATURE FILMS<br />
SATURDAY – OCTOBER 22 – 4:30PM – PACIFIC PLACE 2<br />
I AM<br />
J.C. Calciano; 2010; US; 93 m<strong>in</strong>.<br />
India’s emerg<strong>in</strong>g queer community confronts long-held traditions <strong>in</strong> two films that won<br />
awards at Kashish 2011: The Mumbai International Queer Film Festival. Soon after her<br />
mother dies, filmmaker Sonali Gulati questions her own decision to not come out to her.<br />
By <strong>in</strong>terview<strong>in</strong>g LGBT Indians and their parents, she uncovers a range of attitudes: a<br />
mother who marches <strong>in</strong> Pride parades; a couple who grapple with their son’s gay union;<br />
and one family’s outright hate and violence. Filmed over five <strong>years</strong>, I AM captures the<br />
complexity and vibrancy of family relationships and <strong>in</strong>dividual struggles <strong>in</strong> modern India.<br />
Play<strong>in</strong>g with: AMEN Judhajit Bagchi and Ranadeep Bhattacharya; 2010; India; 23 m<strong>in</strong>.<br />
An encounter leads two men to questions that need to be answered and truths that need to be accepted.<br />
SATURDAY – OCTOBER 15 – 7:15PM – EGYPTIAN THEATRE<br />
JAMIE AND JESSIE ARE NOT TOGETHER<br />
<strong>We</strong>ndy Jo Carlton; 2011; US; 95 m<strong>in</strong>.<br />
Jessie’s got it bad for her best friend Jamie. When Jamie announces she is mov<strong>in</strong>g to New York,<br />
the <strong>pr</strong>essure is on for Jessie to declare her feel<strong>in</strong>gs. Everyone seems to know Jessie’s secret—<br />
except Jamie—and they offer up sympathy and advice, occasionally <strong>in</strong> musical form. When<br />
Jamie tries to make Jessie notice her with some misguided sleep<strong>in</strong>g around, both of them learn<br />
more about their friendship and love than they had expected. Writer-director <strong>We</strong>ndy Jo Carlton<br />
(HANNAH FREE, SLGFF 2010) offers this fresh take on the relationships that mean<br />
so much at the br<strong>in</strong>k of adulthood, set to a soundtrack of lesbian favorites.<br />
U<br />
SUNDAY – OCTOBER <strong>16</strong> – 9:30PM – NORTHWEST FILM FORUM<br />
JOE + BELLE<br />
Veronica Kedar; 2011; Israel, 80 m<strong>in</strong>.; <strong>in</strong> Hebrew and French, with English subtitles<br />
In this sexy and stylish dark comedy, two outcasts meet under bizarre circumstances: a<br />
botched suicide attempt that turns <strong>in</strong>to an accidental homicide. In the aftermath, cynical<br />
drug dealer Joe and romantic psychopath Belle are forced to flee from Tel Aviv to Sderot,<br />
a target of repeated rocket attacks. However, on their madcap journey to evade police and<br />
dispose of the body (which <strong>in</strong>cludes car thefts, hostage situations, and a memorable visit<br />
to a lesbian bar), their chemistry cannot be denied, and the two fall madly <strong>in</strong> love. Writerdirector<br />
Veronica Kedar also stars <strong>in</strong> this at times absurd, playful, and tender take on young<br />
queer love.<br />
THURSDAY – OCTOBER 20 – 9:30PM – EGYPTIAN THEATRE<br />
JUDAS KISS<br />
J. T. Tepnapa; 2011; US; 95 m<strong>in</strong>.<br />
Failed filmmaker Zachary <strong>We</strong>lls, a reluctant judge <strong>in</strong> his old film school’s annual scholarship<br />
competition, discovers that his handsome one-night stand is a student by the name of Danny<br />
Reyes, the same name Zach used as a student. Moreover, Danny’s film <strong>has</strong> the same title as<br />
Zach’s, which won the festival <strong>years</strong> before. Zach, his ca<strong>ree</strong>r now <strong>in</strong> shambles, decides he can<br />
get a second chance by disqualify<strong>in</strong>g Danny from the competition, putt<strong>in</strong>g him on a different<br />
path than Zach followed. Filmed <strong>pr</strong>imarily <strong>in</strong> Seattle, this offbeat sci-fi drama, laced with<br />
magical realism, explores the perennial question: what if we could do it all over?<br />
U<br />
Guests <strong>in</strong> Attendance<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by Equal Rights Wash<strong>in</strong>gton<br />
37
FEATURE FILMS<br />
SATURDAY – OCTOBER 22 – 4:30PM – ADMIRAL THEATER<br />
KAWA<br />
Katie Wolfe; 2010; New Zealand; 80 m<strong>in</strong>.<br />
Kawa’s father wants him to return home from Auckland to assume a leadership role <strong>in</strong> their<br />
Maori community. But how can he be a leader when his own family is <strong>in</strong> crisis? He <strong>has</strong><br />
moved out of the house he shares with his wife and kids, but he <strong>has</strong>n’t been able to tell them<br />
why: he is gay and <strong>has</strong> been liv<strong>in</strong>g a steamy double life. Featur<strong>in</strong>g New Zealand’s natural<br />
beauty, KAWA’s story of liberation and family responsibility is based on the semi-autobiographical<br />
novel Nights <strong>in</strong> the Gardens of Spa<strong>in</strong>, by Witi Ihimaera, author of The Whale Rider.<br />
SATURDAY – OCTOBER 15 – 7:00PM – NORTHWEST FILM FORUM<br />
KINK CRUSADERS<br />
Michael Skiff; 2011; US; 74 m<strong>in</strong>.<br />
There’s much more to the leather community than chaps, boots, and harnesses. The International<br />
Mr. Leather contest, the world’s oldest, <strong>has</strong> evolved from a small event <strong>in</strong> the back of a<br />
Chicago bar to a competition that draws thousands of entrants from all walks of life. In the<br />
<strong>pr</strong>ocess, it <strong>has</strong> put this once-<strong>in</strong>sular niche squarely <strong>in</strong> the ma<strong>in</strong>stream. This award-w<strong>in</strong>n<strong>in</strong>g<br />
<strong>in</strong>sider’s look at the aspirations of past and <strong>pr</strong>esent competitors uses illum<strong>in</strong>at<strong>in</strong>g <strong>in</strong>terviews to<br />
highlight the beauty of mascul<strong>in</strong>ity and the community’s diversity and dedication to service.<br />
Co<strong>pr</strong>esented by Foundation for Sex Positive Culture<br />
Play<strong>in</strong>g with: SPRING Hong Khaou; 2011; UK; 13 m<strong>in</strong>.<br />
This psychosexual thriller might test your lim<strong>its</strong> of control.<br />
FRIDAY – OCTOBER 21 – 9:30PM – PACIFIC PLACE<br />
LONGHORNS<br />
David Lewis; 2011; US; 74 m<strong>in</strong>.<br />
They say everyth<strong>in</strong>g is bigger <strong>in</strong> Texas. Writer-director David Lewis aims to <strong>pr</strong>ove this<br />
theory <strong>in</strong> his naughty sex romp, LONGHORNS. Giv<strong>in</strong>g us a full frontal view of fraternity<br />
life at the University of Texas <strong>in</strong> the early ’80s, LONGHORNS follows Kev<strong>in</strong>, Steve, Just<strong>in</strong>,<br />
and Daniel on their highly charged hormonal explo<strong>its</strong>. However, new and sur<strong>pr</strong>is<strong>in</strong>g desires<br />
are mak<strong>in</strong>g life more complicated for Kev<strong>in</strong>, especially when he meets César, an openly gay<br />
student. He beg<strong>in</strong>s to wonder if all boys go through this p<strong>has</strong>e or if this new attraction is<br />
someth<strong>in</strong>g a whole lot deeper.<br />
U<br />
SUNDAY – OCTOBER <strong>16</strong> – 4:30PM – NORTHWEST FILM FORUM<br />
THE LULU SESSIONS<br />
S. Casper Wong; 2011; US; 87 m<strong>in</strong>.<br />
Wisecrack<strong>in</strong>g, cha<strong>in</strong>-smok<strong>in</strong>g Dr. Louise Nutter, or LuLu, is unique: rebel, farm girl,<br />
former cheerleader, poet, and a researcher who <strong>has</strong> recently discovered a new anticancer<br />
drug. But at age 42, she discovers that she herself is dy<strong>in</strong>g of breast cancer. Filmed over<br />
the last 15 months of LuLu’s life, this documentary is an <strong>in</strong>timate and humorous portrait<br />
of filmmaker S. Casper Wong’s journey alongside her best friend. With <strong>its</strong> raw, almost<br />
unedited feel, THE LULU SESSIONS is a journey to the far edge of life and a testament<br />
to the power of friendship.<br />
U<br />
Guest <strong>in</strong> Attendance<br />
Guest <strong>in</strong> Attendance<br />
Reception <strong>pr</strong>eceed<strong>in</strong>g the film,<br />
see page 62<br />
39
FEATURE FILMS<br />
SATURDAY – OCTOBER 15 – 2:30PM – NORTHWEST FILM FORUM<br />
MAN 2 MAN<br />
Christopher H<strong>in</strong>es; 2011; US; 60 m<strong>in</strong>.<br />
Tired of lonely nights? You’re not alone! Accord<strong>in</strong>g to director Christopher H<strong>in</strong>es (THE<br />
BUTCH FACTOR, 2009 SLGFF), 80% of gay males are look<strong>in</strong>g for last<strong>in</strong>g love, but less<br />
than a third of them have found it. This “gay man’s guide to f<strong>in</strong>d<strong>in</strong>g love” follows a variety of<br />
men from the cruise ship to the gym to <strong>pr</strong>ofessional matchmakers, <strong>pr</strong>ob<strong>in</strong>g them for answers<br />
about what they’re really seek<strong>in</strong>g and what’s keep<strong>in</strong>g them from f<strong>in</strong>d<strong>in</strong>g a long-term relationship.<br />
Psychologists, dat<strong>in</strong>g experts, and couples who have made it work shed light on what it<br />
takes to f<strong>in</strong>d and nurture a relationship.<br />
U<br />
Guest <strong>in</strong> Attendance<br />
Play<strong>in</strong>g with: JOHNNY & LYMAN: A LIFE TOGETHER Paul Detwiler and Michael Chen; 2010; US; 18 m<strong>in</strong>.<br />
Two men who met the day WWII ended share stories and wisdom from their 63 <strong>years</strong> as a couple.<br />
THURSDAY – OCTOBER 20 – 6:00PM – ADMIRAL THEATER<br />
MARRIED IN SPANDEX<br />
Alison Kole and Dev<strong>in</strong> Gallagher; 2010; US; 55 m<strong>in</strong>.<br />
This delightful documentary follows Amanda and Rachel, a hip, charm<strong>in</strong>g young couple<br />
from Philadelphia who decide to take a road trip to Iowa and be married by their friend,<br />
performance artist Leslie Hall. Mix equal parts romance, politics, and family dynamics to<br />
get a new sp<strong>in</strong> on marriage—after all, the brides did wear spandex!—and a fantasy wedd<strong>in</strong>g<br />
<strong>in</strong> gold lamé. How will their friends and family react to their very offbeat wedd<strong>in</strong>g? Will<br />
grandma get down to the vocal styl<strong>in</strong>gs of Leslie and the LYs? Be sure to “save the date” to<br />
f<strong>in</strong>d out.<br />
Co<strong>pr</strong>esented by Equal Rights Wash<strong>in</strong>gton<br />
SUNDAY – OCTOBER <strong>16</strong> – 4:00PM – EGYPTIAN THEATRE<br />
MARY LOU<br />
Eytan Fox; 2009; Israel; 150 m<strong>in</strong>.; <strong>in</strong> Hebrew, with English subtitles<br />
From the director of YOSSI & JAGGER and WALK ON WATER comes a lighthearted<br />
but touch<strong>in</strong>g musical m<strong>in</strong>iseries, shaken up with the everlast<strong>in</strong>g songs of Tzvika Pik, Israeli<br />
pop icon. Meir, a young gay man just out of high school, moves to Tel Aviv hop<strong>in</strong>g to f<strong>in</strong>d<br />
his mother, who abandoned the family on his tenth birthday. On his journey, he unexpectedly<br />
transforms himself <strong>in</strong>to a popular drag queen, Mary Lou, while also learn<strong>in</strong>g to be<br />
a man. Romantic complications, catchy songs and dance numbers, and a touch of tragedy<br />
lace this soul-search<strong>in</strong>g but sparkl<strong>in</strong>g modern fable, rem<strong>in</strong>iscent of Glee, that won an Israeli<br />
Emmy Award.<br />
MONDAY – OCTOBER 17 – 7:15PM – NORTHWEST FILM FORUM<br />
MORGAN<br />
Michael Akers; 2011; US; 88 m<strong>in</strong>.<br />
Daredevil athlete Morgan is slowly adjust<strong>in</strong>g to the challenges of life <strong>in</strong> a wheelchair after<br />
suffer<strong>in</strong>g a tragic rac<strong>in</strong>g accident. Th<strong>in</strong>gs start look<strong>in</strong>g up when he meets Dean, a warm and<br />
car<strong>in</strong>g man deal<strong>in</strong>g with his own issues of loss. Their head-over-heels love affair is quickly<br />
tested by Morgan’s determ<strong>in</strong>ation to re-enter the race that nearly killed him. Determ<strong>in</strong>ed to<br />
live by his own rules, Morgan jeopardizes everyth<strong>in</strong>g he’s found with Dean, risk<strong>in</strong>g greater<br />
<strong>in</strong>jury to himself and already-stra<strong>in</strong>ed relationships with family and friends. An <strong>in</strong>spir<strong>in</strong>g<br />
story of redemption and f<strong>in</strong>d<strong>in</strong>g one’s way after all seems lost.<br />
U<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Jewish Family Service<br />
Guest <strong>in</strong> Attendance<br />
41
FEATURE FILMS<br />
SATURDAY – OCTOBER 22 – 7:00PM – PACIFIC PLACE 2<br />
MOTHER TONGUE (LENGUA MATERNA) US Premiere<br />
Liliana Paol<strong>in</strong>elli; 2010; Argent<strong>in</strong>a; 78 m<strong>in</strong>.; <strong>in</strong> Spanish, with English subtitles<br />
It comes as <strong>quite</strong> a sur<strong>pr</strong>ise when Estela learns that her 40-year-old daughter Ruth is a lesbian,<br />
and that the “friend” that she <strong>has</strong> been liv<strong>in</strong>g with for the last 14 <strong>years</strong> is <strong>in</strong> fact her<br />
girlfriend. In h<strong>in</strong>dsight, Estela realizes she missed some signs: “Now I understand why only<br />
girls came to your birthday parties…and <strong>in</strong> pairs.” After overcom<strong>in</strong>g her shock, Estela tries<br />
to understand her daughter’s world by read<strong>in</strong>g books, visit<strong>in</strong>g lesbian bars, and discuss<strong>in</strong>g<br />
her daughter’s sexuality far and wide. However, with Ruth now hav<strong>in</strong>g relationship difficulties,<br />
will Estela’s newfound <strong>in</strong>terest strengthen their mother-daughter bond or tear it apart?<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Lesbians Over 40 Group<br />
Play<strong>in</strong>g with: MISERABLE ANIMALS Desi<strong>ree</strong> Akhavan and Ingrid Jungermann; 2011; US; 6 m<strong>in</strong>.<br />
An abandoned dog ignites a debate between two girlfriends over who is more gay.<br />
WEDNESDAY – OCTOBER 19 – 9:30PM – EGYPTIAN THEATRE<br />
MY LAST ROUND <strong>We</strong>st Coast Premiere<br />
(MI ÚLTIMO ROUND)<br />
Julio Jorquera Arriagada; 2010; Argent<strong>in</strong>a/Chile; 87 m<strong>in</strong>.; <strong>in</strong> Spanish, with English subtitles<br />
After toughened boxer Octavio and kitchen hand Hugo surrender to their <strong>in</strong>tense attraction<br />
for each other, they move from their op<strong>pr</strong>essive small town to the capital. Octavio, who<br />
is advised to stop fight<strong>in</strong>g due to epilepsy, struggles with the decision to leave his ca<strong>ree</strong>r<br />
beh<strong>in</strong>d. Hugo, meanwhile, is confused about his feel<strong>in</strong>gs for his new boss’s daughter, and<br />
when his worlds collide, it leaves a rip <strong>in</strong> his life that isn’t easy to mend. Writer-director Julio<br />
Jorquera Arriagada’s heartfelt debut film features passionate performances and an acoustic<br />
score aga<strong>in</strong>st a stark backdrop.<br />
SATURDAY – OCTOBER 22 – 2:30PM – PACIFIC PLACE 1<br />
MY PAST MY PRESENT US Premiere<br />
Melanie Rodriga; 2010; Australia; 100 m<strong>in</strong><br />
While Phee’s parents are away on holiday, she tries to focus on f<strong>in</strong>ish<strong>in</strong>g her college film<br />
<strong>pr</strong>oject. However, a new girlfriend and strange visions distract her from the task. Her brother,<br />
with whom she shares a close relationship, helps her sort through her fears, enabl<strong>in</strong>g her<br />
to peer <strong>in</strong>to <strong>pr</strong>eviously unexplored parts of her life. This authentic and personal take on a<br />
young lesbian love story is set on the beautiful coast of <strong>We</strong>stern Australia, and local university<br />
students <strong>in</strong> the cast and crew br<strong>in</strong>g a youthful perspective to Melanie Rodriga’s fourth<br />
feature film.<br />
U<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Entre Hermanos<br />
Guest <strong>in</strong> Attendance<br />
THURSDAY – OCTOBER 20 – 7:15PM – EGYPTIAN THEATRE<br />
THE NIGHT WATCH<br />
Richard Laxton; 2011; UK; 90 m<strong>in</strong>.<br />
Adapted from the <strong>pr</strong>izew<strong>in</strong>n<strong>in</strong>g novel by Sarah Waters (TIPPING THE VELVET, SL-<br />
GFF 2002), THE NIGHT WATCH is a haunt<strong>in</strong>gly beautiful exploration of secrets, scandals,<br />
and the time-spann<strong>in</strong>g connections between them. Beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> 1947 postwar London,<br />
the film drifts backward <strong>in</strong> time as memories are unfurled and connections are revealed<br />
between a gay man, his straight sister, and th<strong>ree</strong> lesbians whose paths have crossed <strong>in</strong> love<br />
and war. Directed by openly gay Richard Laxton (AN ENGLISHMAN IN NEW YORK,<br />
SLGFF 2009), this richly layered meditation on chance and circumstance features rivet<strong>in</strong>g<br />
performances amid a dark and sensual atmosphere, lead<strong>in</strong>g to a sur<strong>pr</strong>is<strong>in</strong>g conclusion.<br />
Co<strong>pr</strong>esented by GSBA<br />
43
FEATURE FILMS<br />
SATURDAY – OCTOBER 15 – 4:30PM – NORTHWEST FILM FORUM<br />
ORCHIDS: MY INTERSEX ADVENTURE<br />
Phoebe Hart; 2011; Australia; 56 m<strong>in</strong>.<br />
Is gender <strong>in</strong>nate or someth<strong>in</strong>g created? This question can be complicated, as discovered by<br />
documentary filmmaker Phoebe Hart and her sister Bonnie, <strong>in</strong>tersex women born with<br />
androgen <strong>in</strong>sensitivity syndrome. Raised <strong>in</strong> rural Australia to believe she was a biological female,<br />
Phoebe grapples with her gender identity and the effect of the long-held family secret<br />
on her relationships. A multiple award w<strong>in</strong>ner at the Brisbane International Film Festival,<br />
ORCHIDS is a heartwarm<strong>in</strong>g and candid road trip from isolation and shame to empowerment<br />
and authenticity.<br />
Play<strong>in</strong>g with: EXISTENCE (ASTITVA) Kiran Pawar; 2008; India; 4 m<strong>in</strong>.; <strong>in</strong> H<strong>in</strong>di, with English subtitles<br />
What does it mean to be a “hijra”? This short film exam<strong>in</strong>es attitudes toward a gender nonconformist<br />
and his struggle to f<strong>in</strong>d a place under the sun.<br />
TUESDAY – OCTOBER 18 – 5:45PM – NORTHWEST FILM FORUM<br />
OUR LIPS ARE SEALED <strong>We</strong>st Coast Premiere<br />
John Gall<strong>in</strong>o; 2011; US; 50 m<strong>in</strong>.<br />
In 2010, two courageous New Jersey college students spoke out for equal rights—with a 33hour<br />
kiss. Matty and Bobby, both boy-next-door sweeties, had their hearts and lips set on<br />
“queer<strong>in</strong>g the Gu<strong>in</strong>ness Book of World Records” with the longest cont<strong>in</strong>uous kiss to become<br />
the first gay record holders <strong>in</strong> the category. Strict rules (no sitt<strong>in</strong>g, no breaks, no solid food,<br />
no diapers) made their challenge physically gruel<strong>in</strong>g and mentally demand<strong>in</strong>g. If you missed<br />
the live webcam stream of this epic event, which Stephen Colbert referred to as “destroy<strong>in</strong>g<br />
the traditional sanctity of straight world records,” OUR LIPS ARE SEALED puts you<br />
smack <strong>in</strong> the action.<br />
Co<strong>pr</strong>esented by Lambert House<br />
SUNDAY – OCTOBER 23 – 2:30PM – PACIFIC PLACE<br />
OUT FOR THE LONG RUN<br />
Scott Bloom; 2011; US; 78 m<strong>in</strong>.<br />
While openly gay <strong>pr</strong>ofessional sports figures are still uncommon, many young athletes are<br />
com<strong>in</strong>g out <strong>in</strong> high school and college. But from the locker room to the classroom, the<br />
trailblaz<strong>in</strong>g of this next generation comes with new challenges and added <strong>pr</strong>essure at every<br />
turn. Filmmaker Scott Bloom (CALL ME TROY) <strong>pr</strong>ofiles a handful of these courageous<br />
students and accomplished athletes whose stories reveal personal triumphs <strong>in</strong> and out of<br />
competition, as well as op<strong>pr</strong>essive homophobia that, <strong>in</strong> some cases, is too much to overcome.<br />
W<strong>in</strong>ner of the Best Documentary Award at the 2011 St. Louis Qfest.<br />
U<br />
Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Team Seattle<br />
FRIDAY – OCTOBER 21 – 9:45PM – ADMIRAL THEATER<br />
ROMEOS<br />
Sab<strong>in</strong>e Bernardi; 2011; Germany; 94 m<strong>in</strong>.; <strong>in</strong> German, with English subtitles<br />
Lukas is a young transgender man who moves to Cologne to study and work <strong>in</strong> the big city.<br />
His best friend Ine <strong>in</strong>troduces Lukas to her gay friends. At a wild party, he meets Fabio, who<br />
brims with self-confidence, overt mascul<strong>in</strong>ity, and smolder<strong>in</strong>g sensuality. As their attraction<br />
to one another grows, Lukas grapples with the desire to share himself fully with Fabio and<br />
the fear that his biology could cost him the relationship and the acceptance of his friends.<br />
Director Sab<strong>in</strong>e Bernardi uses s<strong>in</strong>cerity and humor to turn this unconventional romance <strong>in</strong>to<br />
a tale of love, friendship, and courage.<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
45
FEATURE FILMS<br />
SUNDAY – OCTOBER <strong>16</strong> – 2:00PM – NORTHWEST FILM FORUM<br />
SAPPHO’S FIRE <strong>We</strong>st Coast Premiere<br />
Alexia Kosmider and Deb Monuteaux; 2011; US; 80 m<strong>in</strong>.<br />
This documentary honors the lives and loves of eight women from New England who have<br />
boldly resisted the dictates of society. Through <strong>pr</strong>ob<strong>in</strong>g <strong>in</strong>terviews, s<strong>in</strong>gle and coupled women<br />
of diverse backgrounds (and their adult children) share their strategies and philosophies<br />
as they confront issues of ag<strong>in</strong>g unique to LGBT people: what it’s like to come out later <strong>in</strong><br />
life, f<strong>in</strong>d<strong>in</strong>g a welcom<strong>in</strong>g retirement home, and the reality of not be<strong>in</strong>g able to rely on f<strong>in</strong>ancial<br />
support from one’s family. The film succeeds at awaken<strong>in</strong>g our activist hearts through<br />
the voices of women who face ag<strong>in</strong>g squarely and honestly and shout, “I’m still alive!”<br />
U Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Pacific Northwest Lesbian Archives<br />
Play<strong>in</strong>g with: FOR SUCH A TIME AS THIS Joe W<strong>in</strong>dish; 2010; US; 10 m<strong>in</strong>.<br />
An out lesbian Baptist pastor <strong>in</strong> rural Georgia tells the story of her ord<strong>in</strong>ation and the attempt to remove<br />
her from her church.<br />
SUNDAY – OCTOBER <strong>16</strong> – 7:00PM – NORTHWEST FILM FORUM<br />
THE SCANDALOUS FOUR US Premiere<br />
Christianne van Wijk; 2010; UK; 105 m<strong>in</strong>.<br />
THE SCANDALOUS FOUR is a lush, playful costume drama set <strong>in</strong> the early 1800s.<br />
Penelope is a young aristocrat <strong>in</strong> love with her piano teacher, Richard. Unfortunately, she<br />
<strong>has</strong> no choice but to marry the wealthy Jonathan. It becomes clear, though, that it is a marriage<br />
of convenience, as Jonathan <strong>has</strong> been eye<strong>in</strong>g the butler, George. In an <strong>in</strong>terest<strong>in</strong>g turn,<br />
George hires Richard, not only to tend to the grounds but also Penelope’s personal needs.<br />
With<strong>in</strong> their estate, this foursome breaks down traditional boundaries of love, social class,<br />
and decorum, creat<strong>in</strong>g a world of honest ex<strong>pr</strong>ession. But it’s not long before their happy<br />
world is threatened.<br />
SUNDAY – OCTOBER 23 – 2:30PM – CINERAMA<br />
SISTER SMILE (SOEUR SOURIRE)<br />
Stijn Con<strong>in</strong>x; 2009; Belgium/France; 120 m<strong>in</strong>.; <strong>in</strong> French, with English subtitles<br />
Countless fans know her as Sister Smile or the S<strong>in</strong>g<strong>in</strong>g Nun, but this controversial film<br />
based on the life of Jeann<strong>in</strong>e Deckers reveals the tumultuous existence beh<strong>in</strong>d her sunny<br />
public persona. Unconventional Jeann<strong>in</strong>e (played by the strik<strong>in</strong>g Cécile de France) jo<strong>in</strong>s the<br />
convent, partly to avoid a vex<strong>in</strong>g attraction to her friend Annie. Instead of anonymity, however,<br />
she is thrust <strong>in</strong>to <strong>in</strong>ternational superstardom when her chart-topp<strong>in</strong>g 1963 song “Dom<strong>in</strong>ique”<br />
is used by the Church to rejuvenate <strong>its</strong> image. But when Sister Smile starts espous<strong>in</strong>g<br />
<strong>pr</strong>ogressive views, she’s cast out and th<strong>in</strong>gs spiral out of control, until Annie reappears.<br />
FRIDAY – OCTOBER 21 – 6:00PM – ADMIRAL THEATER<br />
THE SISTERHOOD<br />
Roger Horn; 2010; South Africa; 74 m<strong>in</strong>.<br />
THE SISTERHOOD is a fasc<strong>in</strong>at<strong>in</strong>g documentary about Pietie, Hope, and Rollie, th<strong>ree</strong><br />
young friends who work as farmhands <strong>in</strong> the v<strong>in</strong>eyards of South Africa by day and become<br />
drag divas by night. They dream of w<strong>in</strong>n<strong>in</strong>g the local drag pageant, hav<strong>in</strong>g their own v<strong>in</strong>eyard,<br />
and one day f<strong>in</strong>d<strong>in</strong>g love and be<strong>in</strong>g accepted by society (although the national government is<br />
supportive of gays and lesbians). Ironically, while they face localized <strong>pr</strong>ejudice for be<strong>in</strong>g gay,<br />
their glamorous alter egos are widely embraced. This slice of life offers a mov<strong>in</strong>g portrait of<br />
struggle and triumph.<br />
U<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
Guest <strong>in</strong> Attendance<br />
47
FEATURE FILMS<br />
THURSDAY – OCTOBER 20 – 7:30PM – ADMIRAL THEATER<br />
SPORK<br />
J. B. Ghuman, Jr.; 2010; US; 90 m<strong>in</strong>.<br />
Frizzy-haired and bespectacled Spork is girl-identified but <strong>in</strong>tersexed—the ultimate outcast.<br />
Junior high is her everyday nightmare, until she decides to shake th<strong>in</strong>gs up and reach for<br />
the top by enter<strong>in</strong>g the school talent show. With help from her foul-mouthed trailer park<br />
neighbor Tootsie Roll, Spork sets out to bust some m<strong>in</strong>ds and some moves. A quirky awardw<strong>in</strong>ner<br />
at LGBT film festivals around the world, SPORK is a colorful, sassy, hip-to-it take<br />
on the com<strong>in</strong>g of age film, and a wildly rock<strong>in</strong>’, booty-shak<strong>in</strong>’ queer dance party you won’t<br />
want to miss.<br />
SATURDAY – OCTOBER 22 – 12:30PM – ADMIRAL THEATER<br />
STILL AROUND 2011; US; 82 m<strong>in</strong>s.<br />
To mark the 30th anniversary of the first documented case of HIV, the HIV Story Project<br />
brought together <strong>in</strong>dividuals liv<strong>in</strong>g with HIV/AIDS, non<strong>pr</strong>ofit social service organizations,<br />
and top filmmakers. The result is a compilation of 15 powerful, diverse short films about the<br />
struggles and triumphs of those surviv<strong>in</strong>g and thriv<strong>in</strong>g with HIV today and the communities<br />
where they live and love. A “video AIDS quilt,” STILL AROUND is an important<br />
record of where we’ve been, where we are now, and what the future holds.<br />
Featur<strong>in</strong>g films by Emmanuelle Antol<strong>in</strong>, Daniel Cardone, Leo Chiang, Deborah Craig,<br />
Robert Dekkers, Veronica Duport Deliz, Jörg Fockele, Stuart Gaffney, Amir Jaffer, Sade Huron,<br />
Tim Kulikowski & Ian Wolfley, Rick Osmon, Anne Siegel, Marc Smolowitz, and Debra A. Wilson.<br />
Play<strong>in</strong>g with: NOW HERE Joey Kuhn; 2010; US; 11 m<strong>in</strong>.<br />
With AIDS ravag<strong>in</strong>g New York City <strong>in</strong> the mid 1980s, Franco flirts with reckless behavior on his birthday.<br />
SATURDAY – OCTOBER 22 – 2:30PM – ADMIRAL THEATER<br />
THIS IS WHAT LOVE IN ACTION LOOKS LIKE<br />
Morgan Jon Fox; 2011; US; 70 m<strong>in</strong>.<br />
The worst fear of many closeted teens came true for <strong>16</strong>-year-old Zach Stark <strong>in</strong> 2005, when<br />
his parents sent him aga<strong>in</strong>st his will to a camp run by the ex-gay Christian reform group<br />
“Love In Action.” De<strong>pr</strong>essed and fearful, Zach began blogg<strong>in</strong>g, and from this “modern-day<br />
message <strong>in</strong> a bottle,” news of his plight s<strong>pr</strong>ead <strong>in</strong>ternationally. Featur<strong>in</strong>g <strong>in</strong>terviews with<br />
activists, ex-clients, psychologists, the Rev. John Smid (director of Love In Action dur<strong>in</strong>g<br />
Zach’s <strong>in</strong>ternment), and, for the first time, Zach himself, this <strong>in</strong>spirational documentary<br />
recounts the events that resulted from a young man’s cry for help.<br />
U<br />
Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Youth Suicide Prevention Project<br />
SATURDAY – OCTOBER 22 – 7:00PM – ADMIRAL THEATER<br />
THREE<br />
Tom Tykwer; 2010; Germany; 104 m<strong>in</strong>; German, with English subtitles<br />
Director Tom Tykwer (RUN LOLA RUN) creates a stylish, witty story of a married man<br />
and woman who fall <strong>in</strong> love with the same man. Accomplished Berl<strong>in</strong> <strong>pr</strong>ofessionals Hanna<br />
and Simon have been together for 20 <strong>years</strong>. One night at the theater, Hanna meets Adam<br />
and feels a spark, which builds through subsequent random encounters. Meanwhile, Simon<br />
<strong>has</strong> his own chance meet<strong>in</strong>g with Adam dur<strong>in</strong>g an even<strong>in</strong>g swim and becomes similarly attracted.<br />
Both affairs develop without Adam realiz<strong>in</strong>g his lovers are married to each other,<br />
until a twist of events confronts all th<strong>ree</strong> <strong>in</strong> this modern tale of <strong>in</strong>fidelity and identity.<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
Reception follow<strong>in</strong>g the film,<br />
see page 62<br />
49
FEATURE FILMS<br />
TUESDAY – OCTOBER 18 – 7:15PM – NORTHWEST FILM FORUM<br />
TOMBOY<br />
Cél<strong>in</strong>e Sciamma; 2011; France; 82 m<strong>in</strong>.; <strong>in</strong> French, with English subtitles<br />
When ten-year-old Laure moves with her parents and little sister to a new home and is<br />
mistaken for a boy, she takes this opportunity to live as “Michael”—and f<strong>its</strong> <strong>in</strong> <strong>quite</strong> easily.<br />
Throughout the summer, Michael discovers new possibilities dur<strong>in</strong>g <strong>in</strong>ventive and humorous<br />
play with neighborhood friend Lisa. Although it’s clear that sock stuff<strong>in</strong>g won’t<br />
keep Laure’s secret safe for very long, writer-director Cél<strong>in</strong>e Sciamma (WATER LILLIES)<br />
treats the audience to an <strong>in</strong>sightful exam<strong>in</strong>ation of how children <strong>in</strong>ter<strong>pr</strong>et gender stereotypes,<br />
us<strong>in</strong>g conv<strong>in</strong>c<strong>in</strong>g, naturalistic performances. W<strong>in</strong>ner of a Teddy Award at the 2011<br />
Berl<strong>in</strong> Film Festival.<br />
ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />
SATURDAY – OCTOBER 15 – 9:30PM – NORTHWEST FILM FORUM<br />
UNHAPPY BIRTHDAY<br />
Mark Harriott and Mike Matthews; 2010; UK; 89 m<strong>in</strong>.<br />
Rick and Jonny have worked hard to make sure Sadie <strong>has</strong> an unforgettable birthday, by f<strong>in</strong>d<strong>in</strong>g<br />
her long-lost sister Cor<strong>in</strong>ne (the terrific Jill Riddiford) on the remote island of Amen.<br />
However, someth<strong>in</strong>g isn’t <strong>quite</strong> right about the old-fashioned, isolated townsfolk, who don’t<br />
welcome “s<strong>in</strong>ful outsiders.” This may be the last birthday for them all, as high tide ap<strong>pr</strong>oaches—and<br />
immorality and madness beg<strong>in</strong> to rise. Horror buffs and fans of psychological<br />
suspense will delight <strong>in</strong> this atmospheric, unsettl<strong>in</strong>g thriller <strong>in</strong>spired by British cult<br />
classics such as THE WICKER MAN.<br />
Play<strong>in</strong>g with: THE LADY PARANORMA V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />
An eccentric lady is haunted by ghostly whispers, and follows an eerie call to an unusual happily ever after.<br />
SATURDAY – OCTOBER 15 – MIDNIGHT – EGYPTIAN THEATRE<br />
VARLA JEAN AND THE <strong>We</strong>st Coast Premiere<br />
MUSHROOMHEADS<br />
Michael Schiralli; 2011; US; 88 m<strong>in</strong>.<br />
After <strong>years</strong> of perform<strong>in</strong>g <strong>in</strong> New Orleans’s best dive bars to sagg<strong>in</strong>g audiences, semicelebrity<br />
and cabaret chanteuse Varla Jean Merman (Jeffrey Roberson) decides to go after a<br />
younger crowd—kids. This mockumentary captures her comically ill-conceived, campy, and<br />
hilariously <strong>in</strong>ap<strong>pr</strong>o<strong>pr</strong>iate effort to create a local children’s television show. VARLA JEAN<br />
AND THE MUSHROOMHEADS offers helpful education (“Don’t eat raw chicken!”),<br />
enterta<strong>in</strong>ment (Mr. Pickle), and most importantly, her own opportunity to become a big TV<br />
star. Return<strong>in</strong>g after her unforgettable role <strong>in</strong> the camp classic GIRLS WILL BE GIRLS<br />
(SLGFF 2003), Varla Jean is def<strong>in</strong>itely, and rather desperately, ready for her close-up.<br />
WEDNESDAY – OCTOBER 19 – 7:15PM – EGYPTIAN THEATRE<br />
THE WISE KIDS<br />
Stephen Cone; 2011; US; 91 m<strong>in</strong>.<br />
The summer before college <strong>pr</strong>oves to be life-chang<strong>in</strong>g for th<strong>ree</strong> friends <strong>in</strong> a South Carol<strong>in</strong>a<br />
Baptist community. Tim is recently openly gay and eager for more f<strong>ree</strong>dom at film school<br />
<strong>in</strong> New York; Brea is a pastor’s daughter suffer<strong>in</strong>g a crisis of faith; and Laura is a devout<br />
believer, sometimes unsure how to relate to the others. As sexual tensions erupt and buried<br />
feel<strong>in</strong>gs emerge, they each must decide if they should hang onto what they have or f<strong>in</strong>d<br />
someth<strong>in</strong>g new on their own. Writer-director Stephen Cone sends this captivat<strong>in</strong>g young<br />
trio through ups and downs with an earnest sense of <strong>in</strong>spiration, humor, and discovery.<br />
51
FEATURE FILMS<br />
WEDNESDAY – OCTOBER 19 – 5:45PM – NORTHWEST FILM FORUM<br />
THE WOLF IN SHORTS (IL LUPO IN CALZONCINI CORTI)<br />
Nadia Dalle Vedove and Lucia Stano; 2010; Italy; 57 m<strong>in</strong>.; <strong>in</strong> Italian and English, with<br />
English subtitles<br />
While surveys have shown that over 100,000 Italian children have at least one gay parent,<br />
the government still neither recognizes same-sex marriage nor allows gay and lesbian<br />
couples to adopt. In this <strong>in</strong>timate documentary, told from the perspectives of both the children<br />
and parents, a lesbian couple and their th<strong>ree</strong> children travel to the United States to get<br />
married, then return home to celebrate their 17-year relationship with family and friends.<br />
Meanwhile, two gay men fly to Toronto to meet with surrogates, try<strong>in</strong>g to become fathers<br />
the only way they can. Powerful and poignant, these stories convey how love strengthens<br />
these “<strong>in</strong>visible” families.<br />
www.sleepop.com www.madewithbacon.com<br />
53
WEDNESDAY – OCTOBER 19 – 9:15PM<br />
CENTRAL CINEMA<br />
ATTACK OF THE MUSICALS<br />
You’ll be howl<strong>in</strong>g with delight at these<br />
outrageous m<strong>in</strong>i-musicals. But beware: this<br />
adults-only <strong>pr</strong>ogram conta<strong>in</strong>s everyth<strong>in</strong>g from<br />
mixed martial arts and raunchy sex to scenes of<br />
graphic (but comedic) horror gore.<br />
CUPCAKE: A ZOMBIE LESBIAN MUSICAL<br />
Rebecca Thomson; 2010; Australia; 18 m<strong>in</strong>.<br />
Which is worse: homophobic neighbors or a zombie<br />
girlfriend? You’ll f<strong>in</strong>d out <strong>in</strong> this ultracampy<br />
musical gorefest.<br />
FORTUNE COOKIE MAGIC TRICKS<br />
World Premiere<br />
Alex Chu; 2011; US; 11 m<strong>in</strong>.<br />
A traditional Ch<strong>in</strong>ese father struggles to cope with<br />
his son’s homosexuality, until zombies show up.<br />
SLUT: THE MUSICAL<br />
Tonnette Stanford; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />
Abst<strong>in</strong>ence education falls on the deaf ears of a<br />
s<strong>in</strong>g<strong>in</strong>g and sw<strong>in</strong>g<strong>in</strong>g high school boy ready to<br />
shed his <strong>in</strong>hi<strong>bit</strong>ions.<br />
GAYSIAN DREAM<br />
Bernie Esp<strong>in</strong>osa, Rod Andrada, and Tom Hunt<br />
Brooks; 2011; US; 8 m<strong>in</strong>.<br />
An Asian boy discovers a magical DVD that<br />
transports him to the dreamlike world of seven<br />
sassy Asian drag queens known as the Gaysians.<br />
I WAS A TEENAGE WEREBEAR<br />
Tim Sullivan; 2011; US; 29 m<strong>in</strong>.<br />
Bad boy Talon br<strong>in</strong>gs out the beast <strong>in</strong> closeted<br />
Ricky after <strong>bit</strong><strong>in</strong>g him on the ass <strong>in</strong> a wrestl<strong>in</strong>g<br />
match, <strong>in</strong> this campy mashup of beach party musical<br />
and horror flick.<br />
Total runn<strong>in</strong>g time: 82 m<strong>in</strong>.<br />
Conta<strong>in</strong>s graphic violence and sexuality.<br />
Ages 21+ only.<br />
U Guests <strong>in</strong> Attendance<br />
SHORTS PROGRAMS<br />
TUESDAY – OCTOBER 18 – 9:30PM<br />
NORTHWEST FILM FORUM<br />
BE WITH ME<br />
Choos<strong>in</strong>g teams, pick<strong>in</strong>g sides, go<strong>in</strong>g rounds, and<br />
mak<strong>in</strong>g moves: Whether you’re s<strong>in</strong>gle or <strong>in</strong> love,<br />
you’ll surely relate to these <strong>in</strong>trigu<strong>in</strong>g stories<br />
about women and relationships.<br />
TWO BEDS<br />
Kanako Wynkoop; 2010; US; 8 m<strong>in</strong>.<br />
A queer doppelgänger couple fights the age-old<br />
battle between polyamorous adventure and heteronormative<br />
monogamy.<br />
STITCHES<br />
Adiya Imri Orr; 2011; Israel; 18 m<strong>in</strong>.; <strong>in</strong> Hebrew,<br />
with English subtitles<br />
Amit and her partner Noa are about to have a<br />
baby. And with it will come the truth.<br />
OLIVIA<br />
Sarah Louise Wilson; 2010; US; 9 m<strong>in</strong>.<br />
Two girls, four str<strong>in</strong>gs, and a <strong>pr</strong>ivate place are all<br />
it takes for a romantic seduction.<br />
CYCLICITY<br />
Jason Knade; 2011; US; 11 m<strong>in</strong>.<br />
Relationships can come and go. Will this one play<br />
out <strong>in</strong> record time?<br />
ALICE IN ANDREW’S LAND<br />
Lauren Mackenzie; 2011; US; 20 m<strong>in</strong>.<br />
What do you do when wear<strong>in</strong>g a dress you hate<br />
lands you the job you need?<br />
THE LADY PARANORMA<br />
V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />
An eccentric lady is haunted by ghostly whispers<br />
and follows an eerie call to an unusual happilyever-<br />
after.<br />
FLUID<br />
Dara Sklar; 2011; US; 17 m<strong>in</strong>.<br />
Angie <strong>has</strong> a secret she’s been keep<strong>in</strong>g from her<br />
tea-dr<strong>in</strong>k<strong>in</strong>g girlfriends on the “Ice Teasers” flag<br />
football team: she’s a closet coffee snob.<br />
Total Runn<strong>in</strong>g Time: 89 m<strong>in</strong>.<br />
U<br />
Guests <strong>in</strong> Attendance<br />
SUNDAY – OCTOBER <strong>16</strong> – 2:00PM<br />
EGYPTIAN THEATRE<br />
BOYS SHORTS<br />
Secret love, the search for companionship,<br />
f<strong>in</strong>d<strong>in</strong>g identity, and the joke that wouldn’t die<br />
are just some of the unforgettable stories you’ll<br />
experience <strong>in</strong> this top-notch collection of short<br />
films.<br />
52<br />
Josh Levy; 2010; Canada; 4 m<strong>in</strong>.<br />
Scott Thompson (The Kids <strong>in</strong> the Hall) stars <strong>in</strong><br />
this hilarious look at an age-old dilemma.<br />
THE RESCUE<br />
Phillippe Gossel<strong>in</strong>; 2011; US; 18 m<strong>in</strong>.<br />
Jo<strong>in</strong> Miguel as he searches for love <strong>in</strong> the most<br />
unusual place: a shelter for abandoned and abused<br />
boyfriends.<br />
WHY DOES GOD HATE ME?<br />
Joel McCarthy; 2011; Canada; 15 m<strong>in</strong>.<br />
A 14-year-old boy liv<strong>in</strong>g <strong>in</strong> a very religious town<br />
gets help from a friend to “cure” him of be<strong>in</strong>g gay.<br />
But a trip to San Francisco shows that he’s not the<br />
one who needs help.<br />
COUPLES THERAPY<br />
Mike Rose; 2011; US; 10 m<strong>in</strong>.<br />
V<strong>in</strong>ce and Daniel’s issues are a total joke.<br />
CHANGE<br />
Melissa Osborne; 2010; US; 24 m<strong>in</strong>.<br />
An African-American teenager is caught <strong>in</strong> a<br />
personal conflict on the night Obama is elected<br />
<strong>pr</strong>esident and Proposition 8 is passed.<br />
DON’T LOOK AT ME<br />
John Strong; 2011; US; 7 m<strong>in</strong>.<br />
A <strong>pr</strong>ivate fantasy becomes a dose of reality for two<br />
roommates.<br />
BALDGUY (SKALLAMAN)<br />
Maria Block; 2011; Norway; 12 m<strong>in</strong>.; <strong>in</strong> Norwegian,<br />
with English subtitles<br />
A musical boy shares some big news with his<br />
parents.<br />
Total runn<strong>in</strong>g time: 90 m<strong>in</strong>.<br />
U Guests <strong>in</strong> Attendance<br />
Co<strong>pr</strong>esented by Gay City Health Project<br />
55
MONDAY – OCTOBER 17 – 5:45PM<br />
NORTHWEST FILM FORUM<br />
FUNNY GIRLS<br />
From <strong>in</strong>fomercials to tabloid TV and a beloved<br />
fantasy icon, these hilarious short films f<strong>in</strong>d<br />
someth<strong>in</strong>g to laugh at <strong>in</strong> the lives of lesbians, <strong>in</strong><br />
and out of the limelight.<br />
MS. THING<br />
Karen X. Tulch<strong>in</strong>sky; 2010; Canada; 7 m<strong>in</strong>.<br />
Tired of the bar scene? Fed up with domestic, codependent<br />
BS? Frustrated with onl<strong>in</strong>e dat<strong>in</strong>g? Then<br />
Ms. Th<strong>in</strong>g is the <strong>pr</strong>oduct for you!<br />
NOT-SO-SUBTLE SUBTEXT<br />
Sarah Rotella; 2010; Canada; 6 m<strong>in</strong>.<br />
What’s the real story beh<strong>in</strong>d the relationship<br />
between TV’s Xena and her “friend” Gabrielle? A<br />
closer look reveals a lot.<br />
STOP IT – BRIE<br />
Mike Rose; 2009; US; 5 m<strong>in</strong>.<br />
Brie’s addiction to makeup is cause for a comedic<br />
<strong>in</strong>tervention.<br />
OH MY COOTCH!<br />
Libby Tishler and Yael Kats; 2010; Israel; 15 m<strong>in</strong>.;<br />
<strong>in</strong> Hebrew, with English subtitles<br />
Is this racy story of fame, crime, and <strong>in</strong>fidelity a<br />
satire of reality TV or the real th<strong>in</strong>g? Who can tell<br />
the difference these days?<br />
NO DIRECTION<br />
Melissa F<strong>in</strong>ell; 2011; US; 13 m<strong>in</strong>.<br />
Frustrated with her life, a young woman f<strong>in</strong>ds<br />
comfort from a sexy and sur<strong>pr</strong>is<strong>in</strong>g source.<br />
MISERABLE ANIMALS<br />
Desi<strong>ree</strong> Akhavan and Ingrid Jungermann; 2011;<br />
US; 6 m<strong>in</strong>.<br />
An abandoned dog ignites a debate between two<br />
girlfriends over who is more gay.<br />
LESBIAN CLICHÉ SONG<br />
Bob Koherr; 2011; US; 5 m<strong>in</strong>.<br />
Everyth<strong>in</strong>g we know and love about lesbians,<br />
packed <strong>in</strong>to a catchy song.<br />
Total runn<strong>in</strong>g time: 57 m<strong>in</strong>.<br />
Conta<strong>in</strong>s graphic sexuality.<br />
U Guests <strong>in</strong> Attendance<br />
SHORTS PROGRAMS<br />
SATURDAY – OCTOBER 15 – 2:30PM<br />
EGYPTIAN THEATRE<br />
GIRLS SHORTS<br />
From glitter<strong>in</strong>g cities to the wild frontier, these<br />
short films follow women of all walks of life as<br />
they attempt to fulfill their hearts’ desires, fight the<br />
system, and make all the right moves.<br />
FLYERS<br />
Laura Terruso; 2011; US; 3 m<strong>in</strong>.<br />
In this comedy, someone really wants to get the word<br />
out on one girl’s sexuality.<br />
SLOW BURN<br />
Christ<strong>in</strong>e Chew; 2011; Canada; 14 m<strong>in</strong>.<br />
Two women compete for the affections of a stranger<br />
<strong>in</strong> a <strong>We</strong>stern-style draw-off.<br />
SLIP AWAY<br />
T. M. Scorzafava; 2010; US; 19 m<strong>in</strong>.<br />
W<strong>in</strong>ner of two awards, this film explores the <strong>in</strong>tense<br />
attraction between Selena and Jane. While one<br />
desires love, the other is bound by addiction.<br />
NICE SHIRT<br />
Erik Gernand; 2011; US; 5 m<strong>in</strong>.<br />
After a breakup, two women wage a war of words on<br />
their T-shirts.<br />
BEHOLDER<br />
Nisha Ganatra; 2011; US; 19 m<strong>in</strong>.<br />
In the not-so-distant future, a resident of a socially<br />
conservative city is faced with a decision about her<br />
unborn child. This film is the first episode <strong>in</strong> the<br />
second season of FUTURESTATES, an <strong>in</strong>dependent<br />
TV <strong>pr</strong>ogram that imag<strong>in</strong>es American life <strong>in</strong> the<br />
upcom<strong>in</strong>g decades.<br />
WATER WELLS<br />
Iyar Dyoman and Sivan Levy; 2010; Israel; 14 m<strong>in</strong>.;<br />
<strong>in</strong> Hebrew, with English subtitles<br />
Forbidden love between a student and teacher unfolds<br />
<strong>in</strong> Israel <strong>in</strong> 1948.<br />
LUST LIFE Lynda Tarryk; 2010; US; 9 m<strong>in</strong>.<br />
Memories that won’t fade can sometimes help you<br />
move on.<br />
YOU MOVE ME<br />
G<strong>in</strong>a Hirsch; 2010; US; 12 m<strong>in</strong>.<br />
In this hilarious lesbian “bromance,” it takes a U-<br />
Haul for two friends to redef<strong>in</strong>e their relationship.<br />
Total Runn<strong>in</strong>g Time: 95 m<strong>in</strong>.<br />
Co<strong>pr</strong>esented by The Northwest Network<br />
WEDNESDAY – OCTOBER 19 – 9:30PM<br />
NORTHWEST FILM FORUM<br />
INFRARED: NEW VISIONS<br />
FROM THE QUEER AVANT-GARDE<br />
Curated By Malic Amalya<br />
Classic icons, archetypes, and Americana blend<br />
with queerness through nonl<strong>in</strong>ear storytell<strong>in</strong>g,<br />
experimental techniques, and <strong>in</strong>stallation art.<br />
CB Doug Ischar and Tom Daws; 2011; US; 11 m<strong>in</strong>.<br />
Audio from a 1976 séance, footage from the 1943<br />
JANE EYRE, and her own sear<strong>in</strong>g letters form the<br />
crescendo of a Charlotte Brontë biopic.<br />
THE NANNY PROJECT<br />
Oli Rodriguez; 2010; US; 7 m<strong>in</strong>.<br />
Gender is explored dur<strong>in</strong>g “<strong>pr</strong><strong>in</strong>cess time” between a<br />
th<strong>ree</strong>-year-old child and his nanny/manny.<br />
THE UNSPEAKABLE: WYNNE GREENWOOD<br />
Clyde Petersen; 2011; US; 6 m<strong>in</strong>.<br />
A short documentary with a Northwest artist discuss<strong>in</strong>g<br />
her strap-on TV sets.<br />
LOST LAKE Zackary Drucker; 2010; US; 8 m<strong>in</strong>.<br />
Stunn<strong>in</strong>g midwestern vistas are punctuated by witch<br />
hunts, hate crimes, and psychological violence.<br />
WHEN A PERSONAL STRUGGLE ENDS.<br />
AND WHAT REMAINS<br />
F<strong>in</strong>n Paul; 2010; US; 14 m<strong>in</strong>.<br />
With blunt honesty <strong>in</strong> his radical queer community,<br />
Paul confronts his affluent upbr<strong>in</strong>g<strong>in</strong>g.<br />
SHOT DAY Syniva Whitney; 2011; US; 7 m<strong>in</strong>.<br />
A stop-motion animated fantasy based on the reallife<br />
domestic rout<strong>in</strong>es of Will Courtney and Syniva<br />
Whitney.<br />
FRIDA & ANITA<br />
Liz Rosenfeld; 2010; Germany; 20 m<strong>in</strong>.<br />
An imag<strong>in</strong>ed even<strong>in</strong>g of art, sex, and decadence with<br />
Mexican pa<strong>in</strong>ter Frida Kahlo and German dancer<br />
Anita Berber.<br />
Total runn<strong>in</strong>g time: 73 m<strong>in</strong>.<br />
U With local filmmakers Clyde Petersen,<br />
Wynne G<strong>ree</strong>nwood, F<strong>in</strong>n Paul, and<br />
Syniva Whitney <strong>in</strong> attendance.<br />
Malic Amalya (www.malicamalya.com) is an<br />
experimental filmmaker whose current <strong>pr</strong>oject,<br />
GOLD MOOD, SHARP ARROW, <strong>in</strong><br />
collaboration with Max Maitrice, <strong>in</strong>vestigates<br />
power dynamics <strong>in</strong> queer communities.<br />
57
THURSDAY – OCTOBER 20 – 7:15PM<br />
NORTHWEST FILM FORUM<br />
LIKE A VIRGIN<br />
There’s a first time for everyth<strong>in</strong>g, from com<strong>in</strong>g<br />
out to k<strong>in</strong>ky sex. You’ll see it all unfold <strong>in</strong> this<br />
<strong>pr</strong>ovocative collection that will touch you <strong>in</strong> places<br />
you won’t forget.<br />
COLD STAR<br />
Kai Stänicke; 2011; Germany; 7 m<strong>in</strong>.<br />
Some test the waters. Some look before they leap.<br />
But there’s noth<strong>in</strong>g so exhilarat<strong>in</strong>g as div<strong>in</strong>g right<br />
<strong>in</strong>.<br />
SPRING<br />
Hong Khaou; 2011; UK; 13 m<strong>in</strong>.<br />
This psycho-sexual thriller might test your lim<strong>its</strong><br />
of control.<br />
SLOW<br />
Darius Monroe; 2011; US; 13 m<strong>in</strong>.<br />
Sometimes a hook-up comes with str<strong>in</strong>gs attached.<br />
YES MAN<br />
Grant Reed; 2010; US; 11 m<strong>in</strong>.<br />
A devout Christian man starts eye<strong>in</strong>g the closet<br />
door when enlisted to star <strong>in</strong> a homo-hat<strong>in</strong>g TV<br />
commercial.<br />
10 DAYS (LOAD)<br />
Luís Assis; 2011; Portugal; 36 m<strong>in</strong>.; <strong>in</strong> Portuguese,<br />
with English subtitles<br />
Alex is ready to lose his virg<strong>in</strong>ity to Daniel, but<br />
Daniel’s try<strong>in</strong>g to save up someth<strong>in</strong>g big for his<br />
cam fans.<br />
Total runn<strong>in</strong>g time: 80 m<strong>in</strong>.<br />
Conta<strong>in</strong>s graphic sexuality.<br />
58<br />
SHORTS PROGRAMS<br />
SATURDAY – OCTOBER 22 – 12:30PM<br />
PACIFIC PLACE 1<br />
LOCAL PRODUCE<br />
Local talent takes the spotlight <strong>in</strong> this showcase of<br />
home<strong>grown</strong> short films.<br />
MORNING BEFORE<br />
Zheng Wang; 2011; US; 18 m<strong>in</strong>.<br />
Spend<strong>in</strong>g the night together was fun. But th<strong>in</strong>gs can<br />
look different by the light of day.<br />
QUEER CAFÉ<br />
Sophie Bl<strong>in</strong>der, Tessa Garcia-Duarte, and T. R.<br />
Raffa; 2011; US; 5 m<strong>in</strong>.<br />
Whatever your pleasure, order it up! Produced <strong>in</strong> the<br />
2011 Reel Queer Youth filmmak<strong>in</strong>g workshop.<br />
A DATE FOR DOMINIQUE<br />
Nikki Lee Taylor; 2011; US; 10 m<strong>in</strong>.<br />
Even a diva could use a pep talk before a bl<strong>in</strong>d date.<br />
RED LIGHT BULB<br />
Clyde Peterson; 2011; US; 5 m<strong>in</strong>.<br />
She’s a liv<strong>in</strong>g doll who gets paid to fulfill fantasies.<br />
But she’s got a secret of her own.<br />
LEAN LIKE A CHICHA<br />
Lonnie Tristan Renteria; 2011; US; 4 m<strong>in</strong>.<br />
Meet Chicha, a lesbian chola fashionista, <strong>in</strong> this<br />
hilarious hip-hop parody.<br />
THE APPOINTMENT<br />
Alex DePaz; 2011; US; 9 m<strong>in</strong>.<br />
Dyke drama reaches new heights <strong>in</strong> this climactic<br />
gynecological adventure.<br />
THE CHERDONNA & LOU SHOW: THE MOVIE<br />
Maile Mart<strong>in</strong>ez and Kelli Schmidt; 2011; US; 8 m<strong>in</strong>.<br />
The artists beh<strong>in</strong>d the hilarious characters who play<br />
with drag, dance, and gender identity are revealed.<br />
RELATIVITY<br />
Elijah Gre<strong>in</strong>er, Angel<strong>in</strong>e Blattenbauer, and Ellen<br />
Vickrey; 2011; US; 5 m<strong>in</strong>.<br />
Are you male, female, somewhere <strong>in</strong> between, or<br />
none of the above? It’s worth discuss<strong>in</strong>g.<br />
HELLA STRONG<br />
Cathleen Arnerich; 2011; US; 8 m<strong>in</strong>.<br />
DJ Airick reveals his deeply personal <strong>in</strong>spiration for<br />
Portland’s monthly radical queer party, Blow Pony.<br />
Total runn<strong>in</strong>g time: 105 m<strong>in</strong>.<br />
U<br />
Guests <strong>in</strong> Attendance<br />
TUESDAY – OCTOBER 18 – 9:30PM<br />
EGYPTIAN THEATRE<br />
MANHUNTING<br />
Seek<strong>in</strong>g sexy thrills? Have a taste for danger? Not<br />
afraid to get a little hurt… or a lot? If you say<br />
“Yes, sir,” these edgy and explicit short films are<br />
for you.<br />
A DAY IN THE COUNTRY<br />
Pella Kågerman, Hugo Lija; 2010; Sweden; 15<br />
m<strong>in</strong>.; <strong>in</strong> Swedish, with English subtitles<br />
A th<strong>ree</strong>-way encounter could lead to a new opportunity—or<br />
a dead end.<br />
REGRETS<br />
Michelle Poll<strong>in</strong>o; 2011; US; 10 m<strong>in</strong>.<br />
Is this one for keeps, or just another one-night<br />
stand?<br />
WATCH OVER ME<br />
Mysh Rozanov; 2010; Israel; 15 m<strong>in</strong>.; <strong>in</strong> Hebrew,<br />
with English subtitles<br />
Before he can jo<strong>in</strong> an elite force of combat fighters,<br />
a soldier is assigned to hunt down a friend.<br />
WINNER TAKES ALL<br />
Camille Carida; 2011; US; 17 m<strong>in</strong>.<br />
A self-<strong>in</strong>volved, seductive hunk manipulates his<br />
two lovers <strong>in</strong>to fight<strong>in</strong>g over him. And we mean<br />
really fight.<br />
MANHUNT<br />
Stephane Olijnyk; 2010; France; 28 m<strong>in</strong>.; <strong>in</strong><br />
French, with English subtitles<br />
A French soldier tracks and captures a terrorist<br />
<strong>in</strong> the woods. An erotic game of dom<strong>in</strong>ation and<br />
seduction ensues, with f<strong>ree</strong>dom at stake.<br />
CANNIBALS<br />
Juanma Carrillo; 2009; Spa<strong>in</strong>; 20 m<strong>in</strong>.; <strong>in</strong> Spanish,<br />
with English subtitles<br />
It’s not just sex that’s be<strong>in</strong>g sought out here <strong>in</strong> the<br />
woods but also the truth.<br />
Total runn<strong>in</strong>g time: 105 m<strong>in</strong>.
THURSDAY – OCTOBER 20 – 5:45PM<br />
NORTHWEST FILM FORUM<br />
PERCEPTIONS: TRANS SHORTS<br />
Gender l<strong>in</strong>es blur <strong>in</strong>to a colorful spectrum of<br />
sights and sounds with this variegated collection<br />
of short films.<br />
QUEER UMBRELLA<br />
Rosa Middleton; 2011; UK; 2 m<strong>in</strong>.<br />
Whimsical imagery abounds <strong>in</strong> this cleverly narrated<br />
<strong>in</strong>quiry <strong>in</strong>to what it means to be queer.<br />
WHEN A PERSONAL STRUGGLE ENDS...<br />
AND WHAT REMAINS<br />
F<strong>in</strong>n Paul; 2010; US; 14 m<strong>in</strong>.<br />
With blunt honesty and negotiated self-acceptance<br />
amid his radical queer community, F<strong>in</strong>n confronts<br />
his affluent upbr<strong>in</strong>g<strong>in</strong>g.<br />
PERCEPTION Sam Berl<strong>in</strong>er; 2010; US; 2 m<strong>in</strong>.<br />
An <strong>in</strong>trospective animation about see<strong>in</strong>g yourself<br />
through your own eyes <strong>in</strong>stead of those of the<br />
world.<br />
CHARLOTTE Daniel Monks; 2011; Australia; 4 m<strong>in</strong>.<br />
You th<strong>in</strong>k you’ve had the most awkward first date<br />
ever? Charlotte <strong>has</strong> you beat.<br />
TRANSSEXUAL DOMINATRIX<br />
Shawna Virago; 2011; US; 3 m<strong>in</strong>.<br />
“I do it for the leather, I do it for the power, I do it<br />
for the pleasure of $250 an hour.”<br />
SPIRAL TRANSITION<br />
Ewan Duarte; 2010; US; 6 m<strong>in</strong>.<br />
A documentary filmmaker explores his relationship<br />
with his mother and how it evolves as he makes his<br />
gender transition.<br />
DOKKA DOKKA<br />
Barry Morse; 2010; US; 3 m<strong>in</strong>.<br />
Questions of gender identity are set to a beat <strong>in</strong> this<br />
quirky, cartoon-y gem.<br />
MIND<br />
Emma Crimm<strong>in</strong>gs; 2011; Australia; 26 m<strong>in</strong>.<br />
Us<strong>in</strong>g writ<strong>in</strong>g and fantasy as a way of explor<strong>in</strong>g the nature<br />
of identity, acclaimed Ch<strong>in</strong>ese-Australian writer<br />
Tom Cho embarked on a <strong>pr</strong>ofound personal transformation,<br />
revisited <strong>in</strong> this wildly imag<strong>in</strong>ative film.<br />
Total runn<strong>in</strong>g time: 60 m<strong>in</strong>.<br />
U Guests <strong>in</strong> Attendance<br />
SUNDAY – OCTOBER 23 – 12:00PM<br />
PACIFIC PLACE<br />
REEL QUEER YOUTH<br />
SHORTS<br />
The kids are all right <strong>in</strong> this <strong>in</strong>spir<strong>in</strong>g collection<br />
of short films showcas<strong>in</strong>g the everyday issues and<br />
triumphs experienced by LGBT youth around<br />
the world.<br />
WE ONCE WERE TIDE<br />
Jason Bradbury; 2011; UK; 19 m<strong>in</strong><br />
Two young men are at a crossroads on England’s<br />
Isle of Wight. But only one is f<strong>ree</strong> to move on.<br />
STRAIGHT & NARROW<br />
Yomayra Perez; 2011; US; 7 m<strong>in</strong>.<br />
A student filmmaker <strong>in</strong>terviews family and<br />
friends for a closer look at shift<strong>in</strong>g perceptions and<br />
op<strong>in</strong>ions.<br />
HALF Alex Bohs; 2011; US; 6 m<strong>in</strong>.<br />
Two halves could make a perfect fit, if only their<br />
paths would cross <strong>in</strong> this unique, youth-made film.<br />
FINDING JUDY<br />
Gary Riotto; 2011; US; 7 m<strong>in</strong>.<br />
An African-American teen from Chicago discovers a<br />
sur<strong>pr</strong>is<strong>in</strong>g <strong>in</strong>ner talent that takes him to T<strong>in</strong>seltown.<br />
I DON’T WANT TO GO BACK ALONE<br />
Daniel Ribeiro; 2010; Brazil; 17 m<strong>in</strong>.; <strong>in</strong> Portuguese,<br />
with English subtitles<br />
A bl<strong>in</strong>d schoolboy develops a crush, but his closest<br />
friend can’t see that it’s not her.<br />
NO DIRECTION Melissa F<strong>in</strong>ell; 2011; US; 13 m<strong>in</strong>.<br />
Frustrated with her life, a young woman f<strong>in</strong>ds<br />
comfort from a sexy and sur<strong>pr</strong>is<strong>in</strong>g source.<br />
REEL QUEER YOUTH 2011<br />
Reel Queer Youth workshop; 18 m<strong>in</strong>.<br />
Experience these four films <strong>pr</strong>oduced this summer<br />
<strong>in</strong> the Reel Queer Youth filmmak<strong>in</strong>g workshop, a<br />
local video <strong>pr</strong>oduction and media literacy tra<strong>in</strong><strong>in</strong>g<br />
<strong>pr</strong>ogram funded by Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> for<br />
LGBTQ youth and their allies aged 13-20.<br />
Total runn<strong>in</strong>g time: 87 m<strong>in</strong>.<br />
U<br />
Guests <strong>in</strong> Attendance<br />
Co<strong>pr</strong>esented by Camp Ten T<strong>ree</strong>s<br />
SHORTS PROGRAMS<br />
SATURDAY – OCTOBER 15 – 12:30PM<br />
NORTHWEST FILM FORUM<br />
SATURGAY MORNING<br />
CARTOONS<br />
Yes, really, put on your PJs and jo<strong>in</strong> us early<br />
Saturday for this fun-filled collection of new<br />
animation, as well as v<strong>in</strong>tage cartoon classics<br />
(and commercials). Plus: f<strong>ree</strong> cereal!<br />
HALF Alex Bohs; 2011; US; 6 m<strong>in</strong>.<br />
Two girls have a chance encounter, and there is no<br />
deny<strong>in</strong>g the feel<strong>in</strong>g when you f<strong>in</strong>d your other half.<br />
RED LIGHT BULB<br />
Clyde Peterson; 2011; US; 5 m<strong>in</strong>.<br />
She’s a liv<strong>in</strong>g doll who gets paid to fulfill fantasies.<br />
But she’s got a secret of her own.<br />
VALMAY THE VISITOR FROM BEEP BEEP<br />
BLEETLEBOX 967<br />
Susan Earl; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />
An alien becomes the toast of the town after crash<strong>in</strong>g<br />
smack <strong>in</strong> the middle of Sydney’s Gay Mardi Gras.<br />
THE GIRL BUNNIES: BIG TREE<br />
François Doherty; 2011; Canada; 9 m<strong>in</strong>.<br />
Two girl bunnies, sitt<strong>in</strong>g <strong>in</strong> a t<strong>ree</strong>, k-i-s-s-i-n-g.<br />
QUEER UMBRELLA<br />
Rosa Middleton; 2011; UK; 2 m<strong>in</strong>.<br />
Whimsical imagery abounds <strong>in</strong> this cleverly narrated<br />
<strong>in</strong>quiry <strong>in</strong>to what it means to be queer.<br />
PERCEPTION Sam Berl<strong>in</strong>er; 2011; US; 2 m<strong>in</strong>.<br />
An <strong>in</strong>trospective animation about see<strong>in</strong>g yourself<br />
through your own eyes rather than those of the world.<br />
DOKKA DOKKA Barry Morse; 2010; US; 3 m<strong>in</strong>.<br />
Questions of gender identity are set to a beat <strong>in</strong> this<br />
quirky, cartoon-y gem.<br />
THE LADY PARANORMA<br />
V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />
An eccentric lady is haunted by ghostly whispers, and<br />
follows an eerie call to an unusual happily ever after.<br />
WHITE PAPER<br />
Seyed Mohsen Pourmohseni Shakib; 2010; Iran; 3 m<strong>in</strong>.<br />
When a diverse group of kids are driven from their<br />
families for be<strong>in</strong>g many-hued <strong>in</strong> a gray world, a<br />
ra<strong>in</strong>bow connection is made.<br />
Total runn<strong>in</strong>g time: 80 m<strong>in</strong>.<br />
59
SHORTS PROGRAMS<br />
MONDAY – OCTOBER 17 – 9:15PM<br />
EGYPTIAN THEATRE<br />
SAUCY AUSSIES<br />
They come from the land down under to make<br />
you laugh, th<strong>in</strong>k, and get a taste of life <strong>in</strong> one of<br />
the world’s most compell<strong>in</strong>g LGBT communities.<br />
FRANSWA SHARL<br />
Hannah Hilliard; 2010; Australia; 14 m<strong>in</strong>.<br />
Greg, who <strong>has</strong> <strong>in</strong>herited his father’s competitive<br />
streak, gives a fierce performance <strong>in</strong> the Miss Fiji<br />
Pageant.<br />
UNDER PRESSURE<br />
Kate Lefoe; 2011; Australia; 6 m<strong>in</strong>.<br />
When gunshots r<strong>in</strong>g out at school, library geek<br />
Alex f<strong>in</strong>ds herself hid<strong>in</strong>g with her secret crush,<br />
Ruby.<br />
WILD IMAGININGS<br />
Daniel Monks; 2011; Australia; 10 m<strong>in</strong>.<br />
Reality is mak<strong>in</strong>g an unwelcome appearance <strong>in</strong> the<br />
fantasies of a teenage boy.<br />
CARMEN RUPE<br />
Lucy Hayes; 2011; Australia; 11 m<strong>in</strong>.<br />
Meet Carmen Rupe, a 74-year-old drag queen and<br />
former showgirl who recounts the ups and downs<br />
of her life <strong>in</strong> the limelight.<br />
VIGILANT! HEALTHY! WHOLESOME!<br />
Lauren Anderson; 2009; Australia; 14 m<strong>in</strong>.<br />
A plague of homosexuality is sweep<strong>in</strong>g down<br />
under <strong>in</strong> this award-w<strong>in</strong>n<strong>in</strong>g B-movie spoof.<br />
DROWNING<br />
Craig Boreham; 2009; Australia; 20 m<strong>in</strong>.<br />
The one solid th<strong>in</strong>g <strong>in</strong> Mik’s life is his best friend,<br />
Dan. But Dan <strong>has</strong> a new girlfriend.<br />
VALMAY THE VISITOR FROM BEEP BEEP<br />
BEEP BLEETLEBOX 967<br />
Susan Earl; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />
An alien becomes the toast of the town after<br />
crash<strong>in</strong>g smack <strong>in</strong> the middle of Sydney’s Gay<br />
Mardi Gras.<br />
Total runn<strong>in</strong>g time: 91 m<strong>in</strong>.<br />
60<br />
Your Man Friday is <strong>pr</strong>oud to support<br />
the Seattle Lesbian and Gay Film Festival<br />
for twelve <strong>years</strong> runn<strong>in</strong>g.
TICKETING INFORMATION<br />
Advance Ticket Sales<br />
Advance tickets and passes can be purc<strong>has</strong>ed <strong>in</strong> advance onl<strong>in</strong>e at<br />
www.th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org start<strong>in</strong>g Monday September 26, 2011.<br />
How to Buy Tickets<br />
• Tickets to any sc<strong>ree</strong>n<strong>in</strong>g may be purc<strong>has</strong>ed <strong>in</strong> person at any venue<br />
box office.<br />
• Tickets may also be purc<strong>has</strong>ed onl<strong>in</strong>e at www.th<strong>ree</strong>dollarbillc<strong>in</strong>ema.<br />
org up to 30 m<strong>in</strong>utes before showtime (subject to availability). Thirty<br />
m<strong>in</strong>utes <strong>pr</strong>ior to showtime or less, tickets must be purc<strong>has</strong>ed <strong>in</strong> person<br />
at a venue box office.<br />
• Venue box offices open 30 m<strong>in</strong>utes before the first sc<strong>ree</strong>n<strong>in</strong>g of the<br />
day and close 30 m<strong>in</strong>utes after the last sc<strong>ree</strong>n<strong>in</strong>g of the day beg<strong>in</strong>s.<br />
How to Pick Up Tickets<br />
(Will Call option)<br />
Tickets purc<strong>has</strong>ed onl<strong>in</strong>e will be available for pickup at Will Call at the<br />
venue of your first sc<strong>ree</strong>n<strong>in</strong>g (if you choose Will Call <strong>in</strong>stead of Mail or<br />
Pr<strong>in</strong>t-at-Home). If you purc<strong>has</strong>ed multiple tickets for various sc<strong>ree</strong>n<strong>in</strong>gs<br />
on one order, all tickets will be available for pickup at the venue of<br />
your first sc<strong>ree</strong>n<strong>in</strong>g.<br />
For festival passes and membership packet pickup, the General Will<br />
Call locations are as follows:<br />
Oct. 14: Egyptian Theatre<br />
Oct. 15–21: Northwest Film Forum<br />
Oct. 22–24: Pacific Place <strong>C<strong>in</strong>ema</strong>s<br />
Pr<strong>in</strong>t-at-Home<br />
New this year is our <strong>pr</strong><strong>in</strong>t-at-home option. Place your ticket order<br />
onl<strong>in</strong>e, check out, and then select <strong>pr</strong><strong>in</strong>t-at-home.<br />
Individual Ticket Prices<br />
Regular sc<strong>ree</strong>n<strong>in</strong>gs .................................................$10/$8 members<br />
First sc<strong>ree</strong>n<strong>in</strong>gs on Saturdays & Sundays ....................................... $7<br />
Youth/Senior tickets (see details below) ........................................ $7<br />
Teen Tix (see details below) ......................................................... $5<br />
Special Sc<strong>ree</strong>n<strong>in</strong>g Prices<br />
Open<strong>in</strong>g Night Film & Gala: DIRTY GIRL ................ $35/$30 members<br />
Clos<strong>in</strong>g Night Film & Gala: VITO .......................... $35/$30 members<br />
Open<strong>in</strong>g Night Film only ............................................................$15<br />
Clos<strong>in</strong>g Night Film only ..............................................................$15<br />
Centerpiece Film & Gala: LEAVE IT ON THE FLOOR .$20/$18 members<br />
Centerpiece Film & Gala: WISH ME AWAY ............$20/$18 members<br />
Spotlight Film & Reception: WE WERE HERE ........... $12/$10 members<br />
Pass Prices<br />
Full Festival Pass (see details below) ..........................................$210<br />
Party Pass (see details below) ............................... $90/$85 members<br />
Senior & Youth Discount<br />
The Senior & Youth discount is $7 for all $10 sc<strong>ree</strong>n<strong>in</strong>gs (only available<br />
for <strong>in</strong>-person sales; this is not available onl<strong>in</strong>e). Seniors are 65 and<br />
over; youth are 21 and under. Must <strong>pr</strong>esent ID.<br />
Teen Tix<br />
Teen Tix members can purc<strong>has</strong>e regular<br />
sc<strong>ree</strong>n<strong>in</strong>g discounted tickets (or those of<br />
lesser value) at all sc<strong>ree</strong>n<strong>in</strong>g venues, day-ofshow<br />
only. Not available <strong>in</strong> advance. Must<br />
show Teen Tix membership card to receive<br />
discount.<br />
Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong><br />
Members Discount<br />
Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members enjoy discounts on most festival<br />
tickets and passes. All member discounts: Limit of two per member per<br />
sc<strong>ree</strong>n<strong>in</strong>g or pass. Must show membership card to receive discount.<br />
Members-Only L<strong>in</strong>e<br />
Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members are given <strong>pr</strong>iority seat<strong>in</strong>g follow<strong>in</strong>g<br />
pass holders. A “Members Only” l<strong>in</strong>e will be at all venues. Members<br />
must have their membership card available as <strong>pr</strong>oof of membership to<br />
use this l<strong>in</strong>e. To take advantage of these benef<strong>its</strong>, please visit page __<br />
to learn more about becom<strong>in</strong>g a member.<br />
Full Festival Pass<br />
Your festival pass will admit you to any sc<strong>ree</strong>n<strong>in</strong>g at the Seattle Lesbian<br />
& Gay Film Festival <strong>pr</strong>ovided you follow these simple guidel<strong>in</strong>es:<br />
Be at the venue at least 20 m<strong>in</strong>utes <strong>pr</strong>ior to the show. There will be a<br />
separate l<strong>in</strong>e for pass holders. Please wait <strong>in</strong> that l<strong>in</strong>e, with your pass<br />
visible. Pass holders will be let <strong>in</strong> first. Pass holders who get to the theater<br />
less than 20 m<strong>in</strong>utes <strong>pr</strong>ior to the show or after the pass holder seat<br />
allotment is reached are not guaranteed a seat. Passes are nontransferable<br />
and non-replaceable.<br />
Party Pass<br />
You will receive <strong>pr</strong>iority seat<strong>in</strong>g at the Open<strong>in</strong>g Night, Clos<strong>in</strong>g Night,<br />
and both Centerpiece films. Includes films and the parties that follow.<br />
Hope L<strong>in</strong>e<br />
When advance tickets for a sc<strong>ree</strong>n<strong>in</strong>g are sold out, rush tickets may<br />
be available at the theater. Some seats at every show are reserved<br />
for pass holders; however, sometimes not all those seats are used.<br />
Once we determ<strong>in</strong>e how many seats will be available, we release<br />
those “rush” seats for sale to people <strong>in</strong> the Hope L<strong>in</strong>e. This l<strong>in</strong>e forms<br />
anywhere from 15 to 90 m<strong>in</strong>utes before showtime.<br />
The Not-So-Small Pr<strong>in</strong>t<br />
• All ticket orders <strong>in</strong>clude a service fee (per ticket).<br />
• An additional fee applies to Will Call or mail orders, but there is no<br />
additional fee for Pr<strong>in</strong>t-At-Home tickets.<br />
• Please arrive on time. Late seat<strong>in</strong>g is not guaranteed. Please check<br />
your tickets for each sc<strong>ree</strong>n<strong>in</strong>g, as start times vary.<br />
• THE BEST LITTLE WHOREHOUSE IN TEXAS SING-ALONG and<br />
ATTACK OF THE MUSICALS are 21-and-over-only sc<strong>ree</strong>n<strong>in</strong>gs (due to<br />
venue rules).<br />
• No refunds or exchanges except <strong>in</strong> the case of <strong>pr</strong>ogram cancellation.<br />
• Program runn<strong>in</strong>g times do not <strong>in</strong>clude <strong>in</strong>troductions, trailers, or Q&A<br />
sessions.<br />
61
OPENING NIGHT<br />
GALA!<br />
FRIDAY, OCTOBER 14<br />
The <strong>16</strong>th festival kicks off at a sweet<br />
new event space on Capitol Hill and a<br />
sweet new collaboration. Our Open<strong>in</strong>g<br />
Night Gala is <strong>pr</strong>esented by Trouble.<br />
Experience huge wall <strong>pr</strong>ojections,<br />
fantastic DJs, and food and dr<strong>in</strong>k<br />
<strong>pr</strong>ovided by our generous sponsors.<br />
Ticket to the Open<strong>in</strong>g Night Film and<br />
Gala required. 21 and over only.<br />
Fred Wildlife Refuge<br />
98 Belmont Avenue E<br />
Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
WE WERE HERE<br />
SATURDAY, OCTOBER 15, 7:00PM<br />
Seattle Volvo<br />
1120 Pike St<strong>ree</strong>t<br />
Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
HANNAH & THE<br />
HASBIAN<br />
MONDAY, OCTOBER 17, 8:30PM<br />
Wildrose<br />
1021 E Pike St<strong>ree</strong>t<br />
Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
HEART BREAKS<br />
OPEN<br />
TUESDAY, OCTOBER 18, 9:00PM<br />
Purr<br />
1518 11th Avenue<br />
<strong>We</strong>st Seattle kickoff reception for<br />
SPORK<br />
THURSDAY, OCTOBER 20, 9:00PM<br />
Heartland Café<br />
4210 SW Admiral Way<br />
62<br />
CENTERPIECE GALA<br />
SUNDAY, OCTOBER <strong>16</strong><br />
Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of LEAVE IT ON THE FLOOR, please jo<strong>in</strong> us for<br />
a gala reception at the Lobby Bar. Your ticket to the film <strong>in</strong>cludes the<br />
gala reception. 21 and over only.<br />
The Lobby Bar 9<strong>16</strong> E Pike St<strong>ree</strong>t<br />
Pre-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
LONGHORNS<br />
Sponsored by TLA Releas<strong>in</strong>g<br />
FRIDAY, OCTOBER 21, 7:00PM<br />
Still Liquor<br />
1524 M<strong>in</strong>or Avenue<br />
Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
EATING OUT 5<br />
SATURDAY, OCTOBER 22, 8:30PM<br />
Design With<strong>in</strong> Reach<br />
1918 First Avenue<br />
Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />
LOCAL PRODUCE<br />
SATURDAY, OCTOBER 22, 2PM<br />
Urbane Coffee & W<strong>in</strong>e Bar<br />
<strong>16</strong>35 8th Avenue<br />
CENTERPIECE<br />
GALA<br />
FRIDAY, OCTOBER 21<br />
Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of WISH<br />
ME AWAY, please jo<strong>in</strong> us for a<br />
gala reception <strong>in</strong> the atrium of<br />
Pacific place at Il Fornaio Restaurant<br />
and Bakery. Enjoy some<br />
of Il Fornaio’s signature savory<br />
<strong>bit</strong>es and desserts and an array<br />
of beverages. Your ticket to the<br />
film <strong>in</strong>cludes the gala reception.<br />
Il Fornaio Restaurant and Bakery<br />
Pacific Place | 600 P<strong>in</strong>e St<strong>ree</strong>t<br />
CLOSING NIGHT<br />
GALA!<br />
SUNDAY, OCTOBER 23<br />
Celebrate the sweet end<strong>in</strong>g to<br />
10 days of films with our Clos<strong>in</strong>g<br />
Night Gala. <strong>We</strong> are pleased to<br />
be back at the newly remodeled<br />
South Lake Union Discovery Center.<br />
Enjoy a delicious sampl<strong>in</strong>g<br />
of food from South Lake Union<br />
restaurants and caterers and<br />
dr<strong>in</strong>ks <strong>pr</strong>ovided by our generous<br />
sponsors. Presented by Seattle<br />
Met Magaz<strong>in</strong>e. Ticket to the Clos<strong>in</strong>g<br />
Night Film and Gala required.<br />
South Lake Union<br />
Discovery Center<br />
101 <strong>We</strong>stlake Avenue N
SOUTH LAKE UNION<br />
DISCOVERY CENTER<br />
101 <strong>We</strong>stlake Avenue N<br />
Seattle, WA 98109<br />
206-324-5900<br />
discoverslu.com<br />
CINERAMA THEATER<br />
2100 Fourth Avenue<br />
Seattle, WA 98121<br />
206-448-6680<br />
c<strong>in</strong>erama.com<br />
PACIFIC PLACE CINEMA<br />
600 P<strong>in</strong>e St<strong>ree</strong>t, 4th floor<br />
Seattle, WA 98101<br />
206-652-8908<br />
amcenterta<strong>in</strong>ment.com/<br />
PacificPlace<br />
IL FORNAIO RESTAURANT<br />
AND BAKERY<br />
600 P<strong>in</strong>e St<strong>ree</strong>t<br />
Seattle, WA 98101<br />
ilfornaio.com<br />
ADMIRAL THEATER<br />
2343 California Avenue SW<br />
Seattle, WA 981<strong>16</strong><br />
206-938-3456<br />
thehistoricadmiraltheater.com<br />
SW Admiral Way<br />
California Avenue SW<br />
<strong>We</strong>st Seattle<br />
SW Admiral Way<br />
Queen Anne Ave N<br />
1st Ave N<br />
Queen<br />
Anne<br />
Seattle<br />
Center<br />
Alaskan Way<br />
Broad St<br />
1st Ave<br />
5th Ave N<br />
Taylor Ave N<br />
Elliott<br />
Bay<br />
Aurora Ave N<br />
Lenora St<br />
<strong>We</strong>stlake Ave N<br />
Bell St<br />
6th Ave<br />
5th Ave<br />
4th Ave<br />
<strong>We</strong>stlake Ave N<br />
9th Ave N<br />
Lake<br />
Union<br />
Virg<strong>in</strong>ia St<br />
6th Ave<br />
Fairview Ave N Fairview Ave E<br />
Stewart St<br />
P<strong>in</strong>e St<br />
Pike St<br />
Madison St<br />
Howell St<br />
Eastlake Ave N<br />
E P<strong>in</strong>e St<br />
E Pike St<br />
E Madison St<br />
Boren Ave<br />
Harvard Ave E<br />
Broadway E<br />
E Roanoke St<br />
VENUE MAP<br />
Aloha St<br />
99<br />
E Aloha St<br />
Roy St<br />
E Roy St<br />
Mercer St E Mercer St<br />
Seattle<br />
N<br />
WEST SEATTLE BRIDGE<br />
Denny Way<br />
Blanchard St<br />
99<br />
7th Ave<br />
Terry Ave N<br />
1st Ave S<br />
1st Ave S<br />
1st Ave S<br />
S Jackson St<br />
Yesler Way<br />
4th Ave S 4th Ave S<br />
5th Ave S<br />
S Royal Brougham Way<br />
SoDo<br />
S Hanford St<br />
S Atlantic St<br />
WEST SEATTLE BRIDGE<br />
Melrose Ave E<br />
S Holgate St<br />
S Lander St<br />
6th Ave S<br />
Belmont Ave E<br />
E Olive Way<br />
6th Ave S<br />
10th Ave E<br />
E Union St<br />
James St<br />
Airport Way S<br />
S Spokane St<br />
E Republican St<br />
E John St<br />
E Denny Way<br />
Capitol<br />
Hill<br />
10th Ave E<br />
12th Ave E 12th Ave E<br />
509<br />
E P<strong>in</strong>e St<br />
E Pike St<br />
S Columbia Way<br />
21st Ave<br />
FRED WILDLIFE<br />
REFUGE<br />
98 Belmont Avenue E<br />
Seattle, WA 98102<br />
206-588-6959<br />
EGYPTIAN THEATRE<br />
805 E P<strong>in</strong>e St<strong>ree</strong>t<br />
Seattle, WA 98122<br />
206-781-5759<br />
landmarktheatres.com<br />
CENTRAL CINEMA<br />
1411 21st Avenue<br />
Seattle, WA 98122<br />
206-686-MOVI<br />
(206-686-6684)<br />
central-c<strong>in</strong>ema.com<br />
NORTHWEST<br />
FILM FORUM<br />
1515 12th Avenue<br />
Seattle, WA 98122<br />
206-329-2629<br />
nwlmforum.org<br />
THE LOBBY BAR<br />
9<strong>16</strong> E Pike St<strong>ree</strong>t<br />
Seattle, WA 98122<br />
206-328-6703<br />
thelobbyseattle.com<br />
63
52<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
(A)SEXUAL<br />
Angela Tucker<br />
angela@artseng<strong>in</strong>e.net<br />
10 DAYS (LOAD)<br />
Ana David, Queer Lisboa<br />
ana@queerlisboa.pt<br />
A DATE FOR DOMINIQUE<br />
Nikki Lee Taylor<br />
nikkitaylor98112@yahoo.com<br />
A DAY IN THE COUNTRY<br />
Pella Kagerman<br />
pellapupp@hotmail.com<br />
ALICE IN ANDREW’S LAND<br />
Lauren Mackenzie<br />
laurenm_ny@yahoo.com<br />
AMEN<br />
Mumbai Queer Film Festival<br />
kashishmqff@gmail.com<br />
BALDGUY<br />
Toril Simonsen,<br />
Norwegian Film Institute<br />
Toril.Simonsen@n.no<br />
BEHOLDER<br />
Nisha Ganatra<br />
nisha.ganatra@gmail.com<br />
BEST LITTLE WHOREHOUSE IN<br />
TEXAS SINGALONG<br />
Katie D<strong>in</strong>telman<br />
kd<strong>in</strong>telman@swankmp.com<br />
BOB’S NEW SUIT<br />
Alan Howard<br />
arh104@aol.com<br />
BOY CHEERLEADERS<br />
Gav<strong>in</strong> Humphries<br />
gav<strong>in</strong>@quarklms.com<br />
CANNIBALS<br />
Juanma Carrillo<br />
juanitodj@gmail.com<br />
CARMEN RUPE<br />
Lucy Hayes<br />
lucymhayes@gmail.com<br />
CB<br />
Doug Ischar and Tom Daws<br />
dischar@uic.edu<br />
CHANGE<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
CHARLOTTE<br />
Daniel Monks<br />
daniel_monks@hotmail.com<br />
CODEPENDENT LESBIAN SPACE<br />
ALIEN SEEKS SAME<br />
Mary Ann Curto<br />
MaryAnnCurtoManagement@<br />
gmail.com<br />
COLD STAR<br />
Kai Stänicke<br />
kai.staenicke@gmx.de<br />
COUPLES THERAPY<br />
Mike Rose<br />
fruitycenter@gmail.com<br />
CUPCAKE: A ZOMBIE LESBIAN<br />
MUSICAL<br />
Rogan Brown Films<br />
rogan@<br />
zombielesbianmusical.com<br />
CYCLICITY<br />
Jason Knade<br />
jason@jasonknade.com<br />
DIRTY GIRL<br />
The <strong>We</strong><strong>in</strong>ste<strong>in</strong> Company<br />
www.we<strong>in</strong>ste<strong>in</strong>co.com<br />
DOKKA DOKKA<br />
Barry Morse<br />
frenchfrye2000@mac.com<br />
64<br />
DON’T LOOK AT ME<br />
John Strong<br />
notsostrong@gmail.com<br />
DROWNING<br />
Azure Productions<br />
aj.bell@azure<strong>pr</strong>oductions.<br />
com.au<br />
EAST BLOC LOVE<br />
Logan Mucha<br />
logan.mucha@gmail.com<br />
EATING OUT 5<br />
Michael Shoel<br />
mjshoel@ariztical.com<br />
ECUPID<br />
JC Calciano<br />
jc_calciano@yahoo.com<br />
EXISTENCE<br />
Mumbai Queer Film Festival<br />
kashishmqff@gmail.com<br />
FINDING JUDY<br />
Gary Riotto<br />
garyriotto@aol.com<br />
FLUID<br />
Dara Sklar<br />
DaraS@schwartzcomm.com<br />
FLYERS<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
FOR SUCH A TIME AS THIS<br />
Joe W<strong>in</strong>dish<br />
jw<strong>in</strong>dish@gmail.com<br />
FORTUNE COOKIE MAGIC<br />
TRICKS<br />
Derek Lui<br />
dereklui12@gmail.com<br />
FRANSWA SHARL<br />
Hannah Hilliard<br />
hannah@radicalmedia.com<br />
FRIDA & ANITA<br />
Liz Rosenfeld<br />
www.lizrosenfeld.com<br />
GAYSIAN DREAM<br />
Bernie Esp<strong>in</strong>osa<br />
bernie1201@gmail.com<br />
GIRL BUNNIES: BIG TREE<br />
Sarah Deragon, Framel<strong>in</strong>e<br />
sderagon@framel<strong>in</strong>e.org<br />
GOING DOWN IN LA LA LAND<br />
Casper Andreas<br />
<strong>pr</strong>oduction@embrem.com<br />
GUN HILL ROAD<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
HALF<br />
Alex Bohs<br />
alexbohs@yahoo.com<br />
HANNAH & THE HASBIAN<br />
Chris Hock<strong>in</strong>g/Nicholas Colla<br />
<strong>pr</strong>oducers@latenitelms.com<br />
HARVEST<br />
Lewis Tice<br />
lewis@tlareleas<strong>in</strong>g.com<br />
HEART BREAKS OPEN<br />
Basil Shadid<br />
basil@basilshadid.com<br />
HELLA STRONG<br />
Catheleen Arnerich<br />
cathleenarnerich@gmail.com<br />
HIT SO HARD<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
HOW ARE YOU<br />
Henrik Underbjerg<br />
henrik@radiatorlm.com<br />
PRINT SOURCES<br />
I AM<br />
Sonali Gulati<br />
sonalilm@yahoo.com<br />
I DON’T WANT TO GO BACK<br />
ALONE<br />
Daniel Ribeiro<br />
danielribeiro@<br />
lacunalmes.com.br<br />
I WAS A TEENAGE WEREBEAR<br />
Tim Sullivan<br />
ts22@newrebel.org<br />
JAMIE AND JESSIE ARE NOT<br />
TOGETHER<br />
<strong>We</strong>ndy Jo Carlton<br />
wenjo.carlton@yahoo.com<br />
JOE + BELLE<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
JOHNNY & LYMAN: A LIFE<br />
TOGETHER<br />
Paul Detwiler<br />
pdetwiler@sunstroke.sdsu.edu<br />
JUDAS KISS<br />
J.T. Tepnapa<br />
judaskiss@me.com<br />
KAWA<br />
Corey Tong<br />
coreytong@earthl<strong>in</strong>k.net<br />
KINK CRUSADERS<br />
Mike Skiff<br />
skiff@thirdrailmedia.com<br />
LEAN LIKE A CHICHA<br />
Torelore Productions<br />
lonnietr@torelore.com<br />
LEAVE IT ON THE FLOOR<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
LESBIAN CLICHÉ SONG<br />
Amy Turner<br />
thatswhatshesaidshow@gmail.<br />
com<br />
LONGHORNS<br />
Lewis Tice<br />
lewis@tlareleas<strong>in</strong>g.com<br />
LOST LAKE<br />
Zackary Drucker<br />
www.zackarydrucker.com<br />
LUST LIFE<br />
Lynda Tarryk<br />
ltarryk@gmail.com<br />
MAN 2 MAN<br />
Christopher H<strong>in</strong>es<br />
christopherh<strong>in</strong>es@me.com<br />
MANHUNT<br />
Fury Productions<br />
fury<strong>pr</strong>od@hotmail.fr<br />
MARRIED IN SPANDEX<br />
Allison Kole<br />
alursula@yahoo.com<br />
MARY LOU<br />
Nancy Fishman<br />
nancykshman@gmail.com<br />
MIND<br />
Julian Morgans<br />
julianmorgans@hotmail.com<br />
MISERABLE ANIMALS<br />
Ingrid Jungermann<br />
<strong>in</strong>grid.jungermann@gmail.com<br />
MORGAN<br />
Sandon Berg<br />
sandman_ca54@hotmail.com<br />
MORNING BEFORE<br />
Zhen Wang<br />
justzheng@hotmail.com<br />
MOTHER TONGUE<br />
Octavio Nadal, Aura Films<br />
octavio.nadal@auralms.<br />
com.ar<br />
MS. THING<br />
Karen X. Tulch<strong>in</strong>sky<br />
arenxtulch<strong>in</strong>sky@gmail.com<br />
MY LAST ROUND<br />
Anne Wiedlack<br />
aw@m-appeal.com<br />
MY PAST MY PRESENT<br />
Melanie Rodriga<br />
m.rodriga@murdoch.edu.au<br />
NICE SHIRT<br />
Eric Gernand<br />
esgernand@rcn.com<br />
NO DIRECTION<br />
Melissa F<strong>in</strong>ell<br />
melissa.nell@gmail.com<br />
NOT-SO SUBTLE SUBTEXT<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
NOW HERE<br />
Joey Kuhn<br />
JosephKuhn@gmail.com<br />
OH MY COOTCH!<br />
Hila Ben Baruch<br />
hilajust4u@gmail.com<br />
OLIVIA<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
ORCHIDS: MY INTERSEX<br />
ADVENTURE<br />
Kristen M Fitzpatrick<br />
ktzpatrick@WMM.com<br />
OUR LIPS ARE SEALED<br />
Kelly Dolak<br />
ourlipsaresealedlm@gmail.<br />
com<br />
OUT FOR THE LONG RUN<br />
Scott Bloom<br />
tragoidia@aol.com<br />
OUTLAND<br />
Pr<strong>in</strong>cess Pictures<br />
www.<strong>pr</strong><strong>in</strong>cess.net.au<br />
PERCEPTION<br />
Sam Berl<strong>in</strong>er<br />
videokid24@gmail.com<br />
QUEER CAFÉ<br />
Reel Queer Youth<br />
RQY@th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org<br />
QUEER UMBRELLA<br />
Rosa Middleton<br />
rosacmiddleton@gmail.com<br />
RED LIGHT BULB<br />
Clyde Peterson<br />
clyde@yourheartbreaks.com<br />
REEL QUEER YOUTH 2011<br />
Reel Queer Youth<br />
RQY@th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org<br />
REGRETS<br />
Kelly Burkhardt<br />
burkhardtkelly@yahoo.com<br />
RELATIVITY<br />
Lila Kitaeff<br />
lila@<strong>ree</strong>lgrrls.org<br />
ROMEOS<br />
Brandon Peters<br />
Brandon@strandreleas<strong>in</strong>g.com<br />
SAPPHO’S FIRE<br />
Alexia Kosmider<br />
akosmide@risd.edu<br />
SHOT DAY<br />
Syniva Whitney<br />
www.syniva.com<br />
SISTER SMILE<br />
Inter RoissyFilms<br />
<strong>in</strong>ter@roissylms.com<br />
SLIP AWAY<br />
Michelle C. Bonilla<br />
<strong>in</strong>fo@slipawaythemovie.com<br />
SLOW<br />
Darius Clark Monroe<br />
darius@nyu.edu<br />
SLOW BURN<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
SLUT - THE MUSICAL<br />
Ruth Saunders<br />
Ruth.Saunders@aftrs.edu.au<br />
SPIRAL TRANSITION<br />
Ewan Duarte<br />
ewanduarte@gmail.com<br />
SPORK<br />
Molly Albright<br />
mollyalbright@me.com<br />
SPRING<br />
Hong Khaou<br />
hkhaou@me.com<br />
STILL AROUND<br />
Vanessa Domico<br />
vdomico@outcast-lms.com<br />
STITCHES<br />
adiyaeor@gmail.com<br />
STOP IT – BRIE<br />
Mike Rose<br />
fruitycenter@gmaill.com<br />
STRAIGHT & NARROW<br />
Dez McMahon, Real to Reel<br />
dez@rawartworks.org<br />
THE ADVOCATE FOR FAGDOM<br />
Jürgen Brün<strong>in</strong>g<br />
<strong>pr</strong>oducer@ottothezombie.de<br />
THE APPOINTMENT<br />
Alex DePaz<br />
depazlms11@gmail.com<br />
THE CHERDONNA & LOU<br />
SHOW: THE MOVIE<br />
Lila Kitaeff<br />
lila@<strong>ree</strong>lgrrls.org<br />
THE GREEN<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
THE GROVE<br />
Open Eye Pictures<br />
regan@openeyepictures.com<br />
THE LADY PARANORMA<br />
V<strong>in</strong>cent Marcone<br />
v<strong>in</strong>cent@mypetskeleton.com<br />
THE LULU SESSIONS<br />
S. Casper Wong<br />
casper@oomedia.com<br />
THE NANNY PROJECT<br />
Oli Rodriguez<br />
www.olirodriguez.com<br />
THE NIGHT WATCH<br />
Richard Donnelly<br />
Richard.Donnelly@pearson.com<br />
THE RESCUE<br />
Philippe Gossel<strong>in</strong><br />
pgossel<strong>in</strong>@wesleyan.edu<br />
THE SCANDALOUS FOUR<br />
Art of Life Films<br />
artoifelms@hotmail.com<br />
THE SISTERHOOD<br />
Roger Horn<br />
rogerhorn77@gmail.com<br />
THE UNSPEAKABLE: WYNNE<br />
GREENWOOD<br />
Clyde Peterson<br />
www.doitforthegirls.com<br />
THE WOLF IN SHORTS<br />
Lucia Stano<br />
lucia.stano@libero.it<br />
THIS IS WHAT LOVE IN ACTION<br />
LOOKS LIKE<br />
Morgan Jon Fox<br />
sawedoffpictures@gmail.com<br />
THREE<br />
Brandon Peters<br />
Brandon@strandreleas<strong>in</strong>g.com<br />
TOMBOY<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
TRANSSEXUAL DOMINATRIX<br />
Shawna Virago<br />
houseofvirago@hotmail.com<br />
TWO BEDS<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
UNDER PRESSURE<br />
CFMDC<br />
book<strong>in</strong>gs@cfmdc.org<br />
UNHAPPY BIRTHDAY<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
VALMAY THE VISITOR FROM<br />
BEEP BEEP BLEETLEBOX 967<br />
Susan Earl<br />
studioswirl@gmail.com<br />
VARLA JEAN AND THE MUSH-<br />
ROOM HEADS<br />
Mark Cortale, illyriamc@aol.<br />
com<br />
VIGILANT! HEALTHY!<br />
WHOLESOME!<br />
Shelley Dresden<br />
shelley.dresden@gmail.com<br />
VITO<br />
Jeffrey Schwarz<br />
jeffrey@automatpictures.com<br />
WATCH OVER ME<br />
myshlandia@gmail.com<br />
WATER WELLS<br />
Hila Ben Baruch<br />
hilajust4u@gmail.com<br />
WE ONCE WERE TIDE<br />
Jason Bradbury<br />
jason@jason-bradbury.co.uk<br />
WE WERE HERE<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
WHEN A PERSONAL STRUGGLE<br />
ENDS. AND WHAT REMAINS<br />
F<strong>in</strong>n Paul<br />
www.nngpaul.word<strong>pr</strong>ess.com<br />
WHITE PAPER<br />
Seyed Mohsen Pourmohseni<br />
Shakib<br />
imanshakib1880@yahoo.com<br />
WHY DOES GOD HATE ME?<br />
Joel McCarthy<br />
joelmc2003@gmail.com<br />
WILD IMAGININGS<br />
Daniel Monks<br />
daniel_monks@hotmail.com<br />
WINNER TAKES ALL<br />
Hunter Lee Hughes<br />
hunterlh@yahoo.com<br />
WISE KIDS<br />
Jeffrey W<strong>in</strong>ter<br />
jeffrey@newamericanvision.<br />
com<br />
WISH ME AWAY<br />
Jason Ishikawa<br />
jason.ishikawa@lmsalescorp.<br />
com<br />
YES MAN<br />
Grant Reed<br />
<strong>ree</strong>d1<strong>16</strong>@gmail.com<br />
YOU MOVE ME<br />
G<strong>in</strong>a Hirsch<br />
gkhirsch@gmail.com