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ree Dollar Bill Cinema has grown quite a bit in its 16 years. We pr

ree Dollar Bill Cinema has grown quite a bit in its 16 years. We pr

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<strong>We</strong>lcome to the <strong>16</strong>th Seattle<br />

Lesbian & Gay Film Festival!<br />

<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> <strong>has</strong><br />

<strong>grown</strong> <strong>quite</strong> a <strong>bit</strong> <strong>in</strong> <strong>its</strong> <strong>16</strong> <strong>years</strong>. <strong>We</strong><br />

<strong>pr</strong>oduce two fi lm festivals; <strong>pr</strong>ovide<br />

<strong>pr</strong>ogramm<strong>in</strong>g every month of the<br />

year, <strong>in</strong>clud<strong>in</strong>g an ever-grow<strong>in</strong>g<br />

series of outdoor movies over the<br />

summer; and also off er a fi scal<br />

sponsorship <strong>pr</strong>ogram that allows<br />

fi lmmakers and burgeon<strong>in</strong>g organizations to raise money us<strong>in</strong>g our<br />

non<strong>pr</strong>ofi t status. And our newest addition is Reel Queer Youth, a video<br />

<strong>pr</strong>oduction and media literacy course for LGBT and allied youth ages<br />

13-20. Fourteen young people made four short fi lms <strong>in</strong> just fi ve days. See<br />

them at REEL QUEER YOUTH SHORTS (p. 59). <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong><br />

<strong>C<strong>in</strong>ema</strong> is committed to support<strong>in</strong>g fi lmmakers by showcas<strong>in</strong>g their work<br />

and help<strong>in</strong>g them raise funds, and also creat<strong>in</strong>g tomorrow’s fi lmmakers<br />

today, thus ensur<strong>in</strong>g future LGBT visibility through fi lm.<br />

e say<strong>in</strong>g “it takes a village” could not be more true when it comes<br />

to plann<strong>in</strong>g and execut<strong>in</strong>g this fi lm festival. (I like to th<strong>in</strong>k it’s the savvy<br />

population of a small metropolitan town rather than a village, but that<br />

would be a <strong>pr</strong>etty long say<strong>in</strong>g.) I am so grateful for the hundreds of people<br />

who come forward to help <strong>in</strong> so many ways. <strong>We</strong> simply could not do what<br />

we do without their support and enthusiasm.<br />

I want to thank the <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> staff , whose passion for<br />

and dedication to LGBT fi lm and our community is unparalleled. ank<br />

you to our hundreds of volunteers who so generously give of their time and<br />

expertise. ank you to the <strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> Board of Directors,<br />

whose direction and guidance are <strong>in</strong>tegral to our success. I also want to<br />

thank our sponsors, grant makers, members, and donors, without whom<br />

we could not accomplish so much on such a small budget.<br />

ere is still time to support our eff orts. While ticket sales are an important<br />

source of revenue, they do not susta<strong>in</strong> our organization. Become<br />

a member and enjoy a multitude of benefi ts at the festival. Donate to our<br />

annual fund and help ensure we are around for <strong>years</strong> to come. Your dollars<br />

ensure the future of our <strong>pr</strong>ogramm<strong>in</strong>g and keep our community <strong>in</strong> focus.<br />

ank you for com<strong>in</strong>g out to the movies and support<strong>in</strong>g <strong>ree</strong><br />

<strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong>!<br />

Rachael Brister<br />

Executive Director<br />

ank you for be<strong>in</strong>g a part of<br />

the 2011 Seattle Lesbian & Gay<br />

Film Festival! When read<strong>in</strong>g this<br />

<strong>pr</strong>ogram, you’ll be overwhelmed<br />

by the many tantaliz<strong>in</strong>g “sweets”<br />

<strong>in</strong> this year’s l<strong>in</strong>eup: delicious<br />

short fi lms, refi ned documentaries,<br />

and even sugary guilty<br />

pleasures.<br />

rough this fi lm festival, we<br />

have the opportunity to relive our history and address contemporary<br />

issues. <strong>We</strong> can also share our stories with people new to the LGBT<br />

community. I look forward to the many familiar faces I’ll see <strong>in</strong> the<br />

audience, on sc<strong>ree</strong>n, and on stage (return<strong>in</strong>g to the festival with their<br />

latest fi lms are directors <strong>We</strong>ndy Jo Carlton, Q. Allan Brocka, Casper<br />

Andreas, and others). And it’s always a pleasure to be sur<strong>pr</strong>ised by<br />

someth<strong>in</strong>g new. For example, I was captivated by remarkable <strong>in</strong>dependent<br />

fi lms like THE WISE KIDS and the locally made HEART<br />

BREAKS OPEN.<br />

Our <strong>pr</strong>ogram is so strong this year thanks to the amaz<strong>in</strong>g work of<br />

our <strong>pr</strong>ogram team. e sc<strong>ree</strong>n<strong>in</strong>g committee members and leads Kurt<br />

Schlatter and Julie Borden put <strong>in</strong> countless hours. And Lead Programmer<br />

Keith Bacon, whose dedication and energy makes all of our<br />

year-round <strong>pr</strong>ogramm<strong>in</strong>g sh<strong>in</strong>e, is responsible for br<strong>in</strong>g<strong>in</strong>g some real<br />

gems to the festival, <strong>in</strong>clud<strong>in</strong>g the world <strong>pr</strong>emiere of OUTLAND<br />

(part of our Gay TV D<strong>in</strong>ners <strong>pr</strong>ogram).<br />

F<strong>in</strong>ally, I’m thrilled that we are able to have the powerful VITO<br />

as our Clos<strong>in</strong>g Night fi lm. Vito Russo was a remarkable <strong>in</strong>dividual,<br />

and his book e Celluloid Closet was <strong>in</strong>fl uential and enlighten<strong>in</strong>g to<br />

me, and I’m sure to many of you. If you have any ap<strong>pr</strong>eciation for<br />

LGBT fi lms at all, you cannot miss this aff ect<strong>in</strong>g homage, fi tt<strong>in</strong>gly<br />

<strong>pr</strong>esented on the biggest sc<strong>ree</strong>n <strong>in</strong> Seattle.<br />

Enjoy the festival,<br />

Jason Plourde<br />

Programm<strong>in</strong>g Director<br />

1


FESTIVAL CREDITS<br />

EXECUTIVE DIRECTOR<br />

Rachael Brister<br />

PROGRAMMING DIRECTOR<br />

Jason Plourde<br />

DEVELOPMENT MANAGER<br />

Ryan Hicks<br />

VOLUNTEER COORDINATOR<br />

Kev<strong>in</strong> Fansler<br />

ART DIRECTOR<br />

Corianton Hale<br />

LEAD PROGRAMMER/<br />

SOCIAL MEDIA MANAGER<br />

Keith Bacon<br />

ADMINISTRATIVE COORDINATOR<br />

Sheila Bixler<br />

OFFICE ASSISTANT<br />

Michael Santovec<br />

DEVELOPMENT ASSISTANT<br />

Scott MacPhee<br />

PR & COMMUNICATIONS<br />

Gail Benzler<br />

OUTREACH COORDINATOR<br />

Janet <strong>We</strong>lt<br />

FISCAL SPONSORSHIP<br />

COORDINATOR<br />

Tania Leeman<br />

GUEST RELATIONS<br />

COORDINATORS<br />

James Gallegos<br />

Cresdan Maite<br />

RECEPTIONS COORDINATOR<br />

Alix Mendonca<br />

RECEPTIONS ASSISTANT<br />

William McClelland<br />

PARTIES COORDINATOR<br />

Jonathan Schlegel<br />

AWARDS COORDINATOR<br />

Marijana Pavlich<br />

MEMBERSHIP ASSISTANTS<br />

Just<strong>in</strong> Craig<br />

Julia Pels<br />

ASL INTERPRETER COORDINATOR<br />

Donna Platt<br />

BOOKKEEPER<br />

Lillian McDonell<br />

FESTIVAL WEBSITE<br />

Corianton Hale<br />

Michiko Swiggs<br />

The Stranger<br />

VOLUNTEER WEBSITE GURU<br />

Julie Goldberg<br />

COMPUTER GURU<br />

Matt Centurion<br />

PRINT TRAFFIC COORDINATOR<br />

Alex Wyche<br />

REEL QUEER YOUTH PROGRAM<br />

MANAGER<br />

Reid Kuennen<br />

PHOTO EDITOR<br />

Les Sterl<strong>in</strong>g<br />

FESTIVAL PHOTOGRAPHERS<br />

Kathy Bugajsky<br />

Dee Lugo<br />

TICKETING MANAGER<br />

Morgan Elliott<br />

TICKETING ASSISTANTS<br />

Dan Helman<br />

Samantha Ross<br />

Eric Sorlien<br />

Rob<strong>in</strong> Tartow<br />

OPERATIONS MANAGER<br />

Jay Walls<br />

OPERATIONS ASSISTANT<br />

Dave Hovenden<br />

TECHNICAL MANAGER<br />

G<strong>in</strong>a Hicks<br />

HOUSE MANAGER LEADS<br />

Carmel Curtis & Jessie Benet<br />

HOUSE MANAGERS<br />

Dorcas Bean<br />

Alicia Bennett<br />

Nancy Clark<br />

David Daniels<br />

Sean Johnson<br />

Emily Juhre<br />

Anna Markee<br />

Jeremy Moser<br />

Shawn Nicholson<br />

Leslie Saber<br />

Mariam Serengian<br />

Ashley Smith<br />

Daniel Strommen<br />

Beth Varner<br />

FEATURES SCREENING<br />

COMMITTEE<br />

Kurt Schlatter (Lead)<br />

Susan Burdick<br />

David Daniels<br />

Mary Lonien<br />

Er<strong>in</strong> “Mac” MacDonald<br />

Brandon McNeely<br />

Topher Shields<br />

Tom Yang<br />

SHORTS SCREENING COMMITTEE<br />

Julie Borden (Lead)<br />

Malic Amalya<br />

Keith Bacon<br />

Jen Coig<br />

Ben Gazy<br />

Anna Hurwitz<br />

Brian Judd<br />

David Thorpe<br />

PROGRAM BOOK DESIGN<br />

Steve Meyer<br />

PROGRAM BOOK EDITOR<br />

Richard Isaac<br />

PROGRAM BOOK WRITERS<br />

Malic Amalya<br />

Keith Bacon<br />

Julie Borden<br />

Susan Burdick<br />

Jen Coig<br />

David Daniels<br />

Ben Gazy<br />

Anna Hurwitz<br />

Richard Isaac<br />

Brian Judd<br />

Mary Lonien<br />

Er<strong>in</strong> “Mac” MacDonald<br />

Brandon McNeely<br />

Jason Plourde<br />

Kurt Schlatter<br />

Topher Shields<br />

David Thorpe<br />

Michael <strong>We</strong>lls<br />

Tom Yang<br />

PROGRAM BOOK<br />

PROOFREADERS<br />

Naomi Davidson<br />

Samuel Mitchell<br />

Sandra Mitchell<br />

Sheri Quirt<br />

Sam Whit<strong>in</strong>g<br />

THREE DOLLAR BILL CINEMA<br />

BOARD OF DIRECTORS<br />

Carrie Carson, PRESIDENT<br />

Ashley Smith, VICE PRESIDENT<br />

Arthur Kuniyuki, SECRETARY<br />

David Thorpe, TREASURER<br />

Jamie Ew<strong>in</strong>g<br />

Theressia Hazelmyer<br />

Mary Lonien<br />

Michele Maynard<br />

Jeff Morgan<br />

Thomas Nelson<br />

Gregor Perotto<br />

Craig Snyder<br />

Jean<strong>in</strong>e Spence<br />

SPECIAL<br />

THANKS<br />

Nef Anton<br />

Kat Behrend<br />

Nick Carlson<br />

Scott Carnz<br />

Raymond Cha<br />

Just<strong>in</strong> Craig<br />

Ingrid Hu Dahl<br />

G<strong>in</strong>a Hicks<br />

Baylen Jackson<br />

Elliott Jones<br />

Lila Kitaeff<br />

Todd Kulczyk<br />

Dan Lane<br />

Betty & <strong>Bill</strong> Meyer<br />

Virg<strong>in</strong>ia Meyer<br />

Rob Miller<br />

Lance Park<br />

Clyde Peterson<br />

Kanako Pooknyw<br />

Michael Santovec<br />

Sahar Shakeri<br />

Aust<strong>in</strong> Sloan<br />

Darcy Stewart<br />

Louie Swalby &<br />

Steven <strong>We</strong>lls<br />

John Teegarden<br />

Teegarden/Nash<br />

Photo Archive<br />

Holly Teige<br />

Donald Vanhook<br />

Nadja Dee Witherbee<br />

Shanna Porter<br />

Leigh Woody<br />

Richard Yeager<br />

3


CREW<br />

Executive Producer Rachael Brister<br />

Executive Producer Jason Plourde<br />

Story concept by Frank Unlimited-<br />

Forrest Healy, Zach Hitner<br />

Producer Brian Homman<br />

Producer Chris Borden<br />

Director Matthew J Clark<br />

Lead Designer Caleb Van W<strong>in</strong>kle<br />

Director of Photography <strong>Bill</strong>y Summers<br />

L<strong>in</strong>e Producer Mark Campbell<br />

Production Coord<strong>in</strong>ator Vanessa Eng<br />

1st AC Randy Sears<br />

Gaffer V<strong>in</strong>cent Klimek<br />

Best Boy Electric Mike Walker<br />

Key Grip Kerry Flanagan<br />

Best Boy Grip Brody Willis<br />

Production Designer<br />

Dana Thompson-Carver<br />

Production Designer Melissa Purcell<br />

Art Assistant Jill McBride<br />

Art Assistant Matt Boucard<br />

Wardrobe Stylist Ron Leamon<br />

Wardrobe Assistant Gerard Parr<br />

Hair and Makeup Akemi Hart<br />

Hair and Makeup Assistant Natalie Burnett<br />

Production Assistant Robert Kael<strong>in</strong><br />

Production Assistant Victoria Kieburtz<br />

Production Assistant Michael Whelan<br />

Post Production Supervisor Tiffany Davies<br />

Editor Michael Southworth<br />

Designer Brady Anderson<br />

Designer Charlie Bartlett<br />

Designer Joe Garber<br />

Post Sound Design & Mix<strong>in</strong>g Pure Audio<br />

Orig<strong>in</strong>al Music Matthew Hutch<strong>in</strong>son<br />

Pr<strong>in</strong>ts Alpha C<strong>in</strong>e Labs<br />

CAST<br />

Tranny Popp<strong>in</strong>s J<strong>in</strong>kx Monsoon<br />

Bear/Military #1 Brendan Mack<br />

Military #2 Jason Campbell<br />

Military #3 Man Le<br />

Cowgirl Teresa Darragh<br />

Dancer Dolly Dom<strong>in</strong>o<br />

Vampire Krist<strong>in</strong>a Thalen<br />

Victim Jessica Mart<strong>in</strong><br />

Act Up Protester Kyle Johnson<br />

Cop Rob Grant<br />

EXTRAS<br />

Brian Schlittenhardt<br />

Roan Ako<br />

Jenny Mears<br />

Tim O’Conner<br />

Crystal Liston<br />

Cynthia Wallace<br />

Michael G<strong>ree</strong>ne<br />

Richard Snyder<br />

Ryan Hicks<br />

Steven Schultz<br />

Joe Garber<br />

TRAILER CREDITS<br />

Thank You!<br />

<strong>Bill</strong>y Summers<br />

Koerner Camera<br />

Paci c Grip and Light<strong>in</strong>g<br />

Alpha C<strong>in</strong>e<br />

Nuge, Inc.<br />

Seattle Antiques Market<br />

Keith Bacon<br />

5


FESTIVAL SPONSORS<br />

PRESENTING<br />

GRAND<br />

MARQUEE<br />

PREMIER<br />

MAJOR


F ESTIVAL SPONS ORS<br />

SUPPORTING<br />

PARTNER<br />

COMMUNITY PARTNER<br />

FUNDER<br />

7


COMMUNITY COPRESENTERS<br />

Camp Ten T<strong>ree</strong>s (camptent<strong>ree</strong>s.org) is a lov<strong>in</strong>g, engag<strong>in</strong>g youth camp for children<br />

ages 8-17 from LGBT or nontraditional families. Camp Ten T<strong>ree</strong>s honors<br />

creativity, <strong>in</strong>dividual choice, and community liv<strong>in</strong>g, <strong>pr</strong>ovid<strong>in</strong>g opportunities to<br />

strengthen <strong>in</strong>ner courage, make new friends, and develop leadership skills<br />

through traditional camp <strong>pr</strong>ogramm<strong>in</strong>g rooted <strong>in</strong> a commitment to social justice.<br />

Entre Hermanos (entrehermanos.org) is a non<strong>pr</strong>ot organization that <strong>pr</strong>omotes<br />

the health and well-be<strong>in</strong>g of the Lat<strong>in</strong>o LGBTQ community <strong>in</strong> a culturally, socially,<br />

and emotionally ap<strong>pr</strong>o<strong>pr</strong>iate environment. Its <strong>pr</strong>ograms and services <strong>in</strong>clude HIV<br />

and STD education and <strong>pr</strong>evention, support groups, workshops, community forums,<br />

outreach, and social activities, <strong>in</strong>clud<strong>in</strong>g Noche Lat<strong>in</strong>a.<br />

Equal Rights Wash<strong>in</strong>gton (equalrightswash<strong>in</strong>gton.org) works to ensure and <strong>pr</strong>omote<br />

dignity, safety, and equality for all LGBT Wash<strong>in</strong>gtonians through grassroots<br />

organiz<strong>in</strong>g, <strong>in</strong>uenc<strong>in</strong>g policy makers, and educat<strong>in</strong>g voters. Get engaged for<br />

marriage equality, anti-bully<strong>in</strong>g, and more at www.equalrightswash<strong>in</strong>gton.org.<br />

The Foundation for Sex Positive Culture (sexpositiveculture.org) mission is to<br />

<strong>pr</strong>omote the many ways sex is benecial through education, outreach, the arts,<br />

advocacy, and research <strong>pr</strong>ograms that serve the public. One way it achieves this<br />

is through the Seattle Erotic Art Festival (seattleerotic.org)<br />

Gay City Health Project is a multicultural gay men’s health organization and the<br />

<strong>pr</strong>emier <strong>pr</strong>ovider of HIV and STD test<strong>in</strong>g <strong>in</strong> K<strong>in</strong>g County. Its mission is to <strong>pr</strong>omote<br />

gay and bisexual men’s health and <strong>pr</strong>event HIV transmission by build<strong>in</strong>g community,<br />

foster<strong>in</strong>g communication and nurtur<strong>in</strong>g self-esteem. Contact Gay City at<br />

206-860-6969 or gaycity.org.<br />

The GSBA (thegsba.org) is the largest LGBT bus<strong>in</strong>ess chamber <strong>in</strong> the United<br />

States and the second-largest bus<strong>in</strong>ess chamber <strong>in</strong> Wash<strong>in</strong>gton State. The GSBA<br />

is a vibrant community organization with a broad and diverse membership base.<br />

Its mission is to comb<strong>in</strong>e bus<strong>in</strong>ess development, social action, and leadership to<br />

expand economic opportunities for the LGBT community and those who support<br />

equality for all.<br />

HIV30: Take Action Seattle is a collaboration of Seattle HIV/AIDS service organizations<br />

work<strong>in</strong>g together to commemorate the 30th anniversary of the epidemic.<br />

F<strong>in</strong>d out more at hiv-30.org.<br />

Ingersoll Gender Center (<strong>in</strong>gersollcenter.org) supports transgender people towards<br />

growth and well-be<strong>in</strong>g. In order to <strong>pr</strong>omote understand<strong>in</strong>g, awareness,<br />

and acceptance of gender diversity, it <strong>pr</strong>ovides support, education, advocacy,<br />

and <strong>in</strong>formation for people <strong>in</strong>terested <strong>in</strong> gender identity issues and for service<br />

<strong>pr</strong>oviders, employers, families, and friends.<br />

Jewish Family Service (jfsseattle.org) is a com<strong>pr</strong>ehensive social service agency<br />

offer<strong>in</strong>g workshops, events, and counsel<strong>in</strong>g services that strengthen <strong>in</strong>dividuals,<br />

families, and the community. It <strong>pr</strong>ovides services for people from diverse backgrounds,<br />

as well as culturally relevant <strong>pr</strong>ogramm<strong>in</strong>g. Contact Marjorie Schnyder<br />

at 206-461-3240 or familylife@jfsseattle.org.<br />

Lambert House (lamberthouse.org), a safe place for LGBT and question<strong>in</strong>g youth<br />

aged 22 and under, encourages empowerment through the development of<br />

leadership and social and life skills. Its calendar is packed with support groups,<br />

dances, and other fun activities. The drop-<strong>in</strong> center is open Mon.-Fri. 4:00-<br />

9:30pm at 1818 15th Ave. on Capitol Hill <strong>in</strong> Seattle (at E. Denny Way).<br />

The Lesbians Over 40 Group is a social group for lesbians over 40 who are<br />

<strong>in</strong>terested <strong>in</strong> extend<strong>in</strong>g their friendship circle and hav<strong>in</strong>g fun. It hosts weekly meet<strong>in</strong>gs<br />

and lots of outside activities. Contact 206-722-0729 for more <strong>in</strong>formation.<br />

Lifelong AIDS Alliance (llaa.org) is committed to <strong>pr</strong>event<strong>in</strong>g the s<strong>pr</strong>ead of HIV,<br />

<strong>pr</strong>ovid<strong>in</strong>g <strong>pr</strong>actical support services, and advocat<strong>in</strong>g for those whose lives are<br />

affected by HIV/AIDS. Its vision statement is “A world without HIV or AIDS, where<br />

every person liv<strong>in</strong>g with illness is treated with dignity and respect.”<br />

The Northwest Network (nwnetwork.org) <strong>in</strong>creases our communities’ ability to<br />

support the self-determ<strong>in</strong>ation and safety of LGBT survivors of abuse through education,<br />

organiz<strong>in</strong>g, and advocacy. It works with<strong>in</strong> a broad liberation movement<br />

dedicated to social and economic justice, equality, and respect for all people<br />

and the creation of lov<strong>in</strong>g, <strong>in</strong>clusive, and accountable communities.<br />

Pacic Northwest Lesbian Archives (pnwlesbianarchives.org/) gathers, <strong>pr</strong>eserves,<br />

and shares <strong>pr</strong>imary source materials to enhance public and scholarly<br />

understand<strong>in</strong>g of lesbians’ diverse, regional herstory and to <strong>pr</strong>omote learn<strong>in</strong>g,<br />

visibility, and community strength. It envisions a community <strong>in</strong> which lesbians are<br />

embraced, honored, and respected for their past, <strong>pr</strong>esent, and future contributions<br />

and accomplishments. Call 206-654-4477 for more <strong>in</strong>formation.<br />

POCAAN (pocaan.org) is a multicultural organization br<strong>in</strong>g<strong>in</strong>g people of color<br />

together to develop, implement, and <strong>pr</strong>omote com<strong>pr</strong>ehensive HIV/AIDS <strong>pr</strong>evention<br />

models. POCAAN opposes barriers created by sexism, racism, and<br />

homophobia, which limit access to healthcare services and risk reduction messages.<br />

The Safe Schools Coalition (safeschoolscoalition.org) is an <strong>in</strong>ternational public<strong>pr</strong>ivate<br />

partnership <strong>in</strong> support of LGBT youth, that is work<strong>in</strong>g to help schools,<br />

at home and all over the world, become safe places where every family can<br />

belong, where every educator can teach and every child can learn, regardless<br />

of gender identity or sexual orientation.<br />

Seattle Counsel<strong>in</strong>g Service (seattlecounsel<strong>in</strong>g.org) <strong>pr</strong>ovides mental health and<br />

chemical dependency recovery services for the LGBT communities. It <strong>has</strong> a slid<strong>in</strong>g<br />

fee scale and works with all <strong>in</strong>surance plans. It is located at 12<strong>16</strong> P<strong>in</strong>e St. (at<br />

Melrose) and can be reached at 206-323-1768.<br />

Seattle Frontrunners (seattlefrontrunners.org) is a runn<strong>in</strong>g and walk<strong>in</strong>g club of<br />

over 300 LGBT members and their friends. It welcomes everyone’s participation,<br />

regardless of age, race, gender, sexual orientation, or athletic ability. It<br />

especially encourages more women <strong>in</strong> Seattle to jo<strong>in</strong>. Jo<strong>in</strong> the Frontrunners any<br />

Saturday morn<strong>in</strong>g at G<strong>ree</strong>n Lake or <strong>We</strong>dnesday night at Volunteer Park.<br />

The Seattle Men’s Chorus and Seattle Women’s Chorus (y<strong>in</strong>ghouse.org/smc,<br />

y<strong>in</strong>ghouse.org/swc) enterta<strong>in</strong>, enlighten, unify, and heal audiences and members,<br />

us<strong>in</strong>g the power of words and music to recognize the value of gay and<br />

straight people and their relationships.<br />

Seattle Out and Proud (seattle<strong>pr</strong>ide.org) coord<strong>in</strong>ates LGBT Pride events <strong>in</strong> Seattle<br />

and the Pacic Northwest. Its <strong>pr</strong>emiere event, the Seattle Pride Parade, one of<br />

the largest such events <strong>in</strong> the country, is run by an all-volunteer board of directors.<br />

The Sisters of Perpetual Indulgence—Abbey of St. Joan (theabbey.org) is an<br />

order of 21st-century nuns dedicated to the <strong>pr</strong>omulgation of universal joy and the<br />

expiation of stigmatic guilt. It works to raise money for AIDS charities, ghts for<br />

queer rights and visibility, conducts safer sex outreach, and strives diligently to<br />

never take <strong>its</strong>elf so seriously that it forgets to have fun. The Sisters gladly welcome<br />

all races, c<strong>ree</strong>ds, genders, and sexual orientations.<br />

TEAM Seattle (teamseattle.org) fosters support for the LGBT communities <strong>in</strong> Seattle.<br />

It seeks to <strong>pr</strong>omote health, educate new athletes, develop communication<br />

between sports teams, and work together to attend local, regional, and <strong>in</strong>ternational<br />

sports events.<br />

The Youth Suicide Prevention Program (yspp.org) <strong>pr</strong>ovides public education<br />

on the issues of suicide, de<strong>pr</strong>ession, and self-harm among youth <strong>in</strong> Wash<strong>in</strong>gton<br />

State. OUTLoud, a <strong>pr</strong>oject of YSPP, focuses on LGBTQ youth and bully<strong>in</strong>g and<br />

bias-based harassment. For more <strong>in</strong>formation, contact Heather Carter, OUTLoud<br />

Project Manager, at 206-297-5922, ext. 1<strong>16</strong> or heather@yspp.org.<br />

9


OUR MEMBERS ARE SUPER SWEET<br />

It’s a fact. Without the generosity and support of<br />

donors like the ones listed below, Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong><br />

<strong>C<strong>in</strong>ema</strong> and the Seattle Lesbian & Gay Film Festival<br />

would disappear faster than a bowl of M&Ms. Let’s<br />

give them a round of applause!<br />

Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members are fans of queer<br />

c<strong>in</strong>ema who want to share that love with others.<br />

They see film as an important tool for chang<strong>in</strong>g attitudes<br />

toward lesbian, gay, bisexual, and transgender<br />

people around the world. They are supporters<br />

of LGBT civil rights, devotees of LGBT history, and<br />

DIRECTORS CIRCLE<br />

Carrie Carson & Lori Robb<br />

Scott MacKay & Michael Lambert<br />

Michele Maynard<br />

Lance Park & Scott Carnz<br />

Kathy <strong>We</strong>hle & Theresa Haynie<br />

CARMEN MIRANDAS<br />

Neelu Bhuman & Andrew Nicholson<br />

Jim Butler & Ricardo Gallegos<br />

Jamie Ew<strong>in</strong>g & Mike Novasio<br />

Eileen Forrester<br />

Jon Frank & Dan Lane<br />

E.K. Kriengkraipetch<br />

Mary Lonien & Sandy Smith<br />

Alex Nachman<br />

Thomas Nelson & Jeffrey Jones<br />

Chris Porter & Ross Parker<br />

Geoffrey Prentiss<br />

Mike Scott<br />

David Thorpe & Geoff G<strong>ree</strong>nlee<br />

Michael <strong>We</strong>idemann<br />

Sam Whit<strong>in</strong>g & Samuel Mitchell<br />

PINEAPPLES<br />

Telved Devlet & Brian <strong>We</strong>iss<br />

Heidi Herman<br />

Chris Luz & Matt Wallace<br />

Jeff Morgan & Hank Balson<br />

Gregor Perotto<br />

Jill Perry & Tania Holland<br />

David Scalabr<strong>in</strong>i<br />

Michael C. Shannon<br />

Jeremy Steward & Eric Hartmann<br />

Scott Thompson<br />

STRAWBERRIES<br />

Michael Antee & Bryan Peters<br />

Dana Belkholm<br />

James Fesalbon & Edward Darr<br />

Roy Hamrick<br />

Arthur Kuniyuki<br />

Matthew Maza<br />

Ela<strong>in</strong>e Mowery<br />

Nick Nussbaum<br />

Jean<strong>in</strong>e Spence<br />

Michael Underhill & Mark Radcliffe<br />

CHERRIES<br />

Jane Altemose & Merf Ehman<br />

Traci Birkett & Tamara Div<strong>in</strong><br />

Guy Caspary<br />

Rob Cherry<br />

Ray Deardorf<br />

David Dunham<br />

Merf Ehman & Jane Altemose<br />

Julie Fe<strong>in</strong> & Cynthia Wallace<br />

Joseph Flynn & Mark Nowlan<br />

Julie Goldberg<br />

Joseph Grande & Arnold Altamirano<br />

David Owen Hast<strong>in</strong>gs & Brian Palmer<br />

Glenn Haussmann & Tod Pease<br />

Cather<strong>in</strong>e Hillenbrand & Joseph Hudson<br />

Dave Hovenden<br />

Rebecca Hubbard & Amity Gann<br />

Paul Ikeda<br />

Kim Kolowitz & Karyn Kostyk<br />

Jason Lamb & Alan Kristal<br />

W<strong>in</strong>ston L<strong>in</strong><br />

Hannah Love & Julie Garbutt<br />

Scott Macphee & Gregory Flem<strong>in</strong>g<br />

Jerry Malmo & Marshall Liv<strong>in</strong>gston<br />

Craig Mart<strong>in</strong><br />

Mark & Michael Mendelow<br />

Barbara Metz<br />

Jeremy Moser & Jackson Holtz<br />

Mark F. Posteher & Kev<strong>in</strong> M. Ramos<br />

Eric Robison<br />

fans of local queer artists and filmmakers. In other<br />

words, our members are people just like you.<br />

Membership is the sweetest deal at the Seattle Lesbian<br />

& Gay Film Festival, because our members<br />

enjoy benef<strong>its</strong> all year long. Rewards like shorter<br />

members-only l<strong>in</strong>es, discounts on tickets for all of<br />

Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong>’s <strong>pr</strong>ograms, <strong>in</strong>vite-only film<br />

sc<strong>ree</strong>n<strong>in</strong>gs, ticket giveaways, and much more. Visit<br />

the membership table at any Festival venue to f<strong>in</strong>d<br />

out how you can become the super-sweet member<br />

we know you are!<br />

THREE DOLLAR BILL CINEMA MEMBERS (as of September 8, 2011)<br />

Michael A. Schemm<br />

Tracy Schultz & Stuart Calet<br />

Topher Shields & Jimmie O’Hara<br />

Benjam<strong>in</strong> Smith & Jeffery DiFranco<br />

Craig Snyder<br />

Michael Stewart<br />

Daniel Strommen<br />

Karl Swenson<br />

Kent Thoelke & Kev<strong>in</strong> Gaspari<br />

Sean C. Thomas<br />

Jim Vollendroff & Kent Pflugrath<br />

Jay Walls & Kari Kesler<br />

ORANGES<br />

Norma Barr<strong>in</strong>eau<br />

Tasha Bassett & Zone Montoya<br />

Mark Becker<br />

Rusty Blackwood<br />

Thom Britton & Richard Lopez<br />

Gian Bruno & Anthony Pap<strong>in</strong>i<br />

Nancy Burns<br />

Andrew Cleary & Rico Ortega<br />

Jennifer Coburn<br />

Oliver Colbert<br />

Spencer Cotton<br />

David Daniels<br />

Abigail Daquiz & James Babcock<br />

Jeff Dorion & Ryan Hicks<br />

Tim Eannar<strong>in</strong>o & Rick Moerloos<br />

Brent Eller<br />

Jayda Evans<br />

Randy Feigner & Chuck Lust<br />

Claudia Fernandez<br />

Joseph Fields<br />

Chad F<strong>in</strong>dlay & Som Siriya<br />

James Fotter<br />

Craig Friedson & Craig Brown<br />

Brian Giddens & Steve Rovig<br />

Loren Goeres<br />

Allen Goodw<strong>in</strong> & Tim Camphouse<br />

Michael G<strong>ree</strong>ne & Richard Snyder<br />

Paul Hanson & Neil Ostroff<br />

Michael Harris & Cl<strong>in</strong>t Keithley<br />

Ted Hazard<br />

Michael Herzfeld & Charles Drabk<strong>in</strong><br />

Dale Histman<br />

Phyllis Huster<br />

Sara Intriligator<br />

Laurie Jones<br />

Tracey Lake<br />

Michael Lane & Paul McKee<br />

Adam Lev<strong>in</strong>e<br />

Patrick Mart<strong>in</strong> & Samuel Holmes<br />

Brandon Maust<br />

Mark McClung<br />

Mac McIntosh<br />

John McLean<br />

Roger Meers<br />

Cather<strong>in</strong>e Mess<strong>in</strong>a & Lucy P. Baraquio<br />

Kurt Metzger<br />

Glen Meyers<br />

Lisa Mills & Alicia Healy<br />

Richard Morris<br />

René Neidhart & Arthur Davis<br />

Amanda Oberholtzer & Viveka Lazor<br />

Tim O’Connor & Jeff Stolz<br />

Robert Pearson<br />

Joseph Pentheroudakis<br />

Susan Petcoff & Ala<strong>in</strong>a Dyrness<br />

C<strong>in</strong>dy Phillips<br />

Lee Powelson<br />

Mike Ramey<br />

Jean Rietschel & Lois Thetford<br />

Patty Rose<br />

Lyle Rudensey<br />

Amy Ryken & Holly Senn<br />

Angela Satcher<br />

Adam Schiff


Steven Scholz<br />

Jeffrey Schoner<br />

Mauraan C. Schultz<br />

Barry Shaw & Rabih<br />

AbouJaoudé<br />

John S<strong>in</strong>no<br />

Ashley Smith & Kirsten Stack<br />

Chris Spengler<br />

Jan Stark & Marge Rosen<br />

Rosena Stroy<br />

Evan Switzer<br />

Miles Taka<strong>has</strong>hi & Job Ramirez<br />

Theresa Tr<strong>in</strong>idad<br />

Silvia Vega<br />

Anthony Viggiano<br />

& Chuck Mart<strong>in</strong><br />

Steven Wall<strong>in</strong> & Robb Hamm<br />

Wayne F. W<strong>in</strong>ters &<br />

David A. Bair<br />

Anonymous<br />

BANANAS<br />

Genevieve Aguilar<br />

Brittany Alsot<br />

Carolyn Anderson<br />

Don Armstrong<br />

Mary Ayres<br />

Elizabeth Barbuto<br />

Lacey All<br />

Arthur Alper<br />

Mike Anitas<br />

Gilbert Archuleta & Gary Ireland<br />

Patricia Vandenburgh Arnot<br />

Annie Baker<br />

Patti Baker<br />

Cathy Banks<br />

David Bates<br />

Julie Borden<br />

Donna Boysen<br />

Rachael Brister<br />

Doug Brooks<br />

Amy Buckalter<br />

Alessandra Bulzomi<br />

Barbara Bulzomi<br />

Michael Bulzomi<br />

Amy Burdick<br />

Thomas Butts & Scott Carter<br />

Adrianne Ca<strong>pr</strong>etto<br />

Matthew Carpenter<br />

Carrie Carson & Lori Robb<br />

Colleen Comidy<br />

<strong>Bill</strong> Craven & Just<strong>in</strong> Huff<br />

John Davis<br />

Maddi Davis<br />

Jeff Dorion & Ryan Hicks<br />

Donald Driftmier<br />

John Farris<br />

Jon Frank & Dan Lane<br />

Ruth Frobe<br />

Margaret Becker<br />

Sue Bell<br />

Troy Bodnar<br />

BRACE<br />

Brett Buchanan<br />

Eric Bulson<br />

Marty Carothers<br />

Just<strong>in</strong> Cavanaugh<br />

Brad Clark<br />

Matthew J Clark<br />

Christy Cochran<br />

Fai Coff<strong>in</strong><br />

Charles Bryan Colson<br />

Richard Cook<br />

Jeremy Crawford<br />

Ryan Crawford<br />

William Cupps<br />

Susan Cutshall<br />

Dana Davenport<br />

Robby Davis<br />

Dianne the Fem<strong>in</strong><strong>in</strong>e<br />

Face of Money<br />

Dar<strong>in</strong> Dressler<br />

Elizabeth Duroe<br />

Nick Eckert<br />

Jeremy Eknoian<br />

Dwayne Flansburgh<br />

Karl Frantz<br />

Penny F<strong>ree</strong>dman<br />

Marshall F<strong>ree</strong>man<br />

E. Steven Fried<br />

Carolyn Fuller<br />

Jason Ganwich<br />

Brian Garman<br />

<strong>Bill</strong> Gaughran<br />

Margaret Geisheker<br />

Donna Gogg<strong>in</strong><br />

Alan Goldwasser<br />

Richard G<strong>ree</strong>nberg<br />

W. D. Gula<br />

Theressia Hazelmyer<br />

Joe Heidt<br />

Anthony Hesselt<strong>in</strong>e<br />

Beth Hester<br />

G<strong>in</strong>a Hicks<br />

Andrew Higg<strong>in</strong>s<br />

John Hitchcock<br />

John Holland<br />

Sue Holland<br />

David Hua<br />

Ryan Hursh<br />

Richard Isaac<br />

Jeff Jones<br />

Jacquel<strong>in</strong>e Jordan<br />

Brian Judd<br />

Joan Larson<br />

Judy Laub<br />

Mary Lytle<br />

John Marsh<br />

Lisa Mell<strong>in</strong>ger<br />

Michael Melnick<br />

Sandra Mitchell<br />

Gerry Munroe<br />

Marla S. Nonken<br />

Mimi Noyes<br />

Peter Oehlert<br />

Shan Ottey<br />

John Otto<br />

Vicki Panzeri<br />

Lonnie Peck<br />

Carlos Pedraza<br />

Stephen Phillips<br />

Mandy Phipps<br />

Marcia Postma<br />

Richard Prasad<br />

Beau Preston<br />

Jill Prichard<br />

Laurel Ramseyer<br />

Jerry Reif<br />

Kev<strong>in</strong> Re<strong>in</strong>ste<strong>in</strong><br />

Jude Rosenberg<br />

ANNUAL FUND & FUND-A-NEED DONORS (as of September 8, 2011)<br />

Kev<strong>in</strong> Gaspari & Kent R. Thoelke<br />

Brian Giddens & Steve Rovig<br />

Julie Goldberg<br />

Benjam<strong>in</strong> Golden<br />

Geoff G<strong>ree</strong>nlee & David Thorpe<br />

Dana Hamel<br />

<strong>Bill</strong> Hammer & Jim Miersma<br />

Theressia Hazelmyer<br />

Beth Hester<br />

Cather<strong>in</strong>e Hillenbrand & Joseph Hudson<br />

David Isla & Gary Southerton<br />

Alan Johnson<br />

Chris Jones<br />

Brian Judd<br />

Judith Kahan<br />

Barbara K<strong>in</strong>ney<br />

Mary Kle<strong>in</strong><br />

Alan Kristal<br />

Arthur Kuniyuki<br />

Edward Lachica<br />

Michael Lane & Paul McKee<br />

Mary Lonien & Sandy Smith<br />

Hannah Love & Julie Garbutt<br />

Chris Luz & Matt Wallace<br />

Emily Maddox<br />

Cheryl Marland<br />

Melanie Matthews<br />

Michele Maynard<br />

Nicki McCraw<br />

Jennifer McCreary<br />

Jennifer S. McCullar<br />

Timothy Mentele<br />

Whitney Miller<br />

Jeff Morgan & Hank Balson<br />

Bonnie Morris<br />

Roger Morris<br />

Jeremy Moser & Jackson Holtz<br />

Bruce Moynagh<br />

Tim Murphy & Kelly Stevens<br />

Mau<strong>ree</strong>n Murphy Ryan<br />

Michael Novasio & James Ew<strong>in</strong>g<br />

Chris Pardo<br />

Lonnie Peck<br />

Jen Perret<br />

Jason Plourde<br />

Geoffrey Prentiss<br />

Mike Ramey<br />

Laurel Ramseyer &<br />

Marie Vanschravendijk<br />

Kabien Rendel & Elizabeth Adelaide<br />

Michelle Ruelas<br />

Deirdre Runnette & Ingrid Anderson<br />

Natasha Safarian<br />

Debra Samuels<br />

Faye Samuels<br />

Stephen Schenzel<br />

Adam Schiff<br />

Chris Scott<br />

Joseph Self<br />

Greg Serum<br />

Patricia Simon<br />

Ashley Smith & Kirsten Stack<br />

Oscar Salas<br />

Fletcher Sandbeck<br />

Kathy Savory<br />

Robert Scheffel<br />

Kurt Schlatter<br />

Lewis Schrock<br />

Michel Schummer<br />

Susan Seibert<br />

Roxi Smith<br />

Bruce P. S<strong>pr</strong>ague<br />

Ralph Steetle<br />

Jim Sutthoff<br />

Paul Verner<br />

Chris V<strong>in</strong>cent<br />

Steven Wakefield<br />

Zheng Wang<br />

Kyle Waterman<br />

Eric <strong>We</strong>iss<br />

Jack <strong>We</strong>st<br />

Peter Wilsnack<br />

Chad Wilson<br />

W<strong>in</strong>e Diva Deb<br />

Dan Woodard<br />

Michael Workman<br />

Tom Yang<br />

Frank Young<br />

Anonymous (2)<br />

Mona Smith<br />

Jean<strong>in</strong>e Spence<br />

Frank Stilwagner<br />

Naomi Strauss<br />

Jen Sullivan<br />

Miles Taka<strong>has</strong>hi & Job Ramirez<br />

Scott Thompson<br />

Adam Tillotson<br />

Alanna Trill<strong>in</strong>gham<br />

Richard Turko<br />

John Ullman & Irene Namkung<br />

Paige Vales<br />

G<strong>in</strong>a Venolia<br />

Gerard Verkerk<br />

Jeff Vogt<br />

Rosalie Volpone<br />

Lauren Walley & Tania Leeman<br />

Kathy <strong>We</strong>hle & Theresa Haynie<br />

Bryan White<br />

Marv Wh<strong>its</strong>on<br />

Wayne F. W<strong>in</strong>ters & David A. Bair<br />

John Wong & Greg Combs<br />

Larry Yok<br />

11


Open<strong>in</strong>g Night<br />

DIRTY GIRL<br />

FRIDAY | OCTOBER 14 | 7:30PM | EGYPTIAN THEATRE<br />

Norman High School, <strong>in</strong> Norman, OK, is the uncomfortable home to two social outcasts<br />

When the who couldn’t be more diff erent. Danielle (Juno Temple, KABOOM) is the wild-child<br />

local bad girl party girl, desperate to make connections one backseat date at a time. Clarke (Jer-<br />

gets paired with emy Dozier) is the frumpy closet case, constantly worshipp<strong>in</strong>g at his Walkman altar.<br />

a frumpy gay boy, When the two are paired up to form a family for a homework assignment, they ease<br />

sparks fl y, wheels <strong>in</strong>to an unexpected friendship. But their bond is threatened when Clarke’s homopho-<br />

sp<strong>in</strong>, and the good bic dad decides to ship his son off to military school and Danielle’s broken home life<br />

times roll! becomes too much. e two take off <strong>in</strong> search of a man they’ve never met: Danielle’s<br />

real father, who she recently learned is liv<strong>in</strong>g <strong>in</strong> bucolic Fresno. With police and parents<br />

(Dwight Yoakam, Milla Jovovich, and Mary Steenburgen) <strong>in</strong> hot pursuit, Danielle and<br />

Clarke saddle up for a raucous road trip full of action, laughs, and a very sexy male stripper.<br />

Not s<strong>in</strong>ce Will & Grace <strong>has</strong> a gay/gal duo spawned such outrageous adventures and side-splitt<strong>in</strong>g comedy.<br />

Puls<strong>in</strong>g to the beat of a late-’80s pop diva soundtrack and burst<strong>in</strong>g with fun-fi lled energy at every turn,<br />

DIRTY GIRL is a wild ride you won’t want to end.<br />

ASL Inter<strong>pr</strong>eted<br />

Abe Sylvia; 2011; US; 90 m<strong>in</strong>. U Guests <strong>in</strong> Attendance<br />

OPENING NIGHT GALA The <strong>16</strong>th festival kicks off at a sweet new event space on Capitol Hill and a sweet new<br />

collaboration. Our Open<strong>in</strong>g Night Gala is <strong>pr</strong>esented by Trouble. Experience huge wall <strong>pr</strong>ojections, fantastic DJs, and food<br />

and dr<strong>in</strong>k <strong>pr</strong>ovided by our generous sponsors below. Ticket to the Open<strong>in</strong>g Night Film and Gala required. 21 and over only.<br />

Fred Wildlife Refuge | 98 Belmont Avenue E. | Across the st<strong>ree</strong>t from Capta<strong>in</strong> Blacks | Seattle WA 98102<br />

13


Clos<strong>in</strong>g Night<br />

VITO<br />

SUNDAY | OCTOBER 23 | 6:30PM | CINERAMA<br />

<strong>We</strong> are honored to <strong>pr</strong>esent the <strong>We</strong>st Coast <strong>pr</strong>emiere of VITO, an <strong>in</strong>spir<strong>in</strong>g tribute to the<br />

legendary Vito Russo: groundbreak<strong>in</strong>g author and an outspoken found<strong>in</strong>g father of the<br />

gay liberation movement.<br />

As a young man <strong>in</strong> New York City, Vito was <strong>pr</strong>om<strong>in</strong>ent and resourceful <strong>in</strong> the fi ght for<br />

gay rights. He staged an engagement party <strong>in</strong> 1971 to <strong>pr</strong>otest marriage <strong>in</strong>equality. When<br />

<strong>in</strong>fi ght<strong>in</strong>g threatened New York’s 1973 Pride rally, Vito, as emcee, restored harmony by<br />

hav<strong>in</strong>g friend (and <strong>in</strong>genue) Bette Midler perform. With the onset of AIDS, he became<br />

<strong>in</strong>strumental <strong>in</strong> form<strong>in</strong>g ACT-UP.<br />

Vito understood that culture is as important as politics <strong>in</strong> the struggle for equal rights. He<br />

hosted gay movie nights <strong>in</strong> the early ’70s, remark<strong>in</strong>g that see<strong>in</strong>g fi lms with a gay audience was completely<br />

diff erent than with a general audience. is passion for c<strong>in</strong>ema led him to travel the world and sc<strong>ree</strong>n<br />

hundreds of fi lms, fi nd<strong>in</strong>g LGBT characters and stories often hidden from c<strong>in</strong>ematic history. e culm<strong>in</strong>ation<br />

of this research, e Celluloid Closet, was the most extensive record of LGBT re<strong>pr</strong>esentation on sc<strong>ree</strong>n<br />

and exposed c<strong>in</strong>ema’s often-homophobic messages.<br />

Heartwarm<strong>in</strong>g and humorous <strong>in</strong>terviews of Vito’s family and friends (Armistead Maup<strong>in</strong>, Jeff rey Freidman,<br />

and Lily Toml<strong>in</strong> among them) and clips from an astonish<strong>in</strong>g collection of fi lm treasures coalesce <strong>in</strong>to a mov<strong>in</strong>g<br />

portrait of the person who paved the way for—and <strong>pr</strong>oved the importance of—LGBT fi lm festivals like ours.<br />

WEST<br />

COAST<br />

PREMIERE<br />

Jeffrey Schwarz; 2011; US; 93 m<strong>in</strong>. U Guest <strong>in</strong> Attendance ASL Inter<strong>pr</strong>eted<br />

CLOSING NIGHT GALA Celebrate the sweet end<strong>in</strong>g to 10 days of lms with our Clos<strong>in</strong>g Night Gala. <strong>We</strong> are<br />

pleased to be back at the newly remodeled South Lake Union Discovery Center. Enjoy a delicious sampl<strong>in</strong>g of food from South<br />

Lake Union restaurants and caterers and dr<strong>in</strong>ks <strong>pr</strong>ovided by our generous sponsors. Presented by Seattle Met Magaz<strong>in</strong>e.<br />

Ticket to the Clos<strong>in</strong>g Night Film and Gala required.<br />

South Lake Union Discovery Center | 101 <strong>We</strong>stlake Avenue N. | Seattle WA 98109<br />

15


Strike a<br />

pose for this<br />

high-energy,<br />

modern mix<br />

of PARIS IS<br />

BURNING<br />

and Rent.<br />

Centerpiece<br />

LEAVE IT ON THE FLOOR<br />

SUNDAY | OCTOBER <strong>16</strong> | 7:00PM | EGYPTIAN THEATRE<br />

Set <strong>in</strong> the underground drag ball scene of LA, this Centerpiece features fierce<br />

dance sequences that will leave you floored.<br />

When Brad is kicked out of his dysfunctional home for be<strong>in</strong>g gay, he must f<strong>in</strong>d a<br />

way to survive on the mean st<strong>ree</strong>ts of Los Angeles. By chance, he stumbles <strong>in</strong>to<br />

a ball and is transfixed by the ragtag teams of fierce talent and colorful personalities.<br />

Taken <strong>in</strong> by the struggl<strong>in</strong>g House of Em<strong>in</strong>ence and <strong>its</strong> family of outcasts,<br />

Brad f<strong>in</strong>ally starts to feel like he belongs. But rag<strong>in</strong>g hormones create a love triangle<br />

that threatens to tear his newfound family apart. Can the House of Em<strong>in</strong>ence<br />

leave <strong>its</strong> conflicts backstage and come together to f<strong>in</strong>ally w<strong>in</strong> the coveted house trophy?<br />

Or will Brad be forced to cont<strong>in</strong>ue his search for love, community, and acceptance?<br />

Featur<strong>in</strong>g 11 new songs (from show tunes to techno) and electrify<strong>in</strong>g dance numbers, LEAVE IT ON<br />

THE FLOOR is the 20-year passion <strong>pr</strong>oject of award-w<strong>in</strong>n<strong>in</strong>g director Sheldon Larry. Support<strong>in</strong>g him<br />

are an exceptional sc<strong>ree</strong>nplay and lyrics by Glenn Gaylord, an orig<strong>in</strong>al score by Beyoncé’s creative director<br />

Kim Burse, and eye-popp<strong>in</strong>g choreography by Frank Gatson Jr., the wizard beh<strong>in</strong>d Beyoncé’s “S<strong>in</strong>gle<br />

Ladies” music video.<br />

Sheldon Larry; 2011; US; 107 m<strong>in</strong>. U<br />

Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by POCAAN<br />

CENTERPIECE RECEPTION Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of LEAVE IT ON THE FLOOR, please jo<strong>in</strong> us for a gala<br />

reception at the Lobby Bar. Your ticket to the lm <strong>in</strong>cludes the gala reception. 21 and over only.<br />

The Lobby Bar | 9<strong>16</strong> East Pike St<strong>ree</strong>t | Seattle WA 98122<br />

17


Country<br />

music star<br />

Chely Wright had<br />

a huge secret that<br />

seemed impossible to<br />

reveal to her family,<br />

friends, and<br />

fans.<br />

Centerpiece<br />

WISH ME AWAY<br />

FRIDAY | OCTOBER 21 | 7:15PM | PACIFIC PLACE<br />

Raised <strong>in</strong> a deeply religious home and diligently work<strong>in</strong>g her way to fame <strong>in</strong> the homophobic<br />

country music <strong>in</strong>dustry, Chely <strong>pr</strong>ayed for <strong>years</strong> that her homosexuality would just<br />

go away. As her dreams of stardom came true, her reality could no longer be denied.<br />

In 2010, Chely began an arduous but carefully mapped journey of com<strong>in</strong>g out to the<br />

world. Over a th<strong>ree</strong>-year period, award-w<strong>in</strong>n<strong>in</strong>g filmmakers Bobbie Birleffi and Beverly<br />

Kopf captured every moment of Chely’s struggle, from her most <strong>in</strong>timate moments<br />

of confession (<strong>in</strong>clud<strong>in</strong>g her own video diaries) to very public appearances <strong>in</strong> the ma<strong>in</strong>stream<br />

media. Every touch<strong>in</strong>g and rivet<strong>in</strong>g moment is captured and crafted <strong>in</strong>to this powerful<br />

and mov<strong>in</strong>g documentary that <strong>has</strong> left audiences cheer<strong>in</strong>g.<br />

W<strong>in</strong>ner of the Outstand<strong>in</strong>g Documentary Feature Award at Framel<strong>in</strong>e 35: e 2011 San Fran-<br />

cisco International LGBT Film Festival, the Grand Jury Prize for Best Documentary at the 2011 Los Angeles<br />

Film Festival, the Audience Award for Best Documentary at the 2011 Nashville Film Festival, and the Jury<br />

Award for Best Documentary at the 2011 Philadelphia QFest.<br />

Bobbie Birlef and Beverly Kopf; 2011; US; 95 m<strong>in</strong>.<br />

U Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by The Seattle Men’s Chorus and The Seattle Women’s Chorus<br />

CENTERPIECE RECEPTION Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of WISH ME AWAY, please jo<strong>in</strong> us for a gala reception <strong>in</strong> the<br />

atrium of Pacic Place at Il Fornaio Bakery and Café. Enjoy some of Il Fornaio’s signature savory <strong>bit</strong>es and desserts and an<br />

array of beverages. Your ticket to the lm <strong>in</strong>cludes the gala reception.<br />

Il Fornaio Restaurant and Bakery | 600 P<strong>in</strong>e St<strong>ree</strong>t | Seattle WA 98101<br />

19


SLGFF AWARDS<br />

THE SEATTLE LESBIAN & GAY FILM FESTIVAL <strong>pr</strong>esents selected lmmakers with audience favorite and juried awards.<br />

AUDIENCE FAVORITE AWARDS are determ<strong>in</strong>ed by ballots completed by attendees dur<strong>in</strong>g the festival. The Audience Awards<br />

<strong>pr</strong>esented on Clos<strong>in</strong>g Night are Favorite Narrative Feature, Favorite Documentary Feature, Favorite Gay Short Film, Favorite<br />

Lesbian Short Film, and Favorite Local Film. Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> AWARDS FOR EXCELLENCE are chosen by our esteemed<br />

panel of jurors and <strong>in</strong>clude a cash <strong>pr</strong>ize. Th<strong>ree</strong> juries convene to select the follow<strong>in</strong>g awards: Best Feature Film, Best Documentary<br />

Film, Best Short Film, and Most Innovative Short Film.<br />

NARRATIVE JURY<br />

Emma Smart is a <strong>pr</strong>ogrammer for the London Lesbian<br />

& Gay Film Festival. She <strong>has</strong> a background<br />

<strong>in</strong> film studies and <strong>has</strong> given numerous papers<br />

on queer c<strong>in</strong>ema. She <strong>has</strong> a penchant for Dusty<br />

S<strong>pr</strong><strong>in</strong>gfield and all th<strong>in</strong>gs camp.<br />

Daniel Tayara <strong>has</strong> been mak<strong>in</strong>g short films for two<br />

<strong>years</strong>. He is <strong>in</strong> school for computer animation and<br />

<strong>has</strong> been a Reel Queer Youth participant. Work<strong>in</strong>g<br />

for Pixar is a long-term goal of his.<br />

John Kirk was a film archivist for MGM Studios for<br />

almost 20 <strong>years</strong>, restor<strong>in</strong>g such classics as SOME<br />

LIKE IT HOT and FELLINI SATYRICON. His film<br />

<strong>pr</strong>esentation “Sons of Hercules” was at the 2000<br />

SLGFF. He is on the advisory board of the Legacy<br />

Project, the LGBT film restoration and <strong>pr</strong>eservation<br />

<strong>pr</strong>ogram.<br />

DOCUMENTARY JURY<br />

Aubrey Scheffel is Market<strong>in</strong>g Manager at SIFF<br />

and past board member of Bent Arts. She moved<br />

to Seattle <strong>in</strong> 2007 to fulfill her dream of be<strong>in</strong>g a<br />

Pacific Northwest garden gnome.<br />

L<strong>in</strong>dsay Mart<strong>in</strong> studied documentary <strong>pr</strong>oduction at<br />

Rhode Island School of Design and moved to Seattle<br />

for the outdoor adventures and the welcom<strong>in</strong>g<br />

film community. She is currently a segment <strong>pr</strong>oducer<br />

on a television series, creat<strong>in</strong>g short documentary<br />

<strong>pr</strong>ofiles on young entre<strong>pr</strong>eneurs around the country.<br />

She couldn’t be happier.<br />

Zheng Wang, PhD, is an award-w<strong>in</strong>n<strong>in</strong>g documentary<br />

filmmaker who constantly seeks to expand<br />

his artistic horizons. Recent additions to his list of<br />

creative pursu<strong>its</strong> <strong>in</strong>clude playwrit<strong>in</strong>g, songwrit<strong>in</strong>g,<br />

choreography, and <strong>in</strong>terior design. He believes <strong>in</strong><br />

the power of love.<br />

SHORTS JURY<br />

Dust<strong>in</strong> Kaspar works year-round as the Educational<br />

Programs Manager and as a shorts/feature <strong>pr</strong>ogrammer<br />

with SIFF. In his spare time, he s<strong>in</strong>gs opera<br />

and cooks any recipe that captures his imag<strong>in</strong>ation.<br />

Felicia Gonzalez was born <strong>in</strong> Cuba. A poet and<br />

short fiction writer, she is currently work<strong>in</strong>g on Swimm<strong>in</strong>g<br />

<strong>in</strong> Mercury, stories explor<strong>in</strong>g the relationship<br />

of language to identity.<br />

V<strong>in</strong>cent Kovar is a writer and <strong>pr</strong>ofessor who teaches<br />

media and LGBT studies. He also performs on<br />

stage, <strong>in</strong> commercials, and <strong>in</strong> <strong>in</strong>dependent film.


It’s<br />

been<br />

30 <strong>years</strong><br />

s<strong>in</strong>ce AIDS<br />

descended on<br />

the world.<br />

Spotlight<br />

WE WERE HERE<br />

SATURDAY | OCTOBER 15 | 5:00PM | EGYPTIAN THEATRE<br />

WE WERE HERE documents what was called the “gay plague” as it hit San<br />

Francisco <strong>in</strong> the early 1980s. Focus<strong>in</strong>g on fi ve survivors of the epidemic and their<br />

gripp<strong>in</strong>g recollections of the ordeal, this is an <strong>in</strong>spir<strong>in</strong>g tale of empowerment, as<br />

the community came together to face a threat the government ignored. Awardw<strong>in</strong>n<strong>in</strong>g<br />

director David <strong>We</strong>issman br<strong>in</strong>gs a unique understand<strong>in</strong>g to this ordeal,<br />

hav<strong>in</strong>g lived through it himself. Mean<strong>in</strong>gful and memorable, this journey through<br />

<strong>in</strong>credible suff er<strong>in</strong>g and loss is ultimately a story of compassion, support, and hope.<br />

David <strong>We</strong>issman; 2011; US; 90 m<strong>in</strong>. U Guest <strong>in</strong> Attendance<br />

POST-SCREENING RECEPTION Seattle Volvo | 1120 Pike St<strong>ree</strong>t | Seattle WA 98122<br />

HIV30 FILM SERIES<br />

ASL Inter<strong>pr</strong>eted<br />

HIV30: Take Action Seattle is a collaboration of Seattle HIV/AIDS service organizations work<strong>in</strong>g together<br />

to commemorate the 30th anniversary of the HIV/AIDS epidemic. In conjunction with this eff ort, the Seattle<br />

Lesbian & Gay Film Festival is <strong>pr</strong>oud to <strong>pr</strong>esent WE WERE HERE along with these other powerful and<br />

important fi lms related to the impact and experience of HIV over the last th<strong>ree</strong> decades: THE GROVE,<br />

HEART BREAKS OPEN, STILL AROUND, and VITO.<br />

21


FILM FESTIVAL HIGHLIGHTS<br />

Pull on your boots and bust out those<br />

Wranglers for these lms with a country<br />

twang and rural spirit.<br />

WISH ME AWAY THE BEST LITTLE WHOREHOUSE IN TEXAS HARVEST LONGHORNS<br />

From grunge to hip-hop and with a healthy dose of Glee, you’ll nd<br />

plenty to s<strong>in</strong>g and dance about <strong>in</strong> these music-oriented offer<strong>in</strong>gs.<br />

HIT SO HARD MARY LOU JAMIE AND JESSIE ARE NOT TOGETHER LEAVE IT ON THE FLOOR<br />

ECLECTIC YOUTH<br />

p.17<br />

GOING DOWN UNDER<br />

There’s another Oz that glitters with fabulous gay characters,<br />

and these <strong>pr</strong>ograms imported from Australia will give you a<br />

taste of life <strong>in</strong> that fantastic, faraway land.<br />

SAUCY AUSSIES OUTLAND HANNAH & THE HASBIAN MY PAST MY PRESENT<br />

p.60<br />

p.35<br />

A LITTLE BIT COUNTRY<br />

WE GOT THE BEAT<br />

Outstand<strong>in</strong>g athletes, quirky characters, and local lmmakers will dazzle<br />

you with their talent and courage <strong>in</strong> <strong>pr</strong>ograms showcas<strong>in</strong>g the next generation<br />

defy<strong>in</strong>g gender stereotypes.<br />

OUT FOR THE LONG RUN REEL QUEER YOUTH SHORTS BOY CHEERLEADERS SPORK<br />

p.45<br />

p.25<br />

p.29<br />

p.41<br />

p.59<br />

p.35<br />

p.31<br />

p.37<br />

p.27<br />

23<br />

p.39<br />

p.43<br />

p.17<br />

p.49


FEATURE FILMS<br />

MONDAY – OCTOBER 17 – 9:30PM – NORTHWEST FILM FORUM<br />

(A)SEXUAL<br />

Angela Tucker; 2011; US; 75 m<strong>in</strong>.<br />

In the summer of 2002, David Jay’s new website brought worldwide attention to asexuals:<br />

people like himself who do not experience sexual attraction…to anyone. With humor and<br />

<strong>in</strong>telligence, (A)SEXUAL sheds light on the phenomenon and debunks some misconceptions<br />

about people who just don’t want to have sex. From hilarious person-on-the-st<strong>ree</strong>t<br />

reactions to commentary by sexperts such as Carol McQueen and Dan Savage, the film<br />

addresses everyth<strong>in</strong>g from relationships and masturbation to common perceptions about<br />

asexuality (<strong>in</strong>clud<strong>in</strong>g the familiar “you just haven’t met the right person”). F<strong>in</strong>ally, is there a<br />

place for asexuals <strong>in</strong> the ever-expand<strong>in</strong>g queer community?<br />

U<br />

SUNDAY – OCTOBER <strong>16</strong> – 9:30PM – EGYPTIAN THEATRE<br />

THE ADVOCATE FOR FAGDOM<br />

Angélique Bosio; 2011; France; 91 m<strong>in</strong>.<br />

Subversive genius, pioneer<strong>in</strong>g <strong>pr</strong>ovocateur, reluctant pornographer: all describe queercore<br />

filmmaker Bruce LaBruce, whose transgressive aesthetic <strong>has</strong> maddened and enchanted audiences<br />

for decades. Evolv<strong>in</strong>g from quiet Ontario farm boy to the toast of the Toronto and<br />

New York underground scenes, LaBruce became the master of re<strong>in</strong>vention, his punk attitude<br />

<strong>in</strong>fus<strong>in</strong>g his low-budget films with hardcore gay sex, schlock horror, and sophisticated<br />

political commentary. Archival clips of his rough, seductive films (<strong>in</strong>clud<strong>in</strong>g LA ZOMBIE,<br />

SLGFF 2010) comb<strong>in</strong>e with penetrat<strong>in</strong>g <strong>in</strong>ter<strong>pr</strong>etation and anecdotes from collaborators<br />

and admirers (Gus Van Sant and John Waters among them) to form a fasc<strong>in</strong>at<strong>in</strong>g portrait<br />

of a s<strong>in</strong>gular talent.<br />

TUESDAY – OCTOBER 18 – 9:15PM – CENTRAL CINEMA<br />

THE BEST LITTLE WHOREHOUSE IN TEXAS SING-ALONG<br />

Col<strong>in</strong> Higg<strong>in</strong>s; 1982; US; 114 m<strong>in</strong>.<br />

Yeehaw! Embrace your <strong>in</strong>ner good ol’ girl and visit Miss Mona (Dolly Parton), the nononsense<br />

<strong>pr</strong>o<strong>pr</strong>ietress of the Chicken Ranch, a beloved Texas <strong>in</strong>stitution under siege from<br />

religious conservative TV personality Melv<strong>in</strong> P. Thorpe (brilliantly played by Dom De-<br />

Luise). But with a smok<strong>in</strong>’ hot sheriff (Burt Reynolds) stand<strong>in</strong>g by Mona’s side, what<br />

could go wrong? There won’t be noth<strong>in</strong>’ dirty go<strong>in</strong>’ on at this s<strong>in</strong>g-along, but maybe more<br />

than a thrill when the Texas Aggie football team (s<strong>in</strong>g<strong>in</strong>g! danc<strong>in</strong>g! naked!) a-whoop it up<br />

all right. And if you’re worried about a “Hard Candy Christmas,” rest assured that Dolly<br />

will always love you.<br />

Ages 21+ only.<br />

SUNDAY – OCTOBER <strong>16</strong> – 12:00PM – EGYPTIAN THEATRE<br />

BOB’S NEW SUIT<br />

Alan R. Howard; 2009; US; 97 m<strong>in</strong>.<br />

Narrated by a fabulous Italian suit, this is a touch<strong>in</strong>g tribute to the strength of family bonds.<br />

Sexy (and often shirtless) Bob is gett<strong>in</strong>g married to his girlfriend Jenny, while his sister<br />

Stephanie is transition<strong>in</strong>g to be<strong>in</strong>g Steve. While their mom resists Steve’s “entrance” <strong>in</strong>to<br />

the family, she and Dad struggle with a long-buried secret that surfaces amid a tragedy. A<br />

complex, k<strong>in</strong>dhearted film, BOB’S NEW SUIT highlights Shay Astar’s sensitive portrayal<br />

of Steve as humane, compassionate, and whip-smart. This is a must-see for everyone who<br />

understands the struggle to realize one’s true identity.<br />

U<br />

Guest <strong>in</strong> Attendance<br />

Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Ingersoll Gender Center<br />

25


FEATURE FILMS<br />

SATURDAY – OCTOBER 22 – 4:30PM – PACIFIC PLACE 1<br />

BOY CHEERLEADERS<br />

James Newton; 2010; UK; 62 m<strong>in</strong>.<br />

This refresh<strong>in</strong>g documentary follows the DAZL Diamonds, from the <strong>in</strong>dustrial, work<strong>in</strong>gclass<br />

northern English town of Leeds, as they attempt to become the first all-boy cheerlead<strong>in</strong>g<br />

squad to place <strong>in</strong> the UK National Cheerlead<strong>in</strong>g F<strong>in</strong>als. These enthusiastic and talented<br />

lads, rang<strong>in</strong>g <strong>in</strong> age from 8 to 13, dream of becom<strong>in</strong>g “the next <strong>Bill</strong>y Elliot,” while their<br />

charm<strong>in</strong>g s<strong>in</strong>gle moms struggle with despair over their challeng<strong>in</strong>g circumstances. The <strong>in</strong>spirational<br />

<strong>in</strong>structors Ian and Cherry fill the roles of surrogate parents and emotional supporters<br />

<strong>in</strong> this affect<strong>in</strong>g story of determ<strong>in</strong>ation and triumph aga<strong>in</strong>st the odds.<br />

U Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by The Safe Schools Coalition<br />

Play<strong>in</strong>g with: FRANSWA SHARL Hannah Hilliard; 2010; Australia; 14 m<strong>in</strong>.<br />

Greg, who <strong>has</strong> <strong>in</strong>herited his father’s competitive streak, gives a fierce performance <strong>in</strong> the Miss Fiji Pageant.<br />

SATURDAY – OCTOBER 22 – 9:30PM – PACIFIC PLACE 1<br />

CODEPENDENT LESBIAN SPACE ALIEN SEEKS SAME<br />

Madele<strong>in</strong>e Olnek; 2011; US; 70 m<strong>in</strong>.<br />

When studies show that residents of planet Zotz are caus<strong>in</strong>g the depletion of their ozone<br />

layer with unseemly “big feel<strong>in</strong>gs,” the cul<strong>pr</strong><strong>its</strong> are sent to Earth to cure themselves through<br />

heartbreak. The th<strong>ree</strong> lovely but awkward aliens dodge government agents, needy human<br />

exes, and the treacherous allure of cheesecake <strong>in</strong> their quest to f<strong>in</strong>d, and subsequently part<br />

with, a human companion. A hilarious commentary on queer culture, as well as an homage<br />

to early sci-fi classics (with a touch of Ed Wood), writer-director Madele<strong>in</strong>e Olnek’s first<br />

feature is as campy as they come.<br />

WEDNESDAY – OCTOBER 19 – 7:15PM – NORTHWEST FILM FORUM<br />

EAST BLOC LOVE<br />

Logan Mucha; 2011; Australia; 70 m<strong>in</strong>.<br />

In Belarus, Europe’s last dictatorship, the police and neo-Nazi sk<strong>in</strong>heads f<strong>ree</strong>ly attack gay<br />

and lesbian citizens. When Sergey Yen<strong>in</strong>’s boyfriend is shot on the border, it becomes a call<br />

to action for this activist. He helps rally a few brave gay and lesbian advocates, who risk their<br />

lives by stag<strong>in</strong>g an illegal Pride event <strong>in</strong> the capital, M<strong>in</strong>sk. Logan Mucha’s debut feature<br />

documentary, filmed <strong>in</strong> six eastern European countries, explores evolv<strong>in</strong>g attitudes toward<br />

homosexuality <strong>in</strong> these nascent democracies still struggl<strong>in</strong>g with public, governmental, and<br />

religious <strong>in</strong>tolerance and the LGBT community’s reluctance to be visible.<br />

Co<strong>pr</strong>esented by Foundation for Seeattle Out and Proud<br />

SATURDAY – OCTOBER 22 – 7:00PM – PACIFIC PLACE 1<br />

EATING OUT 5: THE OPEN WEEKEND<br />

Q. Allan Brocka; 2011; US; 83 m<strong>in</strong>.<br />

In the fifth <strong>in</strong>stallment of the popular EATING OUT series, sexy couple Zach and Benji<br />

decide to have an “open” weekend when they go on vacation to a gay getaway <strong>in</strong> Palm<br />

S<strong>pr</strong><strong>in</strong>gs. Tension mounts when Zach runs <strong>in</strong>to his ex at the resort, and they both do their<br />

best to look like they are hav<strong>in</strong>g a good time. How could they not, when they are surrounded<br />

by cute, horny guys with six-packs and very little cloth<strong>in</strong>g? Seattle native Q. Allan Brocka’s<br />

latest film is sure to be a hit with fans of the series and newbies alike.<br />

U<br />

Guests <strong>in</strong> Attendance<br />

Reception follow<strong>in</strong>g the film,<br />

see page 62<br />

27


FEATURE FILMS<br />

SATURDAY – OCTOBER 15 – 12:30PM – EGYPTIAN THEATRE<br />

eCUPID<br />

J. C. Calciano; 2011; US; 93 m<strong>in</strong>.<br />

Marshall and Gabe appear to be a happy couple, although their jobs keep them too busy for<br />

each other. When Marshall starts experienc<strong>in</strong>g the seven-year itch, he turns to a mysterious<br />

new dat<strong>in</strong>g app, eCupid, to see what he might be miss<strong>in</strong>g. What seems like a w<strong>in</strong>dfall of hot<br />

guys soon gets a <strong>bit</strong> out of hand when technology starts runn<strong>in</strong>g Marshall’s life. Some sage<br />

advice from a waitress (Morgan Fairchild) rem<strong>in</strong>ds Marshall to listen to his heart. Writerdirector<br />

J. C. Calciano (IS IT JUST ME?, SLGFF 2010) br<strong>in</strong>gs this romantic comedy about<br />

gett<strong>in</strong>g what you th<strong>in</strong>k you wish for.<br />

TUESDAY – OCTOBER 18 – 6:00PM – CENTRAL CINEMA<br />

GAY TV DINNER: OUTLAND 1-3 World Premiere<br />

Kev<strong>in</strong> Carl<strong>in</strong>; 2011; Australia; 80 m<strong>in</strong>.<br />

LGBT geeks, unite! <strong>We</strong>’re thrilled to <strong>pr</strong>esent the world <strong>pr</strong>emiere of the hotly anticipated<br />

new Australian TV series, OUTLAND. Based on the only short film to play both the<br />

Melbourne Queer Film Festival and the World Science Fiction Convention, this six-part<br />

comedy series focuses on members of a gay science-fiction fan club and their adventures <strong>in</strong><br />

our weird world. The Force is strong <strong>in</strong> this one!<br />

Episodes 1–3: Bondage & Bionics. Open about their sexuality but not so much about their<br />

geekdom, the gang outs one of their own on a first date, stumbles <strong>in</strong>to a complicated BDSM<br />

scene, and faces the Khan-like wrath of their club’s former leader.<br />

WEDNESDAY – OCTOBER 19 – 6:00PM – CENTRAL CINEMA<br />

GAY TV DINNER: OUTLAND 4-6 World Premiere<br />

Kev<strong>in</strong> Carl<strong>in</strong>; 2011; Australia; 80 m<strong>in</strong>.<br />

Boldly go<strong>in</strong>g where no TV show <strong>has</strong> gone before, the <strong>pr</strong>emiere of this outrageous new Australian<br />

comedy series cont<strong>in</strong>ues with th<strong>ree</strong> more out-of-this world episodes.<br />

Episodes 4–6: Close Encounters. Our ragtag fleet of friends cont<strong>in</strong>ues their search for signs<br />

of <strong>in</strong>telligent life among them, lead<strong>in</strong>g to a c<strong>ree</strong>py apartment of X Files-style terrors, a futuristic<br />

penthouse where a secret crush is revealed (<strong>in</strong> song!), and a Gay Pride parade where<br />

their ultimate sci-fi gay icon is honored with hilarious results.<br />

U<br />

SATURDAY – OCTOBER 15 – 9:45PM – EGYPTIAN THEATRE<br />

GOING DOWN IN LA-LA LAND<br />

Casper Andreas; 2011; US; 105 m<strong>in</strong>.<br />

Based on the novel by Andy Zeffer, GOING DOWN IN LA-LA LAND is a seem<strong>in</strong>gly<br />

simple story: a hunky young man (Matthew Ludw<strong>in</strong>ski) moves to LA, seek<strong>in</strong>g his big break<br />

<strong>in</strong> showbiz while liv<strong>in</strong>g with his best friend, a straight woman who spends her time shopp<strong>in</strong>g<br />

and c<strong>has</strong><strong>in</strong>g men. But throw <strong>in</strong> a foray <strong>in</strong>to the steamy world of gay porn stardom and escort<strong>in</strong>g,<br />

and a blossom<strong>in</strong>g relationship yearn<strong>in</strong>g for survival amid the hysterics of Hollywood,<br />

and you’ve got an updated, uncensored twist on the “rom-com” genre from the director of<br />

VIOLET TENDENCIES (SLGFF 2010) and FOUR LETTER WORD (SLGFF 2007).<br />

U<br />

Guests <strong>in</strong> Attendance<br />

Guests <strong>in</strong> Attendance<br />

29


FEATURE FILMS<br />

FRIDAY – OCTOBER 21 – 7:45PM – ADMIRAL THEATER<br />

THE GREEN<br />

Steven Williford; 2010; US; 90 m<strong>in</strong>.<br />

Hav<strong>in</strong>g escaped New York for small-town Connecticut, <strong>pr</strong>ep-school teacher Michael (Jason<br />

Butler Harner) takes a special <strong>in</strong>terest <strong>in</strong> Jason, a troubled student, but avoids his own fail<strong>in</strong>g<br />

relationship with hunky Daniel (Cheyenne Jackson from Glee, Broadway’s Xanadu). Jason<br />

claims that Michael molested him, quickly upend<strong>in</strong>g the teacher’s life and turn<strong>in</strong>g the town<br />

aga<strong>in</strong>st the gay couple. Julia Ormond <strong>pr</strong>ovides a shrewd performance as a lesbian lawyer<br />

try<strong>in</strong>g to discern the truth amid the subtle homophobia of neighbors, the suspicions of Michael’s<br />

coworkers, and Daniel’s doubts about his partner’s <strong>in</strong>nocence after the <strong>in</strong>vestigation<br />

reveals a secret from the past.<br />

SUNDAY – OCTOBER <strong>16</strong> – 12:00PM – NORTHWEST FILM FORUM<br />

THE GROVE<br />

Andy Abrahams Wilson and Tom Shepard; 2011; US; 61 m<strong>in</strong>.<br />

How do we mark a time of unimag<strong>in</strong>able loss? More Americans have been lost to AIDS<br />

than <strong>in</strong> all the nation’s wars s<strong>in</strong>ce 1900, yet few know about the National AIDS Memorial,<br />

a seven-acre sanctuary <strong>in</strong> San Francisco’s Golden Gate Park. S<strong>in</strong>ce the late ’80s, this place of<br />

remembrance and heal<strong>in</strong>g, known as “The Grove,” <strong>has</strong> been landscaped and tended by those<br />

who lost loved ones to AIDS. But the fight to remember becomes heated when some board<br />

members seek broader public recognition through an <strong>in</strong>ternational design competition, ignit<strong>in</strong>g<br />

a debate on the ap<strong>pr</strong>o<strong>pr</strong>iateness and mean<strong>in</strong>g of this national memorial.<br />

Play<strong>in</strong>g with: BLINK Alka Joshi and Yoni Kle<strong>in</strong>; 2010; US; 8 m<strong>in</strong>. A lifelong obsession with photography<br />

gave Russ Osterweil a way to record his near-death bout with his AIDS-related illness.<br />

THURSDAY – OCTOBER 20 – 9:30PM – ADMIRAL THEATER<br />

GUN HILL ROAD<br />

Rashaad Ernesto G<strong>ree</strong>n; 2011; US; 88 m<strong>in</strong>.<br />

When Enrique (Esai Morales) returns home after a th<strong>ree</strong>-year <strong>pr</strong>ison sentence, he f<strong>in</strong>ds<br />

his family transformed. His wife is hid<strong>in</strong>g an affair, and his teenage son, Michael, <strong>has</strong><br />

become Vanessa (poignantly played by Harmony Santana, who was undergo<strong>in</strong>g her own<br />

gender transition dur<strong>in</strong>g the film<strong>in</strong>g). Can Enrique f<strong>in</strong>d the strength to accept his son for<br />

who he <strong>has</strong> become, or will he cl<strong>in</strong>g to his conceptions of mascul<strong>in</strong>ity and revert to the<br />

patterns of his crim<strong>in</strong>al past? Despite <strong>its</strong> brutality, this Sundance favorite is a touch<strong>in</strong>g<br />

story of acceptance <strong>in</strong> the tough, unforgiv<strong>in</strong>g world of the Bronx.<br />

Co<strong>pr</strong>esented by Ingersoll Gender Center<br />

MONDAY – OCTOBER 17 – 7:15PM – EGYPTIAN THEATRE<br />

HANNAH & THE HASBIAN<br />

Gordon Napier; 2011; Australia; 71 m<strong>in</strong>.<br />

Reception follow<strong>in</strong>g the film,<br />

see page 62<br />

Hannah gave up everyth<strong>in</strong>g to be with Breigh: her family, her religion, and men. But now<br />

Breigh’s decided she wants to go straight and Hannah’s left wonder<strong>in</strong>g: WTF? Caught <strong>in</strong><br />

the crossfire is their quick-witted and acid-tongued flatmate, D<strong>in</strong>ka, who’s thrilled to have<br />

a w<strong>in</strong>gman <strong>in</strong> the bruis<strong>in</strong>g hetero world. However, D<strong>in</strong>ka’s hardly a role model, as she’s<br />

still stalk<strong>in</strong>g her ex-fiancé after he dumped her for cheat<strong>in</strong>g on him. Breigh quickly learns<br />

for herself that dat<strong>in</strong>g men is no picnic. As their household descends <strong>in</strong>to a hilarious rehab<br />

center for bruised egos and mixed emotions, this often-riotous romantic comedy becomes a<br />

quirky story of f<strong>in</strong>d<strong>in</strong>g true love. Co<strong>pr</strong>esented by Front Runners<br />

Play<strong>in</strong>g with: VIGILANT! HEALTHY! WHOLESOME! Lauren Anderson; 2009; Australia; 14 m<strong>in</strong>.<br />

A plague of homosexuality is sweep<strong>in</strong>g down under <strong>in</strong> this award-w<strong>in</strong>n<strong>in</strong>g B-movie spoof.<br />

31


14<br />

FRI<br />

15<br />

SAT<br />

<strong>16</strong><br />

SUN<br />

CENTERPIECE GALA!<br />

17<br />

MON<br />

18<br />

TUES<br />

19<br />

WED<br />

EGYPTIAN NW FILM FORUM CENTRAL CINEMA<br />

7:30 Dirty Girl (p.13)<br />

12:30 eCupid (p.29)<br />

12:30 SHORTS Saturgay Morn<strong>in</strong>g<br />

Cartoons (p.59)<br />

2:30 SHORTS Girls Shorts (p.57) 2:30 Man 2 Man (p.41)<br />

5:00 <strong>We</strong> <strong>We</strong>re Here (p.21)<br />

7:15 Jamie and Jessie Are Not<br />

Together (p.37)<br />

4:30 Orchids: My Intersex Adventure<br />

(p.45)<br />

7:00 K<strong>in</strong>k Crusaders (p.39)<br />

9:45 Go<strong>in</strong>g Down <strong>in</strong> La-La Land (p.29) 9:30 Unhappy Birthday (p.51)<br />

MIDNIGHT Varla Jean & the<br />

Mushroomheads (p.51)<br />

NOON Bob’s New Suit (p.25) NOON The Grove (p.31)<br />

2:00 SHORTS Boys Shorts (p.55) 2:00 Sappho’s Fire (p.47)<br />

4:00 Mary Lou (p.41) 4:30 The Lulu Sessions (p.39)<br />

7:00 Leave it On The Floor (p.17) 7:00 The Scandalous Four (p.47)<br />

9:30 The Advocate for Fagdom (p.25) 9:30 Joe + Belle (p.37)<br />

5:45 SHORTS Funny Girls (p.57)<br />

7:15 Hannah & the Hasbian (p.31) 7:15 Morgan (p.41)<br />

9:15 SHORTS Saucy Aussies (p.60) 9:30 (A)sexual (p.25)<br />

5:45 Our Lips are Sealed (p.57)<br />

7:15 Heart Breaks Open (p.35) 7:15 Tomboy (p.51)<br />

9:30 SHORTS Manhunt<strong>in</strong>g (p.58) 9:30 SHORTS Be With Me (p.55)<br />

5:45 The Wolf In Shorts (p.53)<br />

7:15 The Wise Kids (p.51) 7:15 East Bloc Love (p.27)<br />

9:30 My Last Round (p.43)<br />

OPENING NIGHT FILM!<br />

9:30 SHORTS Infrared:<br />

Experimental Shorts (p.57)<br />

6:00 Gay TV D<strong>in</strong>ner: Outland 1-3<br />

(p.29)<br />

9:15 The Best Little Whorehouse In<br />

Texas S<strong>in</strong>g-Along (p.25)<br />

6:00 Gay TV D<strong>in</strong>ner: Outland 4-6<br />

(p.29)<br />

9:15 SHORTS Attack of the<br />

Musicals (p.55)


20<br />

THUR<br />

21<br />

FRI<br />

22<br />

SAT<br />

23<br />

SUN<br />

EGYPTIAN NW FILM FORUM ADMIRAL THEATER<br />

5:45 SHORTS Perceptions: Trans Shorts (p.59) 6:00 Married In Spandex (p.41)<br />

7:15 The Night Watch (p.43) 7:15 SHORTS Like a Virg<strong>in</strong> (p.58) 7:30 Spork (p.49)<br />

9:30 Judas Kiss (p.37) 9:30 How Are You (p.35) 9:30 Gun Hill Road (p.31)<br />

PACIFIC PLACE 6:00 The Sisterhood (p.47)<br />

7:15 Wish Me Away (p.19) 7:45 The G<strong>ree</strong>n (p.31)<br />

9:30 Longhorns (p.39) 9:45 Romeos (p.45)<br />

12:30 SHORTS Local Produce (p.58) 12:30 Still Around (p.49)<br />

2:30 My Past My Present (p.43)<br />

2:30 This Is What Love <strong>in</strong> Action<br />

Looks Like (p.49)<br />

4:30 Boy Cheerleaders (p.27) 4:30 I Am (p.37) 4:30 Kawa (p.39)<br />

7:00 Eat<strong>in</strong>g Out 5 (p.27) 7:00 Mother Tongue (p.43) 7:00 Th<strong>ree</strong> (p.49)<br />

9:30 Codependent Lesbian Space<br />

Alien Seeks Same (p.27)<br />

9:30 Harvest (p.35) 9:30 Hit So Hard (p.35)<br />

CINERAMA 12:00 SHORTS Reel Queer Youth Shorts (p.59)<br />

2:30 Sister Smile (p.47) 2:30 Out For the Long Run (p.45)<br />

6:30 Vito (p.15)<br />

CLOSING NIGHT FILM!<br />

CENTERPIECE GALA!<br />

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Search the App store<br />

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FACEBOOK.COM/THREEDOLLARBILLCINEMA<br />

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Our community. In focus.


FEATURE FILMS<br />

SATURDAY – OCTOBER 22 – 9:30PM – PACIFIC PLACE 2<br />

HARVEST<br />

Benjam<strong>in</strong> Cantu; 2011; Germany; 88 m<strong>in</strong>; <strong>in</strong> German, with English subtitles<br />

W<strong>in</strong>ner of a Teddy Award at the 2011 Berl<strong>in</strong> Film Festival, director-writer Benjam<strong>in</strong> Cantu’s<br />

feature debut follows a simple, organic, and sweet com<strong>in</strong>g-of-age romance between two<br />

ap<strong>pr</strong>entice farmers, set aga<strong>in</strong>st the gorgeous backdrop of Brandenburg, Germany. Teenage<br />

Marco, a loner, is uncerta<strong>in</strong> if he wants to become a farmer, just weeks before his f<strong>in</strong>al exams.<br />

Enter Jacob, a new farm ap<strong>pr</strong>entice who befriends Marco while navigat<strong>in</strong>g the unfamiliar<br />

environment. Cleverly avoid<strong>in</strong>g obvious clichés, HARVEST <strong>in</strong>stead portrays their young<br />

love flourish<strong>in</strong>g through the most mundane farm activities. Cantu’s realistic and natural<br />

storytell<strong>in</strong>g recaptures the <strong>in</strong>nocence lost <strong>in</strong> modern gay c<strong>in</strong>ema.<br />

TUESDAY – OCTOBER 18 – 7:15PM – EGYPTIAN THEATRE<br />

HEART BREAKS OPEN<br />

billie ra<strong>in</strong>; 2011; US; 81 m<strong>in</strong>.<br />

Jesús, a model queer activist and community advocate, is on the br<strong>in</strong>k of self-destruction. He’s<br />

cheated on his long-time FTM partner Johnny and <strong>has</strong> had un<strong>pr</strong>otected sex. After test<strong>in</strong>g<br />

positive for HIV, Jesús parties recklessly and nearly overdoses on drugs. But Sister of Perpetual<br />

Indulgence Alysa Trailer helps him face his fears of the unknown and beg<strong>in</strong> the journey<br />

of self-discovery. Us<strong>in</strong>g im<strong>pr</strong>ovisation and vérité techniques, HEART BREAKS OPEN<br />

portrays the contemporary experience of receiv<strong>in</strong>g an HIV-positive diagnosis and f<strong>in</strong>d<strong>in</strong>g the<br />

will to live. Many faces and places may be familiar <strong>in</strong> this Seattle-based <strong>pr</strong>oduction.<br />

U<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

GUESTS IN ATTENDANCE<br />

ASL <strong>in</strong>ter<strong>pr</strong>eted Co<strong>pr</strong>esented by Sisters of Perpetual Indulgence—Abbey of St. Joan<br />

SATURDAY – OCTOBER 22 – 9:30PM – ADMIRAL THEATER<br />

HIT SO HARD: THE LIFE & NEAR DEATH STORY<br />

OF PATTY SCHEMEL<br />

P. David Ebersole; 2011; US; 101 m<strong>in</strong>.<br />

Patty Schemel, drummer for the <strong>in</strong>fluential rock band Hole, is an out lesbian who was at the<br />

center of the Seattle music scene <strong>in</strong> the 1990s. Grow<strong>in</strong>g up <strong>in</strong> Marysville, WA, Patty never<br />

dreamed that one day she’d make the cover of Roll<strong>in</strong>g Stone, much less come out <strong>in</strong> the pages<br />

of the magaz<strong>in</strong>e. With fame came temptation, <strong>pr</strong>essure, friends lost to addiction (Kurt Coba<strong>in</strong><br />

and Hole’s guitarist Kristen Pfaff), and her own drug-fueled b<strong>in</strong>ges and battles. Filled<br />

with reveal<strong>in</strong>g looks beh<strong>in</strong>d the scenes of the cultural touchstone that was grunge, HITS<br />

SO HARD is an unfl<strong>in</strong>ch<strong>in</strong>g rock-doc <strong>in</strong> the f<strong>in</strong>est tradition.<br />

THURSDAY – OCTOBER 20 – 9:30PM – NORTHWEST FILM FORUM<br />

HOW ARE YOU<br />

Jannik Splidsboel; 2011; Denmark; 70 m<strong>in</strong>.; <strong>in</strong> Danish and English, with English subtitles<br />

The subjects of this remarkable portrait are Michael Elmg<strong>ree</strong>n and Ingar Dragset, two<br />

enfants terribles of the <strong>in</strong>ternational art world, who use their irreverence and humor to force<br />

audiences to question the status quo. HOW ARE YOU <strong>in</strong>troduces us to this creative couple<br />

who fell <strong>in</strong> love and began to work together <strong>in</strong> 1995. The film shows how, <strong>in</strong> just a few <strong>years</strong>,<br />

they became white-hot stars who stirred controversy through their sculptural <strong>in</strong>stallations.<br />

In a sharp, playful, and humorous way, they p<strong>in</strong>po<strong>in</strong>t important themes such as identity,<br />

sexuality, and democracy, w<strong>in</strong>n<strong>in</strong>g accolades and competitions along the way.<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

Reception follow<strong>in</strong>g the film,<br />

see page 62<br />

35


FEATURE FILMS<br />

SATURDAY – OCTOBER 22 – 4:30PM – PACIFIC PLACE 2<br />

I AM<br />

J.C. Calciano; 2010; US; 93 m<strong>in</strong>.<br />

India’s emerg<strong>in</strong>g queer community confronts long-held traditions <strong>in</strong> two films that won<br />

awards at Kashish 2011: The Mumbai International Queer Film Festival. Soon after her<br />

mother dies, filmmaker Sonali Gulati questions her own decision to not come out to her.<br />

By <strong>in</strong>terview<strong>in</strong>g LGBT Indians and their parents, she uncovers a range of attitudes: a<br />

mother who marches <strong>in</strong> Pride parades; a couple who grapple with their son’s gay union;<br />

and one family’s outright hate and violence. Filmed over five <strong>years</strong>, I AM captures the<br />

complexity and vibrancy of family relationships and <strong>in</strong>dividual struggles <strong>in</strong> modern India.<br />

Play<strong>in</strong>g with: AMEN Judhajit Bagchi and Ranadeep Bhattacharya; 2010; India; 23 m<strong>in</strong>.<br />

An encounter leads two men to questions that need to be answered and truths that need to be accepted.<br />

SATURDAY – OCTOBER 15 – 7:15PM – EGYPTIAN THEATRE<br />

JAMIE AND JESSIE ARE NOT TOGETHER<br />

<strong>We</strong>ndy Jo Carlton; 2011; US; 95 m<strong>in</strong>.<br />

Jessie’s got it bad for her best friend Jamie. When Jamie announces she is mov<strong>in</strong>g to New York,<br />

the <strong>pr</strong>essure is on for Jessie to declare her feel<strong>in</strong>gs. Everyone seems to know Jessie’s secret—<br />

except Jamie—and they offer up sympathy and advice, occasionally <strong>in</strong> musical form. When<br />

Jamie tries to make Jessie notice her with some misguided sleep<strong>in</strong>g around, both of them learn<br />

more about their friendship and love than they had expected. Writer-director <strong>We</strong>ndy Jo Carlton<br />

(HANNAH FREE, SLGFF 2010) offers this fresh take on the relationships that mean<br />

so much at the br<strong>in</strong>k of adulthood, set to a soundtrack of lesbian favorites.<br />

U<br />

SUNDAY – OCTOBER <strong>16</strong> – 9:30PM – NORTHWEST FILM FORUM<br />

JOE + BELLE<br />

Veronica Kedar; 2011; Israel, 80 m<strong>in</strong>.; <strong>in</strong> Hebrew and French, with English subtitles<br />

In this sexy and stylish dark comedy, two outcasts meet under bizarre circumstances: a<br />

botched suicide attempt that turns <strong>in</strong>to an accidental homicide. In the aftermath, cynical<br />

drug dealer Joe and romantic psychopath Belle are forced to flee from Tel Aviv to Sderot,<br />

a target of repeated rocket attacks. However, on their madcap journey to evade police and<br />

dispose of the body (which <strong>in</strong>cludes car thefts, hostage situations, and a memorable visit<br />

to a lesbian bar), their chemistry cannot be denied, and the two fall madly <strong>in</strong> love. Writerdirector<br />

Veronica Kedar also stars <strong>in</strong> this at times absurd, playful, and tender take on young<br />

queer love.<br />

THURSDAY – OCTOBER 20 – 9:30PM – EGYPTIAN THEATRE<br />

JUDAS KISS<br />

J. T. Tepnapa; 2011; US; 95 m<strong>in</strong>.<br />

Failed filmmaker Zachary <strong>We</strong>lls, a reluctant judge <strong>in</strong> his old film school’s annual scholarship<br />

competition, discovers that his handsome one-night stand is a student by the name of Danny<br />

Reyes, the same name Zach used as a student. Moreover, Danny’s film <strong>has</strong> the same title as<br />

Zach’s, which won the festival <strong>years</strong> before. Zach, his ca<strong>ree</strong>r now <strong>in</strong> shambles, decides he can<br />

get a second chance by disqualify<strong>in</strong>g Danny from the competition, putt<strong>in</strong>g him on a different<br />

path than Zach followed. Filmed <strong>pr</strong>imarily <strong>in</strong> Seattle, this offbeat sci-fi drama, laced with<br />

magical realism, explores the perennial question: what if we could do it all over?<br />

U<br />

Guests <strong>in</strong> Attendance<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

Guests <strong>in</strong> Attendance Co<strong>pr</strong>esented by Equal Rights Wash<strong>in</strong>gton<br />

37


FEATURE FILMS<br />

SATURDAY – OCTOBER 22 – 4:30PM – ADMIRAL THEATER<br />

KAWA<br />

Katie Wolfe; 2010; New Zealand; 80 m<strong>in</strong>.<br />

Kawa’s father wants him to return home from Auckland to assume a leadership role <strong>in</strong> their<br />

Maori community. But how can he be a leader when his own family is <strong>in</strong> crisis? He <strong>has</strong><br />

moved out of the house he shares with his wife and kids, but he <strong>has</strong>n’t been able to tell them<br />

why: he is gay and <strong>has</strong> been liv<strong>in</strong>g a steamy double life. Featur<strong>in</strong>g New Zealand’s natural<br />

beauty, KAWA’s story of liberation and family responsibility is based on the semi-autobiographical<br />

novel Nights <strong>in</strong> the Gardens of Spa<strong>in</strong>, by Witi Ihimaera, author of The Whale Rider.<br />

SATURDAY – OCTOBER 15 – 7:00PM – NORTHWEST FILM FORUM<br />

KINK CRUSADERS<br />

Michael Skiff; 2011; US; 74 m<strong>in</strong>.<br />

There’s much more to the leather community than chaps, boots, and harnesses. The International<br />

Mr. Leather contest, the world’s oldest, <strong>has</strong> evolved from a small event <strong>in</strong> the back of a<br />

Chicago bar to a competition that draws thousands of entrants from all walks of life. In the<br />

<strong>pr</strong>ocess, it <strong>has</strong> put this once-<strong>in</strong>sular niche squarely <strong>in</strong> the ma<strong>in</strong>stream. This award-w<strong>in</strong>n<strong>in</strong>g<br />

<strong>in</strong>sider’s look at the aspirations of past and <strong>pr</strong>esent competitors uses illum<strong>in</strong>at<strong>in</strong>g <strong>in</strong>terviews to<br />

highlight the beauty of mascul<strong>in</strong>ity and the community’s diversity and dedication to service.<br />

Co<strong>pr</strong>esented by Foundation for Sex Positive Culture<br />

Play<strong>in</strong>g with: SPRING Hong Khaou; 2011; UK; 13 m<strong>in</strong>.<br />

This psychosexual thriller might test your lim<strong>its</strong> of control.<br />

FRIDAY – OCTOBER 21 – 9:30PM – PACIFIC PLACE<br />

LONGHORNS<br />

David Lewis; 2011; US; 74 m<strong>in</strong>.<br />

They say everyth<strong>in</strong>g is bigger <strong>in</strong> Texas. Writer-director David Lewis aims to <strong>pr</strong>ove this<br />

theory <strong>in</strong> his naughty sex romp, LONGHORNS. Giv<strong>in</strong>g us a full frontal view of fraternity<br />

life at the University of Texas <strong>in</strong> the early ’80s, LONGHORNS follows Kev<strong>in</strong>, Steve, Just<strong>in</strong>,<br />

and Daniel on their highly charged hormonal explo<strong>its</strong>. However, new and sur<strong>pr</strong>is<strong>in</strong>g desires<br />

are mak<strong>in</strong>g life more complicated for Kev<strong>in</strong>, especially when he meets César, an openly gay<br />

student. He beg<strong>in</strong>s to wonder if all boys go through this p<strong>has</strong>e or if this new attraction is<br />

someth<strong>in</strong>g a whole lot deeper.<br />

U<br />

SUNDAY – OCTOBER <strong>16</strong> – 4:30PM – NORTHWEST FILM FORUM<br />

THE LULU SESSIONS<br />

S. Casper Wong; 2011; US; 87 m<strong>in</strong>.<br />

Wisecrack<strong>in</strong>g, cha<strong>in</strong>-smok<strong>in</strong>g Dr. Louise Nutter, or LuLu, is unique: rebel, farm girl,<br />

former cheerleader, poet, and a researcher who <strong>has</strong> recently discovered a new anticancer<br />

drug. But at age 42, she discovers that she herself is dy<strong>in</strong>g of breast cancer. Filmed over<br />

the last 15 months of LuLu’s life, this documentary is an <strong>in</strong>timate and humorous portrait<br />

of filmmaker S. Casper Wong’s journey alongside her best friend. With <strong>its</strong> raw, almost<br />

unedited feel, THE LULU SESSIONS is a journey to the far edge of life and a testament<br />

to the power of friendship.<br />

U<br />

Guest <strong>in</strong> Attendance<br />

Guest <strong>in</strong> Attendance<br />

Reception <strong>pr</strong>eceed<strong>in</strong>g the film,<br />

see page 62<br />

39


FEATURE FILMS<br />

SATURDAY – OCTOBER 15 – 2:30PM – NORTHWEST FILM FORUM<br />

MAN 2 MAN<br />

Christopher H<strong>in</strong>es; 2011; US; 60 m<strong>in</strong>.<br />

Tired of lonely nights? You’re not alone! Accord<strong>in</strong>g to director Christopher H<strong>in</strong>es (THE<br />

BUTCH FACTOR, 2009 SLGFF), 80% of gay males are look<strong>in</strong>g for last<strong>in</strong>g love, but less<br />

than a third of them have found it. This “gay man’s guide to f<strong>in</strong>d<strong>in</strong>g love” follows a variety of<br />

men from the cruise ship to the gym to <strong>pr</strong>ofessional matchmakers, <strong>pr</strong>ob<strong>in</strong>g them for answers<br />

about what they’re really seek<strong>in</strong>g and what’s keep<strong>in</strong>g them from f<strong>in</strong>d<strong>in</strong>g a long-term relationship.<br />

Psychologists, dat<strong>in</strong>g experts, and couples who have made it work shed light on what it<br />

takes to f<strong>in</strong>d and nurture a relationship.<br />

U<br />

Guest <strong>in</strong> Attendance<br />

Play<strong>in</strong>g with: JOHNNY & LYMAN: A LIFE TOGETHER Paul Detwiler and Michael Chen; 2010; US; 18 m<strong>in</strong>.<br />

Two men who met the day WWII ended share stories and wisdom from their 63 <strong>years</strong> as a couple.<br />

THURSDAY – OCTOBER 20 – 6:00PM – ADMIRAL THEATER<br />

MARRIED IN SPANDEX<br />

Alison Kole and Dev<strong>in</strong> Gallagher; 2010; US; 55 m<strong>in</strong>.<br />

This delightful documentary follows Amanda and Rachel, a hip, charm<strong>in</strong>g young couple<br />

from Philadelphia who decide to take a road trip to Iowa and be married by their friend,<br />

performance artist Leslie Hall. Mix equal parts romance, politics, and family dynamics to<br />

get a new sp<strong>in</strong> on marriage—after all, the brides did wear spandex!—and a fantasy wedd<strong>in</strong>g<br />

<strong>in</strong> gold lamé. How will their friends and family react to their very offbeat wedd<strong>in</strong>g? Will<br />

grandma get down to the vocal styl<strong>in</strong>gs of Leslie and the LYs? Be sure to “save the date” to<br />

f<strong>in</strong>d out.<br />

Co<strong>pr</strong>esented by Equal Rights Wash<strong>in</strong>gton<br />

SUNDAY – OCTOBER <strong>16</strong> – 4:00PM – EGYPTIAN THEATRE<br />

MARY LOU<br />

Eytan Fox; 2009; Israel; 150 m<strong>in</strong>.; <strong>in</strong> Hebrew, with English subtitles<br />

From the director of YOSSI & JAGGER and WALK ON WATER comes a lighthearted<br />

but touch<strong>in</strong>g musical m<strong>in</strong>iseries, shaken up with the everlast<strong>in</strong>g songs of Tzvika Pik, Israeli<br />

pop icon. Meir, a young gay man just out of high school, moves to Tel Aviv hop<strong>in</strong>g to f<strong>in</strong>d<br />

his mother, who abandoned the family on his tenth birthday. On his journey, he unexpectedly<br />

transforms himself <strong>in</strong>to a popular drag queen, Mary Lou, while also learn<strong>in</strong>g to be<br />

a man. Romantic complications, catchy songs and dance numbers, and a touch of tragedy<br />

lace this soul-search<strong>in</strong>g but sparkl<strong>in</strong>g modern fable, rem<strong>in</strong>iscent of Glee, that won an Israeli<br />

Emmy Award.<br />

MONDAY – OCTOBER 17 – 7:15PM – NORTHWEST FILM FORUM<br />

MORGAN<br />

Michael Akers; 2011; US; 88 m<strong>in</strong>.<br />

Daredevil athlete Morgan is slowly adjust<strong>in</strong>g to the challenges of life <strong>in</strong> a wheelchair after<br />

suffer<strong>in</strong>g a tragic rac<strong>in</strong>g accident. Th<strong>in</strong>gs start look<strong>in</strong>g up when he meets Dean, a warm and<br />

car<strong>in</strong>g man deal<strong>in</strong>g with his own issues of loss. Their head-over-heels love affair is quickly<br />

tested by Morgan’s determ<strong>in</strong>ation to re-enter the race that nearly killed him. Determ<strong>in</strong>ed to<br />

live by his own rules, Morgan jeopardizes everyth<strong>in</strong>g he’s found with Dean, risk<strong>in</strong>g greater<br />

<strong>in</strong>jury to himself and already-stra<strong>in</strong>ed relationships with family and friends. An <strong>in</strong>spir<strong>in</strong>g<br />

story of redemption and f<strong>in</strong>d<strong>in</strong>g one’s way after all seems lost.<br />

U<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Jewish Family Service<br />

Guest <strong>in</strong> Attendance<br />

41


FEATURE FILMS<br />

SATURDAY – OCTOBER 22 – 7:00PM – PACIFIC PLACE 2<br />

MOTHER TONGUE (LENGUA MATERNA) US Premiere<br />

Liliana Paol<strong>in</strong>elli; 2010; Argent<strong>in</strong>a; 78 m<strong>in</strong>.; <strong>in</strong> Spanish, with English subtitles<br />

It comes as <strong>quite</strong> a sur<strong>pr</strong>ise when Estela learns that her 40-year-old daughter Ruth is a lesbian,<br />

and that the “friend” that she <strong>has</strong> been liv<strong>in</strong>g with for the last 14 <strong>years</strong> is <strong>in</strong> fact her<br />

girlfriend. In h<strong>in</strong>dsight, Estela realizes she missed some signs: “Now I understand why only<br />

girls came to your birthday parties…and <strong>in</strong> pairs.” After overcom<strong>in</strong>g her shock, Estela tries<br />

to understand her daughter’s world by read<strong>in</strong>g books, visit<strong>in</strong>g lesbian bars, and discuss<strong>in</strong>g<br />

her daughter’s sexuality far and wide. However, with Ruth now hav<strong>in</strong>g relationship difficulties,<br />

will Estela’s newfound <strong>in</strong>terest strengthen their mother-daughter bond or tear it apart?<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Lesbians Over 40 Group<br />

Play<strong>in</strong>g with: MISERABLE ANIMALS Desi<strong>ree</strong> Akhavan and Ingrid Jungermann; 2011; US; 6 m<strong>in</strong>.<br />

An abandoned dog ignites a debate between two girlfriends over who is more gay.<br />

WEDNESDAY – OCTOBER 19 – 9:30PM – EGYPTIAN THEATRE<br />

MY LAST ROUND <strong>We</strong>st Coast Premiere<br />

(MI ÚLTIMO ROUND)<br />

Julio Jorquera Arriagada; 2010; Argent<strong>in</strong>a/Chile; 87 m<strong>in</strong>.; <strong>in</strong> Spanish, with English subtitles<br />

After toughened boxer Octavio and kitchen hand Hugo surrender to their <strong>in</strong>tense attraction<br />

for each other, they move from their op<strong>pr</strong>essive small town to the capital. Octavio, who<br />

is advised to stop fight<strong>in</strong>g due to epilepsy, struggles with the decision to leave his ca<strong>ree</strong>r<br />

beh<strong>in</strong>d. Hugo, meanwhile, is confused about his feel<strong>in</strong>gs for his new boss’s daughter, and<br />

when his worlds collide, it leaves a rip <strong>in</strong> his life that isn’t easy to mend. Writer-director Julio<br />

Jorquera Arriagada’s heartfelt debut film features passionate performances and an acoustic<br />

score aga<strong>in</strong>st a stark backdrop.<br />

SATURDAY – OCTOBER 22 – 2:30PM – PACIFIC PLACE 1<br />

MY PAST MY PRESENT US Premiere<br />

Melanie Rodriga; 2010; Australia; 100 m<strong>in</strong><br />

While Phee’s parents are away on holiday, she tries to focus on f<strong>in</strong>ish<strong>in</strong>g her college film<br />

<strong>pr</strong>oject. However, a new girlfriend and strange visions distract her from the task. Her brother,<br />

with whom she shares a close relationship, helps her sort through her fears, enabl<strong>in</strong>g her<br />

to peer <strong>in</strong>to <strong>pr</strong>eviously unexplored parts of her life. This authentic and personal take on a<br />

young lesbian love story is set on the beautiful coast of <strong>We</strong>stern Australia, and local university<br />

students <strong>in</strong> the cast and crew br<strong>in</strong>g a youthful perspective to Melanie Rodriga’s fourth<br />

feature film.<br />

U<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film Co<strong>pr</strong>esented by Entre Hermanos<br />

Guest <strong>in</strong> Attendance<br />

THURSDAY – OCTOBER 20 – 7:15PM – EGYPTIAN THEATRE<br />

THE NIGHT WATCH<br />

Richard Laxton; 2011; UK; 90 m<strong>in</strong>.<br />

Adapted from the <strong>pr</strong>izew<strong>in</strong>n<strong>in</strong>g novel by Sarah Waters (TIPPING THE VELVET, SL-<br />

GFF 2002), THE NIGHT WATCH is a haunt<strong>in</strong>gly beautiful exploration of secrets, scandals,<br />

and the time-spann<strong>in</strong>g connections between them. Beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> 1947 postwar London,<br />

the film drifts backward <strong>in</strong> time as memories are unfurled and connections are revealed<br />

between a gay man, his straight sister, and th<strong>ree</strong> lesbians whose paths have crossed <strong>in</strong> love<br />

and war. Directed by openly gay Richard Laxton (AN ENGLISHMAN IN NEW YORK,<br />

SLGFF 2009), this richly layered meditation on chance and circumstance features rivet<strong>in</strong>g<br />

performances amid a dark and sensual atmosphere, lead<strong>in</strong>g to a sur<strong>pr</strong>is<strong>in</strong>g conclusion.<br />

Co<strong>pr</strong>esented by GSBA<br />

43


FEATURE FILMS<br />

SATURDAY – OCTOBER 15 – 4:30PM – NORTHWEST FILM FORUM<br />

ORCHIDS: MY INTERSEX ADVENTURE<br />

Phoebe Hart; 2011; Australia; 56 m<strong>in</strong>.<br />

Is gender <strong>in</strong>nate or someth<strong>in</strong>g created? This question can be complicated, as discovered by<br />

documentary filmmaker Phoebe Hart and her sister Bonnie, <strong>in</strong>tersex women born with<br />

androgen <strong>in</strong>sensitivity syndrome. Raised <strong>in</strong> rural Australia to believe she was a biological female,<br />

Phoebe grapples with her gender identity and the effect of the long-held family secret<br />

on her relationships. A multiple award w<strong>in</strong>ner at the Brisbane International Film Festival,<br />

ORCHIDS is a heartwarm<strong>in</strong>g and candid road trip from isolation and shame to empowerment<br />

and authenticity.<br />

Play<strong>in</strong>g with: EXISTENCE (ASTITVA) Kiran Pawar; 2008; India; 4 m<strong>in</strong>.; <strong>in</strong> H<strong>in</strong>di, with English subtitles<br />

What does it mean to be a “hijra”? This short film exam<strong>in</strong>es attitudes toward a gender nonconformist<br />

and his struggle to f<strong>in</strong>d a place under the sun.<br />

TUESDAY – OCTOBER 18 – 5:45PM – NORTHWEST FILM FORUM<br />

OUR LIPS ARE SEALED <strong>We</strong>st Coast Premiere<br />

John Gall<strong>in</strong>o; 2011; US; 50 m<strong>in</strong>.<br />

In 2010, two courageous New Jersey college students spoke out for equal rights—with a 33hour<br />

kiss. Matty and Bobby, both boy-next-door sweeties, had their hearts and lips set on<br />

“queer<strong>in</strong>g the Gu<strong>in</strong>ness Book of World Records” with the longest cont<strong>in</strong>uous kiss to become<br />

the first gay record holders <strong>in</strong> the category. Strict rules (no sitt<strong>in</strong>g, no breaks, no solid food,<br />

no diapers) made their challenge physically gruel<strong>in</strong>g and mentally demand<strong>in</strong>g. If you missed<br />

the live webcam stream of this epic event, which Stephen Colbert referred to as “destroy<strong>in</strong>g<br />

the traditional sanctity of straight world records,” OUR LIPS ARE SEALED puts you<br />

smack <strong>in</strong> the action.<br />

Co<strong>pr</strong>esented by Lambert House<br />

SUNDAY – OCTOBER 23 – 2:30PM – PACIFIC PLACE<br />

OUT FOR THE LONG RUN<br />

Scott Bloom; 2011; US; 78 m<strong>in</strong>.<br />

While openly gay <strong>pr</strong>ofessional sports figures are still uncommon, many young athletes are<br />

com<strong>in</strong>g out <strong>in</strong> high school and college. But from the locker room to the classroom, the<br />

trailblaz<strong>in</strong>g of this next generation comes with new challenges and added <strong>pr</strong>essure at every<br />

turn. Filmmaker Scott Bloom (CALL ME TROY) <strong>pr</strong>ofiles a handful of these courageous<br />

students and accomplished athletes whose stories reveal personal triumphs <strong>in</strong> and out of<br />

competition, as well as op<strong>pr</strong>essive homophobia that, <strong>in</strong> some cases, is too much to overcome.<br />

W<strong>in</strong>ner of the Best Documentary Award at the 2011 St. Louis Qfest.<br />

U<br />

Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Team Seattle<br />

FRIDAY – OCTOBER 21 – 9:45PM – ADMIRAL THEATER<br />

ROMEOS<br />

Sab<strong>in</strong>e Bernardi; 2011; Germany; 94 m<strong>in</strong>.; <strong>in</strong> German, with English subtitles<br />

Lukas is a young transgender man who moves to Cologne to study and work <strong>in</strong> the big city.<br />

His best friend Ine <strong>in</strong>troduces Lukas to her gay friends. At a wild party, he meets Fabio, who<br />

brims with self-confidence, overt mascul<strong>in</strong>ity, and smolder<strong>in</strong>g sensuality. As their attraction<br />

to one another grows, Lukas grapples with the desire to share himself fully with Fabio and<br />

the fear that his biology could cost him the relationship and the acceptance of his friends.<br />

Director Sab<strong>in</strong>e Bernardi uses s<strong>in</strong>cerity and humor to turn this unconventional romance <strong>in</strong>to<br />

a tale of love, friendship, and courage.<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

45


FEATURE FILMS<br />

SUNDAY – OCTOBER <strong>16</strong> – 2:00PM – NORTHWEST FILM FORUM<br />

SAPPHO’S FIRE <strong>We</strong>st Coast Premiere<br />

Alexia Kosmider and Deb Monuteaux; 2011; US; 80 m<strong>in</strong>.<br />

This documentary honors the lives and loves of eight women from New England who have<br />

boldly resisted the dictates of society. Through <strong>pr</strong>ob<strong>in</strong>g <strong>in</strong>terviews, s<strong>in</strong>gle and coupled women<br />

of diverse backgrounds (and their adult children) share their strategies and philosophies<br />

as they confront issues of ag<strong>in</strong>g unique to LGBT people: what it’s like to come out later <strong>in</strong><br />

life, f<strong>in</strong>d<strong>in</strong>g a welcom<strong>in</strong>g retirement home, and the reality of not be<strong>in</strong>g able to rely on f<strong>in</strong>ancial<br />

support from one’s family. The film succeeds at awaken<strong>in</strong>g our activist hearts through<br />

the voices of women who face ag<strong>in</strong>g squarely and honestly and shout, “I’m still alive!”<br />

U Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Pacific Northwest Lesbian Archives<br />

Play<strong>in</strong>g with: FOR SUCH A TIME AS THIS Joe W<strong>in</strong>dish; 2010; US; 10 m<strong>in</strong>.<br />

An out lesbian Baptist pastor <strong>in</strong> rural Georgia tells the story of her ord<strong>in</strong>ation and the attempt to remove<br />

her from her church.<br />

SUNDAY – OCTOBER <strong>16</strong> – 7:00PM – NORTHWEST FILM FORUM<br />

THE SCANDALOUS FOUR US Premiere<br />

Christianne van Wijk; 2010; UK; 105 m<strong>in</strong>.<br />

THE SCANDALOUS FOUR is a lush, playful costume drama set <strong>in</strong> the early 1800s.<br />

Penelope is a young aristocrat <strong>in</strong> love with her piano teacher, Richard. Unfortunately, she<br />

<strong>has</strong> no choice but to marry the wealthy Jonathan. It becomes clear, though, that it is a marriage<br />

of convenience, as Jonathan <strong>has</strong> been eye<strong>in</strong>g the butler, George. In an <strong>in</strong>terest<strong>in</strong>g turn,<br />

George hires Richard, not only to tend to the grounds but also Penelope’s personal needs.<br />

With<strong>in</strong> their estate, this foursome breaks down traditional boundaries of love, social class,<br />

and decorum, creat<strong>in</strong>g a world of honest ex<strong>pr</strong>ession. But it’s not long before their happy<br />

world is threatened.<br />

SUNDAY – OCTOBER 23 – 2:30PM – CINERAMA<br />

SISTER SMILE (SOEUR SOURIRE)<br />

Stijn Con<strong>in</strong>x; 2009; Belgium/France; 120 m<strong>in</strong>.; <strong>in</strong> French, with English subtitles<br />

Countless fans know her as Sister Smile or the S<strong>in</strong>g<strong>in</strong>g Nun, but this controversial film<br />

based on the life of Jeann<strong>in</strong>e Deckers reveals the tumultuous existence beh<strong>in</strong>d her sunny<br />

public persona. Unconventional Jeann<strong>in</strong>e (played by the strik<strong>in</strong>g Cécile de France) jo<strong>in</strong>s the<br />

convent, partly to avoid a vex<strong>in</strong>g attraction to her friend Annie. Instead of anonymity, however,<br />

she is thrust <strong>in</strong>to <strong>in</strong>ternational superstardom when her chart-topp<strong>in</strong>g 1963 song “Dom<strong>in</strong>ique”<br />

is used by the Church to rejuvenate <strong>its</strong> image. But when Sister Smile starts espous<strong>in</strong>g<br />

<strong>pr</strong>ogressive views, she’s cast out and th<strong>in</strong>gs spiral out of control, until Annie reappears.<br />

FRIDAY – OCTOBER 21 – 6:00PM – ADMIRAL THEATER<br />

THE SISTERHOOD<br />

Roger Horn; 2010; South Africa; 74 m<strong>in</strong>.<br />

THE SISTERHOOD is a fasc<strong>in</strong>at<strong>in</strong>g documentary about Pietie, Hope, and Rollie, th<strong>ree</strong><br />

young friends who work as farmhands <strong>in</strong> the v<strong>in</strong>eyards of South Africa by day and become<br />

drag divas by night. They dream of w<strong>in</strong>n<strong>in</strong>g the local drag pageant, hav<strong>in</strong>g their own v<strong>in</strong>eyard,<br />

and one day f<strong>in</strong>d<strong>in</strong>g love and be<strong>in</strong>g accepted by society (although the national government is<br />

supportive of gays and lesbians). Ironically, while they face localized <strong>pr</strong>ejudice for be<strong>in</strong>g gay,<br />

their glamorous alter egos are widely embraced. This slice of life offers a mov<strong>in</strong>g portrait of<br />

struggle and triumph.<br />

U<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

Guest <strong>in</strong> Attendance<br />

47


FEATURE FILMS<br />

THURSDAY – OCTOBER 20 – 7:30PM – ADMIRAL THEATER<br />

SPORK<br />

J. B. Ghuman, Jr.; 2010; US; 90 m<strong>in</strong>.<br />

Frizzy-haired and bespectacled Spork is girl-identified but <strong>in</strong>tersexed—the ultimate outcast.<br />

Junior high is her everyday nightmare, until she decides to shake th<strong>in</strong>gs up and reach for<br />

the top by enter<strong>in</strong>g the school talent show. With help from her foul-mouthed trailer park<br />

neighbor Tootsie Roll, Spork sets out to bust some m<strong>in</strong>ds and some moves. A quirky awardw<strong>in</strong>ner<br />

at LGBT film festivals around the world, SPORK is a colorful, sassy, hip-to-it take<br />

on the com<strong>in</strong>g of age film, and a wildly rock<strong>in</strong>’, booty-shak<strong>in</strong>’ queer dance party you won’t<br />

want to miss.<br />

SATURDAY – OCTOBER 22 – 12:30PM – ADMIRAL THEATER<br />

STILL AROUND 2011; US; 82 m<strong>in</strong>s.<br />

To mark the 30th anniversary of the first documented case of HIV, the HIV Story Project<br />

brought together <strong>in</strong>dividuals liv<strong>in</strong>g with HIV/AIDS, non<strong>pr</strong>ofit social service organizations,<br />

and top filmmakers. The result is a compilation of 15 powerful, diverse short films about the<br />

struggles and triumphs of those surviv<strong>in</strong>g and thriv<strong>in</strong>g with HIV today and the communities<br />

where they live and love. A “video AIDS quilt,” STILL AROUND is an important<br />

record of where we’ve been, where we are now, and what the future holds.<br />

Featur<strong>in</strong>g films by Emmanuelle Antol<strong>in</strong>, Daniel Cardone, Leo Chiang, Deborah Craig,<br />

Robert Dekkers, Veronica Duport Deliz, Jörg Fockele, Stuart Gaffney, Amir Jaffer, Sade Huron,<br />

Tim Kulikowski & Ian Wolfley, Rick Osmon, Anne Siegel, Marc Smolowitz, and Debra A. Wilson.<br />

Play<strong>in</strong>g with: NOW HERE Joey Kuhn; 2010; US; 11 m<strong>in</strong>.<br />

With AIDS ravag<strong>in</strong>g New York City <strong>in</strong> the mid 1980s, Franco flirts with reckless behavior on his birthday.<br />

SATURDAY – OCTOBER 22 – 2:30PM – ADMIRAL THEATER<br />

THIS IS WHAT LOVE IN ACTION LOOKS LIKE<br />

Morgan Jon Fox; 2011; US; 70 m<strong>in</strong>.<br />

The worst fear of many closeted teens came true for <strong>16</strong>-year-old Zach Stark <strong>in</strong> 2005, when<br />

his parents sent him aga<strong>in</strong>st his will to a camp run by the ex-gay Christian reform group<br />

“Love In Action.” De<strong>pr</strong>essed and fearful, Zach began blogg<strong>in</strong>g, and from this “modern-day<br />

message <strong>in</strong> a bottle,” news of his plight s<strong>pr</strong>ead <strong>in</strong>ternationally. Featur<strong>in</strong>g <strong>in</strong>terviews with<br />

activists, ex-clients, psychologists, the Rev. John Smid (director of Love In Action dur<strong>in</strong>g<br />

Zach’s <strong>in</strong>ternment), and, for the first time, Zach himself, this <strong>in</strong>spirational documentary<br />

recounts the events that resulted from a young man’s cry for help.<br />

U<br />

Guest <strong>in</strong> Attendance Co<strong>pr</strong>esented by Youth Suicide Prevention Project<br />

SATURDAY – OCTOBER 22 – 7:00PM – ADMIRAL THEATER<br />

THREE<br />

Tom Tykwer; 2010; Germany; 104 m<strong>in</strong>; German, with English subtitles<br />

Director Tom Tykwer (RUN LOLA RUN) creates a stylish, witty story of a married man<br />

and woman who fall <strong>in</strong> love with the same man. Accomplished Berl<strong>in</strong> <strong>pr</strong>ofessionals Hanna<br />

and Simon have been together for 20 <strong>years</strong>. One night at the theater, Hanna meets Adam<br />

and feels a spark, which builds through subsequent random encounters. Meanwhile, Simon<br />

<strong>has</strong> his own chance meet<strong>in</strong>g with Adam dur<strong>in</strong>g an even<strong>in</strong>g swim and becomes similarly attracted.<br />

Both affairs develop without Adam realiz<strong>in</strong>g his lovers are married to each other,<br />

until a twist of events confronts all th<strong>ree</strong> <strong>in</strong> this modern tale of <strong>in</strong>fidelity and identity.<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

Reception follow<strong>in</strong>g the film,<br />

see page 62<br />

49


FEATURE FILMS<br />

TUESDAY – OCTOBER 18 – 7:15PM – NORTHWEST FILM FORUM<br />

TOMBOY<br />

Cél<strong>in</strong>e Sciamma; 2011; France; 82 m<strong>in</strong>.; <strong>in</strong> French, with English subtitles<br />

When ten-year-old Laure moves with her parents and little sister to a new home and is<br />

mistaken for a boy, she takes this opportunity to live as “Michael”—and f<strong>its</strong> <strong>in</strong> <strong>quite</strong> easily.<br />

Throughout the summer, Michael discovers new possibilities dur<strong>in</strong>g <strong>in</strong>ventive and humorous<br />

play with neighborhood friend Lisa. Although it’s clear that sock stuff<strong>in</strong>g won’t<br />

keep Laure’s secret safe for very long, writer-director Cél<strong>in</strong>e Sciamma (WATER LILLIES)<br />

treats the audience to an <strong>in</strong>sightful exam<strong>in</strong>ation of how children <strong>in</strong>ter<strong>pr</strong>et gender stereotypes,<br />

us<strong>in</strong>g conv<strong>in</strong>c<strong>in</strong>g, naturalistic performances. W<strong>in</strong>ner of a Teddy Award at the 2011<br />

Berl<strong>in</strong> Film Festival.<br />

ASL <strong>in</strong>ter<strong>pr</strong>et<strong>in</strong>g before subtitled film<br />

SATURDAY – OCTOBER 15 – 9:30PM – NORTHWEST FILM FORUM<br />

UNHAPPY BIRTHDAY<br />

Mark Harriott and Mike Matthews; 2010; UK; 89 m<strong>in</strong>.<br />

Rick and Jonny have worked hard to make sure Sadie <strong>has</strong> an unforgettable birthday, by f<strong>in</strong>d<strong>in</strong>g<br />

her long-lost sister Cor<strong>in</strong>ne (the terrific Jill Riddiford) on the remote island of Amen.<br />

However, someth<strong>in</strong>g isn’t <strong>quite</strong> right about the old-fashioned, isolated townsfolk, who don’t<br />

welcome “s<strong>in</strong>ful outsiders.” This may be the last birthday for them all, as high tide ap<strong>pr</strong>oaches—and<br />

immorality and madness beg<strong>in</strong> to rise. Horror buffs and fans of psychological<br />

suspense will delight <strong>in</strong> this atmospheric, unsettl<strong>in</strong>g thriller <strong>in</strong>spired by British cult<br />

classics such as THE WICKER MAN.<br />

Play<strong>in</strong>g with: THE LADY PARANORMA V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />

An eccentric lady is haunted by ghostly whispers, and follows an eerie call to an unusual happily ever after.<br />

SATURDAY – OCTOBER 15 – MIDNIGHT – EGYPTIAN THEATRE<br />

VARLA JEAN AND THE <strong>We</strong>st Coast Premiere<br />

MUSHROOMHEADS<br />

Michael Schiralli; 2011; US; 88 m<strong>in</strong>.<br />

After <strong>years</strong> of perform<strong>in</strong>g <strong>in</strong> New Orleans’s best dive bars to sagg<strong>in</strong>g audiences, semicelebrity<br />

and cabaret chanteuse Varla Jean Merman (Jeffrey Roberson) decides to go after a<br />

younger crowd—kids. This mockumentary captures her comically ill-conceived, campy, and<br />

hilariously <strong>in</strong>ap<strong>pr</strong>o<strong>pr</strong>iate effort to create a local children’s television show. VARLA JEAN<br />

AND THE MUSHROOMHEADS offers helpful education (“Don’t eat raw chicken!”),<br />

enterta<strong>in</strong>ment (Mr. Pickle), and most importantly, her own opportunity to become a big TV<br />

star. Return<strong>in</strong>g after her unforgettable role <strong>in</strong> the camp classic GIRLS WILL BE GIRLS<br />

(SLGFF 2003), Varla Jean is def<strong>in</strong>itely, and rather desperately, ready for her close-up.<br />

WEDNESDAY – OCTOBER 19 – 7:15PM – EGYPTIAN THEATRE<br />

THE WISE KIDS<br />

Stephen Cone; 2011; US; 91 m<strong>in</strong>.<br />

The summer before college <strong>pr</strong>oves to be life-chang<strong>in</strong>g for th<strong>ree</strong> friends <strong>in</strong> a South Carol<strong>in</strong>a<br />

Baptist community. Tim is recently openly gay and eager for more f<strong>ree</strong>dom at film school<br />

<strong>in</strong> New York; Brea is a pastor’s daughter suffer<strong>in</strong>g a crisis of faith; and Laura is a devout<br />

believer, sometimes unsure how to relate to the others. As sexual tensions erupt and buried<br />

feel<strong>in</strong>gs emerge, they each must decide if they should hang onto what they have or f<strong>in</strong>d<br />

someth<strong>in</strong>g new on their own. Writer-director Stephen Cone sends this captivat<strong>in</strong>g young<br />

trio through ups and downs with an earnest sense of <strong>in</strong>spiration, humor, and discovery.<br />

51


FEATURE FILMS<br />

WEDNESDAY – OCTOBER 19 – 5:45PM – NORTHWEST FILM FORUM<br />

THE WOLF IN SHORTS (IL LUPO IN CALZONCINI CORTI)<br />

Nadia Dalle Vedove and Lucia Stano; 2010; Italy; 57 m<strong>in</strong>.; <strong>in</strong> Italian and English, with<br />

English subtitles<br />

While surveys have shown that over 100,000 Italian children have at least one gay parent,<br />

the government still neither recognizes same-sex marriage nor allows gay and lesbian<br />

couples to adopt. In this <strong>in</strong>timate documentary, told from the perspectives of both the children<br />

and parents, a lesbian couple and their th<strong>ree</strong> children travel to the United States to get<br />

married, then return home to celebrate their 17-year relationship with family and friends.<br />

Meanwhile, two gay men fly to Toronto to meet with surrogates, try<strong>in</strong>g to become fathers<br />

the only way they can. Powerful and poignant, these stories convey how love strengthens<br />

these “<strong>in</strong>visible” families.<br />

www.sleepop.com www.madewithbacon.com<br />

53


WEDNESDAY – OCTOBER 19 – 9:15PM<br />

CENTRAL CINEMA<br />

ATTACK OF THE MUSICALS<br />

You’ll be howl<strong>in</strong>g with delight at these<br />

outrageous m<strong>in</strong>i-musicals. But beware: this<br />

adults-only <strong>pr</strong>ogram conta<strong>in</strong>s everyth<strong>in</strong>g from<br />

mixed martial arts and raunchy sex to scenes of<br />

graphic (but comedic) horror gore.<br />

CUPCAKE: A ZOMBIE LESBIAN MUSICAL<br />

Rebecca Thomson; 2010; Australia; 18 m<strong>in</strong>.<br />

Which is worse: homophobic neighbors or a zombie<br />

girlfriend? You’ll f<strong>in</strong>d out <strong>in</strong> this ultracampy<br />

musical gorefest.<br />

FORTUNE COOKIE MAGIC TRICKS<br />

World Premiere<br />

Alex Chu; 2011; US; 11 m<strong>in</strong>.<br />

A traditional Ch<strong>in</strong>ese father struggles to cope with<br />

his son’s homosexuality, until zombies show up.<br />

SLUT: THE MUSICAL<br />

Tonnette Stanford; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />

Abst<strong>in</strong>ence education falls on the deaf ears of a<br />

s<strong>in</strong>g<strong>in</strong>g and sw<strong>in</strong>g<strong>in</strong>g high school boy ready to<br />

shed his <strong>in</strong>hi<strong>bit</strong>ions.<br />

GAYSIAN DREAM<br />

Bernie Esp<strong>in</strong>osa, Rod Andrada, and Tom Hunt<br />

Brooks; 2011; US; 8 m<strong>in</strong>.<br />

An Asian boy discovers a magical DVD that<br />

transports him to the dreamlike world of seven<br />

sassy Asian drag queens known as the Gaysians.<br />

I WAS A TEENAGE WEREBEAR<br />

Tim Sullivan; 2011; US; 29 m<strong>in</strong>.<br />

Bad boy Talon br<strong>in</strong>gs out the beast <strong>in</strong> closeted<br />

Ricky after <strong>bit</strong><strong>in</strong>g him on the ass <strong>in</strong> a wrestl<strong>in</strong>g<br />

match, <strong>in</strong> this campy mashup of beach party musical<br />

and horror flick.<br />

Total runn<strong>in</strong>g time: 82 m<strong>in</strong>.<br />

Conta<strong>in</strong>s graphic violence and sexuality.<br />

Ages 21+ only.<br />

U Guests <strong>in</strong> Attendance<br />

SHORTS PROGRAMS<br />

TUESDAY – OCTOBER 18 – 9:30PM<br />

NORTHWEST FILM FORUM<br />

BE WITH ME<br />

Choos<strong>in</strong>g teams, pick<strong>in</strong>g sides, go<strong>in</strong>g rounds, and<br />

mak<strong>in</strong>g moves: Whether you’re s<strong>in</strong>gle or <strong>in</strong> love,<br />

you’ll surely relate to these <strong>in</strong>trigu<strong>in</strong>g stories<br />

about women and relationships.<br />

TWO BEDS<br />

Kanako Wynkoop; 2010; US; 8 m<strong>in</strong>.<br />

A queer doppelgänger couple fights the age-old<br />

battle between polyamorous adventure and heteronormative<br />

monogamy.<br />

STITCHES<br />

Adiya Imri Orr; 2011; Israel; 18 m<strong>in</strong>.; <strong>in</strong> Hebrew,<br />

with English subtitles<br />

Amit and her partner Noa are about to have a<br />

baby. And with it will come the truth.<br />

OLIVIA<br />

Sarah Louise Wilson; 2010; US; 9 m<strong>in</strong>.<br />

Two girls, four str<strong>in</strong>gs, and a <strong>pr</strong>ivate place are all<br />

it takes for a romantic seduction.<br />

CYCLICITY<br />

Jason Knade; 2011; US; 11 m<strong>in</strong>.<br />

Relationships can come and go. Will this one play<br />

out <strong>in</strong> record time?<br />

ALICE IN ANDREW’S LAND<br />

Lauren Mackenzie; 2011; US; 20 m<strong>in</strong>.<br />

What do you do when wear<strong>in</strong>g a dress you hate<br />

lands you the job you need?<br />

THE LADY PARANORMA<br />

V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />

An eccentric lady is haunted by ghostly whispers<br />

and follows an eerie call to an unusual happilyever-<br />

after.<br />

FLUID<br />

Dara Sklar; 2011; US; 17 m<strong>in</strong>.<br />

Angie <strong>has</strong> a secret she’s been keep<strong>in</strong>g from her<br />

tea-dr<strong>in</strong>k<strong>in</strong>g girlfriends on the “Ice Teasers” flag<br />

football team: she’s a closet coffee snob.<br />

Total Runn<strong>in</strong>g Time: 89 m<strong>in</strong>.<br />

U<br />

Guests <strong>in</strong> Attendance<br />

SUNDAY – OCTOBER <strong>16</strong> – 2:00PM<br />

EGYPTIAN THEATRE<br />

BOYS SHORTS<br />

Secret love, the search for companionship,<br />

f<strong>in</strong>d<strong>in</strong>g identity, and the joke that wouldn’t die<br />

are just some of the unforgettable stories you’ll<br />

experience <strong>in</strong> this top-notch collection of short<br />

films.<br />

52<br />

Josh Levy; 2010; Canada; 4 m<strong>in</strong>.<br />

Scott Thompson (The Kids <strong>in</strong> the Hall) stars <strong>in</strong><br />

this hilarious look at an age-old dilemma.<br />

THE RESCUE<br />

Phillippe Gossel<strong>in</strong>; 2011; US; 18 m<strong>in</strong>.<br />

Jo<strong>in</strong> Miguel as he searches for love <strong>in</strong> the most<br />

unusual place: a shelter for abandoned and abused<br />

boyfriends.<br />

WHY DOES GOD HATE ME?<br />

Joel McCarthy; 2011; Canada; 15 m<strong>in</strong>.<br />

A 14-year-old boy liv<strong>in</strong>g <strong>in</strong> a very religious town<br />

gets help from a friend to “cure” him of be<strong>in</strong>g gay.<br />

But a trip to San Francisco shows that he’s not the<br />

one who needs help.<br />

COUPLES THERAPY<br />

Mike Rose; 2011; US; 10 m<strong>in</strong>.<br />

V<strong>in</strong>ce and Daniel’s issues are a total joke.<br />

CHANGE<br />

Melissa Osborne; 2010; US; 24 m<strong>in</strong>.<br />

An African-American teenager is caught <strong>in</strong> a<br />

personal conflict on the night Obama is elected<br />

<strong>pr</strong>esident and Proposition 8 is passed.<br />

DON’T LOOK AT ME<br />

John Strong; 2011; US; 7 m<strong>in</strong>.<br />

A <strong>pr</strong>ivate fantasy becomes a dose of reality for two<br />

roommates.<br />

BALDGUY (SKALLAMAN)<br />

Maria Block; 2011; Norway; 12 m<strong>in</strong>.; <strong>in</strong> Norwegian,<br />

with English subtitles<br />

A musical boy shares some big news with his<br />

parents.<br />

Total runn<strong>in</strong>g time: 90 m<strong>in</strong>.<br />

U Guests <strong>in</strong> Attendance<br />

Co<strong>pr</strong>esented by Gay City Health Project<br />

55


MONDAY – OCTOBER 17 – 5:45PM<br />

NORTHWEST FILM FORUM<br />

FUNNY GIRLS<br />

From <strong>in</strong>fomercials to tabloid TV and a beloved<br />

fantasy icon, these hilarious short films f<strong>in</strong>d<br />

someth<strong>in</strong>g to laugh at <strong>in</strong> the lives of lesbians, <strong>in</strong><br />

and out of the limelight.<br />

MS. THING<br />

Karen X. Tulch<strong>in</strong>sky; 2010; Canada; 7 m<strong>in</strong>.<br />

Tired of the bar scene? Fed up with domestic, codependent<br />

BS? Frustrated with onl<strong>in</strong>e dat<strong>in</strong>g? Then<br />

Ms. Th<strong>in</strong>g is the <strong>pr</strong>oduct for you!<br />

NOT-SO-SUBTLE SUBTEXT<br />

Sarah Rotella; 2010; Canada; 6 m<strong>in</strong>.<br />

What’s the real story beh<strong>in</strong>d the relationship<br />

between TV’s Xena and her “friend” Gabrielle? A<br />

closer look reveals a lot.<br />

STOP IT – BRIE<br />

Mike Rose; 2009; US; 5 m<strong>in</strong>.<br />

Brie’s addiction to makeup is cause for a comedic<br />

<strong>in</strong>tervention.<br />

OH MY COOTCH!<br />

Libby Tishler and Yael Kats; 2010; Israel; 15 m<strong>in</strong>.;<br />

<strong>in</strong> Hebrew, with English subtitles<br />

Is this racy story of fame, crime, and <strong>in</strong>fidelity a<br />

satire of reality TV or the real th<strong>in</strong>g? Who can tell<br />

the difference these days?<br />

NO DIRECTION<br />

Melissa F<strong>in</strong>ell; 2011; US; 13 m<strong>in</strong>.<br />

Frustrated with her life, a young woman f<strong>in</strong>ds<br />

comfort from a sexy and sur<strong>pr</strong>is<strong>in</strong>g source.<br />

MISERABLE ANIMALS<br />

Desi<strong>ree</strong> Akhavan and Ingrid Jungermann; 2011;<br />

US; 6 m<strong>in</strong>.<br />

An abandoned dog ignites a debate between two<br />

girlfriends over who is more gay.<br />

LESBIAN CLICHÉ SONG<br />

Bob Koherr; 2011; US; 5 m<strong>in</strong>.<br />

Everyth<strong>in</strong>g we know and love about lesbians,<br />

packed <strong>in</strong>to a catchy song.<br />

Total runn<strong>in</strong>g time: 57 m<strong>in</strong>.<br />

Conta<strong>in</strong>s graphic sexuality.<br />

U Guests <strong>in</strong> Attendance<br />

SHORTS PROGRAMS<br />

SATURDAY – OCTOBER 15 – 2:30PM<br />

EGYPTIAN THEATRE<br />

GIRLS SHORTS<br />

From glitter<strong>in</strong>g cities to the wild frontier, these<br />

short films follow women of all walks of life as<br />

they attempt to fulfill their hearts’ desires, fight the<br />

system, and make all the right moves.<br />

FLYERS<br />

Laura Terruso; 2011; US; 3 m<strong>in</strong>.<br />

In this comedy, someone really wants to get the word<br />

out on one girl’s sexuality.<br />

SLOW BURN<br />

Christ<strong>in</strong>e Chew; 2011; Canada; 14 m<strong>in</strong>.<br />

Two women compete for the affections of a stranger<br />

<strong>in</strong> a <strong>We</strong>stern-style draw-off.<br />

SLIP AWAY<br />

T. M. Scorzafava; 2010; US; 19 m<strong>in</strong>.<br />

W<strong>in</strong>ner of two awards, this film explores the <strong>in</strong>tense<br />

attraction between Selena and Jane. While one<br />

desires love, the other is bound by addiction.<br />

NICE SHIRT<br />

Erik Gernand; 2011; US; 5 m<strong>in</strong>.<br />

After a breakup, two women wage a war of words on<br />

their T-shirts.<br />

BEHOLDER<br />

Nisha Ganatra; 2011; US; 19 m<strong>in</strong>.<br />

In the not-so-distant future, a resident of a socially<br />

conservative city is faced with a decision about her<br />

unborn child. This film is the first episode <strong>in</strong> the<br />

second season of FUTURESTATES, an <strong>in</strong>dependent<br />

TV <strong>pr</strong>ogram that imag<strong>in</strong>es American life <strong>in</strong> the<br />

upcom<strong>in</strong>g decades.<br />

WATER WELLS<br />

Iyar Dyoman and Sivan Levy; 2010; Israel; 14 m<strong>in</strong>.;<br />

<strong>in</strong> Hebrew, with English subtitles<br />

Forbidden love between a student and teacher unfolds<br />

<strong>in</strong> Israel <strong>in</strong> 1948.<br />

LUST LIFE Lynda Tarryk; 2010; US; 9 m<strong>in</strong>.<br />

Memories that won’t fade can sometimes help you<br />

move on.<br />

YOU MOVE ME<br />

G<strong>in</strong>a Hirsch; 2010; US; 12 m<strong>in</strong>.<br />

In this hilarious lesbian “bromance,” it takes a U-<br />

Haul for two friends to redef<strong>in</strong>e their relationship.<br />

Total Runn<strong>in</strong>g Time: 95 m<strong>in</strong>.<br />

Co<strong>pr</strong>esented by The Northwest Network<br />

WEDNESDAY – OCTOBER 19 – 9:30PM<br />

NORTHWEST FILM FORUM<br />

INFRARED: NEW VISIONS<br />

FROM THE QUEER AVANT-GARDE<br />

Curated By Malic Amalya<br />

Classic icons, archetypes, and Americana blend<br />

with queerness through nonl<strong>in</strong>ear storytell<strong>in</strong>g,<br />

experimental techniques, and <strong>in</strong>stallation art.<br />

CB Doug Ischar and Tom Daws; 2011; US; 11 m<strong>in</strong>.<br />

Audio from a 1976 séance, footage from the 1943<br />

JANE EYRE, and her own sear<strong>in</strong>g letters form the<br />

crescendo of a Charlotte Brontë biopic.<br />

THE NANNY PROJECT<br />

Oli Rodriguez; 2010; US; 7 m<strong>in</strong>.<br />

Gender is explored dur<strong>in</strong>g “<strong>pr</strong><strong>in</strong>cess time” between a<br />

th<strong>ree</strong>-year-old child and his nanny/manny.<br />

THE UNSPEAKABLE: WYNNE GREENWOOD<br />

Clyde Petersen; 2011; US; 6 m<strong>in</strong>.<br />

A short documentary with a Northwest artist discuss<strong>in</strong>g<br />

her strap-on TV sets.<br />

LOST LAKE Zackary Drucker; 2010; US; 8 m<strong>in</strong>.<br />

Stunn<strong>in</strong>g midwestern vistas are punctuated by witch<br />

hunts, hate crimes, and psychological violence.<br />

WHEN A PERSONAL STRUGGLE ENDS.<br />

AND WHAT REMAINS<br />

F<strong>in</strong>n Paul; 2010; US; 14 m<strong>in</strong>.<br />

With blunt honesty <strong>in</strong> his radical queer community,<br />

Paul confronts his affluent upbr<strong>in</strong>g<strong>in</strong>g.<br />

SHOT DAY Syniva Whitney; 2011; US; 7 m<strong>in</strong>.<br />

A stop-motion animated fantasy based on the reallife<br />

domestic rout<strong>in</strong>es of Will Courtney and Syniva<br />

Whitney.<br />

FRIDA & ANITA<br />

Liz Rosenfeld; 2010; Germany; 20 m<strong>in</strong>.<br />

An imag<strong>in</strong>ed even<strong>in</strong>g of art, sex, and decadence with<br />

Mexican pa<strong>in</strong>ter Frida Kahlo and German dancer<br />

Anita Berber.<br />

Total runn<strong>in</strong>g time: 73 m<strong>in</strong>.<br />

U With local filmmakers Clyde Petersen,<br />

Wynne G<strong>ree</strong>nwood, F<strong>in</strong>n Paul, and<br />

Syniva Whitney <strong>in</strong> attendance.<br />

Malic Amalya (www.malicamalya.com) is an<br />

experimental filmmaker whose current <strong>pr</strong>oject,<br />

GOLD MOOD, SHARP ARROW, <strong>in</strong><br />

collaboration with Max Maitrice, <strong>in</strong>vestigates<br />

power dynamics <strong>in</strong> queer communities.<br />

57


THURSDAY – OCTOBER 20 – 7:15PM<br />

NORTHWEST FILM FORUM<br />

LIKE A VIRGIN<br />

There’s a first time for everyth<strong>in</strong>g, from com<strong>in</strong>g<br />

out to k<strong>in</strong>ky sex. You’ll see it all unfold <strong>in</strong> this<br />

<strong>pr</strong>ovocative collection that will touch you <strong>in</strong> places<br />

you won’t forget.<br />

COLD STAR<br />

Kai Stänicke; 2011; Germany; 7 m<strong>in</strong>.<br />

Some test the waters. Some look before they leap.<br />

But there’s noth<strong>in</strong>g so exhilarat<strong>in</strong>g as div<strong>in</strong>g right<br />

<strong>in</strong>.<br />

SPRING<br />

Hong Khaou; 2011; UK; 13 m<strong>in</strong>.<br />

This psycho-sexual thriller might test your lim<strong>its</strong><br />

of control.<br />

SLOW<br />

Darius Monroe; 2011; US; 13 m<strong>in</strong>.<br />

Sometimes a hook-up comes with str<strong>in</strong>gs attached.<br />

YES MAN<br />

Grant Reed; 2010; US; 11 m<strong>in</strong>.<br />

A devout Christian man starts eye<strong>in</strong>g the closet<br />

door when enlisted to star <strong>in</strong> a homo-hat<strong>in</strong>g TV<br />

commercial.<br />

10 DAYS (LOAD)<br />

Luís Assis; 2011; Portugal; 36 m<strong>in</strong>.; <strong>in</strong> Portuguese,<br />

with English subtitles<br />

Alex is ready to lose his virg<strong>in</strong>ity to Daniel, but<br />

Daniel’s try<strong>in</strong>g to save up someth<strong>in</strong>g big for his<br />

cam fans.<br />

Total runn<strong>in</strong>g time: 80 m<strong>in</strong>.<br />

Conta<strong>in</strong>s graphic sexuality.<br />

58<br />

SHORTS PROGRAMS<br />

SATURDAY – OCTOBER 22 – 12:30PM<br />

PACIFIC PLACE 1<br />

LOCAL PRODUCE<br />

Local talent takes the spotlight <strong>in</strong> this showcase of<br />

home<strong>grown</strong> short films.<br />

MORNING BEFORE<br />

Zheng Wang; 2011; US; 18 m<strong>in</strong>.<br />

Spend<strong>in</strong>g the night together was fun. But th<strong>in</strong>gs can<br />

look different by the light of day.<br />

QUEER CAFÉ<br />

Sophie Bl<strong>in</strong>der, Tessa Garcia-Duarte, and T. R.<br />

Raffa; 2011; US; 5 m<strong>in</strong>.<br />

Whatever your pleasure, order it up! Produced <strong>in</strong> the<br />

2011 Reel Queer Youth filmmak<strong>in</strong>g workshop.<br />

A DATE FOR DOMINIQUE<br />

Nikki Lee Taylor; 2011; US; 10 m<strong>in</strong>.<br />

Even a diva could use a pep talk before a bl<strong>in</strong>d date.<br />

RED LIGHT BULB<br />

Clyde Peterson; 2011; US; 5 m<strong>in</strong>.<br />

She’s a liv<strong>in</strong>g doll who gets paid to fulfill fantasies.<br />

But she’s got a secret of her own.<br />

LEAN LIKE A CHICHA<br />

Lonnie Tristan Renteria; 2011; US; 4 m<strong>in</strong>.<br />

Meet Chicha, a lesbian chola fashionista, <strong>in</strong> this<br />

hilarious hip-hop parody.<br />

THE APPOINTMENT<br />

Alex DePaz; 2011; US; 9 m<strong>in</strong>.<br />

Dyke drama reaches new heights <strong>in</strong> this climactic<br />

gynecological adventure.<br />

THE CHERDONNA & LOU SHOW: THE MOVIE<br />

Maile Mart<strong>in</strong>ez and Kelli Schmidt; 2011; US; 8 m<strong>in</strong>.<br />

The artists beh<strong>in</strong>d the hilarious characters who play<br />

with drag, dance, and gender identity are revealed.<br />

RELATIVITY<br />

Elijah Gre<strong>in</strong>er, Angel<strong>in</strong>e Blattenbauer, and Ellen<br />

Vickrey; 2011; US; 5 m<strong>in</strong>.<br />

Are you male, female, somewhere <strong>in</strong> between, or<br />

none of the above? It’s worth discuss<strong>in</strong>g.<br />

HELLA STRONG<br />

Cathleen Arnerich; 2011; US; 8 m<strong>in</strong>.<br />

DJ Airick reveals his deeply personal <strong>in</strong>spiration for<br />

Portland’s monthly radical queer party, Blow Pony.<br />

Total runn<strong>in</strong>g time: 105 m<strong>in</strong>.<br />

U<br />

Guests <strong>in</strong> Attendance<br />

TUESDAY – OCTOBER 18 – 9:30PM<br />

EGYPTIAN THEATRE<br />

MANHUNTING<br />

Seek<strong>in</strong>g sexy thrills? Have a taste for danger? Not<br />

afraid to get a little hurt… or a lot? If you say<br />

“Yes, sir,” these edgy and explicit short films are<br />

for you.<br />

A DAY IN THE COUNTRY<br />

Pella Kågerman, Hugo Lija; 2010; Sweden; 15<br />

m<strong>in</strong>.; <strong>in</strong> Swedish, with English subtitles<br />

A th<strong>ree</strong>-way encounter could lead to a new opportunity—or<br />

a dead end.<br />

REGRETS<br />

Michelle Poll<strong>in</strong>o; 2011; US; 10 m<strong>in</strong>.<br />

Is this one for keeps, or just another one-night<br />

stand?<br />

WATCH OVER ME<br />

Mysh Rozanov; 2010; Israel; 15 m<strong>in</strong>.; <strong>in</strong> Hebrew,<br />

with English subtitles<br />

Before he can jo<strong>in</strong> an elite force of combat fighters,<br />

a soldier is assigned to hunt down a friend.<br />

WINNER TAKES ALL<br />

Camille Carida; 2011; US; 17 m<strong>in</strong>.<br />

A self-<strong>in</strong>volved, seductive hunk manipulates his<br />

two lovers <strong>in</strong>to fight<strong>in</strong>g over him. And we mean<br />

really fight.<br />

MANHUNT<br />

Stephane Olijnyk; 2010; France; 28 m<strong>in</strong>.; <strong>in</strong><br />

French, with English subtitles<br />

A French soldier tracks and captures a terrorist<br />

<strong>in</strong> the woods. An erotic game of dom<strong>in</strong>ation and<br />

seduction ensues, with f<strong>ree</strong>dom at stake.<br />

CANNIBALS<br />

Juanma Carrillo; 2009; Spa<strong>in</strong>; 20 m<strong>in</strong>.; <strong>in</strong> Spanish,<br />

with English subtitles<br />

It’s not just sex that’s be<strong>in</strong>g sought out here <strong>in</strong> the<br />

woods but also the truth.<br />

Total runn<strong>in</strong>g time: 105 m<strong>in</strong>.


THURSDAY – OCTOBER 20 – 5:45PM<br />

NORTHWEST FILM FORUM<br />

PERCEPTIONS: TRANS SHORTS<br />

Gender l<strong>in</strong>es blur <strong>in</strong>to a colorful spectrum of<br />

sights and sounds with this variegated collection<br />

of short films.<br />

QUEER UMBRELLA<br />

Rosa Middleton; 2011; UK; 2 m<strong>in</strong>.<br />

Whimsical imagery abounds <strong>in</strong> this cleverly narrated<br />

<strong>in</strong>quiry <strong>in</strong>to what it means to be queer.<br />

WHEN A PERSONAL STRUGGLE ENDS...<br />

AND WHAT REMAINS<br />

F<strong>in</strong>n Paul; 2010; US; 14 m<strong>in</strong>.<br />

With blunt honesty and negotiated self-acceptance<br />

amid his radical queer community, F<strong>in</strong>n confronts<br />

his affluent upbr<strong>in</strong>g<strong>in</strong>g.<br />

PERCEPTION Sam Berl<strong>in</strong>er; 2010; US; 2 m<strong>in</strong>.<br />

An <strong>in</strong>trospective animation about see<strong>in</strong>g yourself<br />

through your own eyes <strong>in</strong>stead of those of the<br />

world.<br />

CHARLOTTE Daniel Monks; 2011; Australia; 4 m<strong>in</strong>.<br />

You th<strong>in</strong>k you’ve had the most awkward first date<br />

ever? Charlotte <strong>has</strong> you beat.<br />

TRANSSEXUAL DOMINATRIX<br />

Shawna Virago; 2011; US; 3 m<strong>in</strong>.<br />

“I do it for the leather, I do it for the power, I do it<br />

for the pleasure of $250 an hour.”<br />

SPIRAL TRANSITION<br />

Ewan Duarte; 2010; US; 6 m<strong>in</strong>.<br />

A documentary filmmaker explores his relationship<br />

with his mother and how it evolves as he makes his<br />

gender transition.<br />

DOKKA DOKKA<br />

Barry Morse; 2010; US; 3 m<strong>in</strong>.<br />

Questions of gender identity are set to a beat <strong>in</strong> this<br />

quirky, cartoon-y gem.<br />

MIND<br />

Emma Crimm<strong>in</strong>gs; 2011; Australia; 26 m<strong>in</strong>.<br />

Us<strong>in</strong>g writ<strong>in</strong>g and fantasy as a way of explor<strong>in</strong>g the nature<br />

of identity, acclaimed Ch<strong>in</strong>ese-Australian writer<br />

Tom Cho embarked on a <strong>pr</strong>ofound personal transformation,<br />

revisited <strong>in</strong> this wildly imag<strong>in</strong>ative film.<br />

Total runn<strong>in</strong>g time: 60 m<strong>in</strong>.<br />

U Guests <strong>in</strong> Attendance<br />

SUNDAY – OCTOBER 23 – 12:00PM<br />

PACIFIC PLACE<br />

REEL QUEER YOUTH<br />

SHORTS<br />

The kids are all right <strong>in</strong> this <strong>in</strong>spir<strong>in</strong>g collection<br />

of short films showcas<strong>in</strong>g the everyday issues and<br />

triumphs experienced by LGBT youth around<br />

the world.<br />

WE ONCE WERE TIDE<br />

Jason Bradbury; 2011; UK; 19 m<strong>in</strong><br />

Two young men are at a crossroads on England’s<br />

Isle of Wight. But only one is f<strong>ree</strong> to move on.<br />

STRAIGHT & NARROW<br />

Yomayra Perez; 2011; US; 7 m<strong>in</strong>.<br />

A student filmmaker <strong>in</strong>terviews family and<br />

friends for a closer look at shift<strong>in</strong>g perceptions and<br />

op<strong>in</strong>ions.<br />

HALF Alex Bohs; 2011; US; 6 m<strong>in</strong>.<br />

Two halves could make a perfect fit, if only their<br />

paths would cross <strong>in</strong> this unique, youth-made film.<br />

FINDING JUDY<br />

Gary Riotto; 2011; US; 7 m<strong>in</strong>.<br />

An African-American teen from Chicago discovers a<br />

sur<strong>pr</strong>is<strong>in</strong>g <strong>in</strong>ner talent that takes him to T<strong>in</strong>seltown.<br />

I DON’T WANT TO GO BACK ALONE<br />

Daniel Ribeiro; 2010; Brazil; 17 m<strong>in</strong>.; <strong>in</strong> Portuguese,<br />

with English subtitles<br />

A bl<strong>in</strong>d schoolboy develops a crush, but his closest<br />

friend can’t see that it’s not her.<br />

NO DIRECTION Melissa F<strong>in</strong>ell; 2011; US; 13 m<strong>in</strong>.<br />

Frustrated with her life, a young woman f<strong>in</strong>ds<br />

comfort from a sexy and sur<strong>pr</strong>is<strong>in</strong>g source.<br />

REEL QUEER YOUTH 2011<br />

Reel Queer Youth workshop; 18 m<strong>in</strong>.<br />

Experience these four films <strong>pr</strong>oduced this summer<br />

<strong>in</strong> the Reel Queer Youth filmmak<strong>in</strong>g workshop, a<br />

local video <strong>pr</strong>oduction and media literacy tra<strong>in</strong><strong>in</strong>g<br />

<strong>pr</strong>ogram funded by Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> for<br />

LGBTQ youth and their allies aged 13-20.<br />

Total runn<strong>in</strong>g time: 87 m<strong>in</strong>.<br />

U<br />

Guests <strong>in</strong> Attendance<br />

Co<strong>pr</strong>esented by Camp Ten T<strong>ree</strong>s<br />

SHORTS PROGRAMS<br />

SATURDAY – OCTOBER 15 – 12:30PM<br />

NORTHWEST FILM FORUM<br />

SATURGAY MORNING<br />

CARTOONS<br />

Yes, really, put on your PJs and jo<strong>in</strong> us early<br />

Saturday for this fun-filled collection of new<br />

animation, as well as v<strong>in</strong>tage cartoon classics<br />

(and commercials). Plus: f<strong>ree</strong> cereal!<br />

HALF Alex Bohs; 2011; US; 6 m<strong>in</strong>.<br />

Two girls have a chance encounter, and there is no<br />

deny<strong>in</strong>g the feel<strong>in</strong>g when you f<strong>in</strong>d your other half.<br />

RED LIGHT BULB<br />

Clyde Peterson; 2011; US; 5 m<strong>in</strong>.<br />

She’s a liv<strong>in</strong>g doll who gets paid to fulfill fantasies.<br />

But she’s got a secret of her own.<br />

VALMAY THE VISITOR FROM BEEP BEEP<br />

BLEETLEBOX 967<br />

Susan Earl; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />

An alien becomes the toast of the town after crash<strong>in</strong>g<br />

smack <strong>in</strong> the middle of Sydney’s Gay Mardi Gras.<br />

THE GIRL BUNNIES: BIG TREE<br />

François Doherty; 2011; Canada; 9 m<strong>in</strong>.<br />

Two girl bunnies, sitt<strong>in</strong>g <strong>in</strong> a t<strong>ree</strong>, k-i-s-s-i-n-g.<br />

QUEER UMBRELLA<br />

Rosa Middleton; 2011; UK; 2 m<strong>in</strong>.<br />

Whimsical imagery abounds <strong>in</strong> this cleverly narrated<br />

<strong>in</strong>quiry <strong>in</strong>to what it means to be queer.<br />

PERCEPTION Sam Berl<strong>in</strong>er; 2011; US; 2 m<strong>in</strong>.<br />

An <strong>in</strong>trospective animation about see<strong>in</strong>g yourself<br />

through your own eyes rather than those of the world.<br />

DOKKA DOKKA Barry Morse; 2010; US; 3 m<strong>in</strong>.<br />

Questions of gender identity are set to a beat <strong>in</strong> this<br />

quirky, cartoon-y gem.<br />

THE LADY PARANORMA<br />

V<strong>in</strong>cent Marcone; 2011; Canada; 6 m<strong>in</strong>.<br />

An eccentric lady is haunted by ghostly whispers, and<br />

follows an eerie call to an unusual happily ever after.<br />

WHITE PAPER<br />

Seyed Mohsen Pourmohseni Shakib; 2010; Iran; 3 m<strong>in</strong>.<br />

When a diverse group of kids are driven from their<br />

families for be<strong>in</strong>g many-hued <strong>in</strong> a gray world, a<br />

ra<strong>in</strong>bow connection is made.<br />

Total runn<strong>in</strong>g time: 80 m<strong>in</strong>.<br />

59


SHORTS PROGRAMS<br />

MONDAY – OCTOBER 17 – 9:15PM<br />

EGYPTIAN THEATRE<br />

SAUCY AUSSIES<br />

They come from the land down under to make<br />

you laugh, th<strong>in</strong>k, and get a taste of life <strong>in</strong> one of<br />

the world’s most compell<strong>in</strong>g LGBT communities.<br />

FRANSWA SHARL<br />

Hannah Hilliard; 2010; Australia; 14 m<strong>in</strong>.<br />

Greg, who <strong>has</strong> <strong>in</strong>herited his father’s competitive<br />

streak, gives a fierce performance <strong>in</strong> the Miss Fiji<br />

Pageant.<br />

UNDER PRESSURE<br />

Kate Lefoe; 2011; Australia; 6 m<strong>in</strong>.<br />

When gunshots r<strong>in</strong>g out at school, library geek<br />

Alex f<strong>in</strong>ds herself hid<strong>in</strong>g with her secret crush,<br />

Ruby.<br />

WILD IMAGININGS<br />

Daniel Monks; 2011; Australia; 10 m<strong>in</strong>.<br />

Reality is mak<strong>in</strong>g an unwelcome appearance <strong>in</strong> the<br />

fantasies of a teenage boy.<br />

CARMEN RUPE<br />

Lucy Hayes; 2011; Australia; 11 m<strong>in</strong>.<br />

Meet Carmen Rupe, a 74-year-old drag queen and<br />

former showgirl who recounts the ups and downs<br />

of her life <strong>in</strong> the limelight.<br />

VIGILANT! HEALTHY! WHOLESOME!<br />

Lauren Anderson; 2009; Australia; 14 m<strong>in</strong>.<br />

A plague of homosexuality is sweep<strong>in</strong>g down<br />

under <strong>in</strong> this award-w<strong>in</strong>n<strong>in</strong>g B-movie spoof.<br />

DROWNING<br />

Craig Boreham; 2009; Australia; 20 m<strong>in</strong>.<br />

The one solid th<strong>in</strong>g <strong>in</strong> Mik’s life is his best friend,<br />

Dan. But Dan <strong>has</strong> a new girlfriend.<br />

VALMAY THE VISITOR FROM BEEP BEEP<br />

BEEP BLEETLEBOX 967<br />

Susan Earl; 2010; Australia; <strong>16</strong> m<strong>in</strong>.<br />

An alien becomes the toast of the town after<br />

crash<strong>in</strong>g smack <strong>in</strong> the middle of Sydney’s Gay<br />

Mardi Gras.<br />

Total runn<strong>in</strong>g time: 91 m<strong>in</strong>.<br />

60<br />

Your Man Friday is <strong>pr</strong>oud to support<br />

the Seattle Lesbian and Gay Film Festival<br />

for twelve <strong>years</strong> runn<strong>in</strong>g.


TICKETING INFORMATION<br />

Advance Ticket Sales<br />

Advance tickets and passes can be purc<strong>has</strong>ed <strong>in</strong> advance onl<strong>in</strong>e at<br />

www.th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org start<strong>in</strong>g Monday September 26, 2011.<br />

How to Buy Tickets<br />

• Tickets to any sc<strong>ree</strong>n<strong>in</strong>g may be purc<strong>has</strong>ed <strong>in</strong> person at any venue<br />

box office.<br />

• Tickets may also be purc<strong>has</strong>ed onl<strong>in</strong>e at www.th<strong>ree</strong>dollarbillc<strong>in</strong>ema.<br />

org up to 30 m<strong>in</strong>utes before showtime (subject to availability). Thirty<br />

m<strong>in</strong>utes <strong>pr</strong>ior to showtime or less, tickets must be purc<strong>has</strong>ed <strong>in</strong> person<br />

at a venue box office.<br />

• Venue box offices open 30 m<strong>in</strong>utes before the first sc<strong>ree</strong>n<strong>in</strong>g of the<br />

day and close 30 m<strong>in</strong>utes after the last sc<strong>ree</strong>n<strong>in</strong>g of the day beg<strong>in</strong>s.<br />

How to Pick Up Tickets<br />

(Will Call option)<br />

Tickets purc<strong>has</strong>ed onl<strong>in</strong>e will be available for pickup at Will Call at the<br />

venue of your first sc<strong>ree</strong>n<strong>in</strong>g (if you choose Will Call <strong>in</strong>stead of Mail or<br />

Pr<strong>in</strong>t-at-Home). If you purc<strong>has</strong>ed multiple tickets for various sc<strong>ree</strong>n<strong>in</strong>gs<br />

on one order, all tickets will be available for pickup at the venue of<br />

your first sc<strong>ree</strong>n<strong>in</strong>g.<br />

For festival passes and membership packet pickup, the General Will<br />

Call locations are as follows:<br />

Oct. 14: Egyptian Theatre<br />

Oct. 15–21: Northwest Film Forum<br />

Oct. 22–24: Pacific Place <strong>C<strong>in</strong>ema</strong>s<br />

Pr<strong>in</strong>t-at-Home<br />

New this year is our <strong>pr</strong><strong>in</strong>t-at-home option. Place your ticket order<br />

onl<strong>in</strong>e, check out, and then select <strong>pr</strong><strong>in</strong>t-at-home.<br />

Individual Ticket Prices<br />

Regular sc<strong>ree</strong>n<strong>in</strong>gs .................................................$10/$8 members<br />

First sc<strong>ree</strong>n<strong>in</strong>gs on Saturdays & Sundays ....................................... $7<br />

Youth/Senior tickets (see details below) ........................................ $7<br />

Teen Tix (see details below) ......................................................... $5<br />

Special Sc<strong>ree</strong>n<strong>in</strong>g Prices<br />

Open<strong>in</strong>g Night Film & Gala: DIRTY GIRL ................ $35/$30 members<br />

Clos<strong>in</strong>g Night Film & Gala: VITO .......................... $35/$30 members<br />

Open<strong>in</strong>g Night Film only ............................................................$15<br />

Clos<strong>in</strong>g Night Film only ..............................................................$15<br />

Centerpiece Film & Gala: LEAVE IT ON THE FLOOR .$20/$18 members<br />

Centerpiece Film & Gala: WISH ME AWAY ............$20/$18 members<br />

Spotlight Film & Reception: WE WERE HERE ........... $12/$10 members<br />

Pass Prices<br />

Full Festival Pass (see details below) ..........................................$210<br />

Party Pass (see details below) ............................... $90/$85 members<br />

Senior & Youth Discount<br />

The Senior & Youth discount is $7 for all $10 sc<strong>ree</strong>n<strong>in</strong>gs (only available<br />

for <strong>in</strong>-person sales; this is not available onl<strong>in</strong>e). Seniors are 65 and<br />

over; youth are 21 and under. Must <strong>pr</strong>esent ID.<br />

Teen Tix<br />

Teen Tix members can purc<strong>has</strong>e regular<br />

sc<strong>ree</strong>n<strong>in</strong>g discounted tickets (or those of<br />

lesser value) at all sc<strong>ree</strong>n<strong>in</strong>g venues, day-ofshow<br />

only. Not available <strong>in</strong> advance. Must<br />

show Teen Tix membership card to receive<br />

discount.<br />

Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong><br />

Members Discount<br />

Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members enjoy discounts on most festival<br />

tickets and passes. All member discounts: Limit of two per member per<br />

sc<strong>ree</strong>n<strong>in</strong>g or pass. Must show membership card to receive discount.<br />

Members-Only L<strong>in</strong>e<br />

Th<strong>ree</strong> <strong>Dollar</strong> <strong>Bill</strong> <strong>C<strong>in</strong>ema</strong> members are given <strong>pr</strong>iority seat<strong>in</strong>g follow<strong>in</strong>g<br />

pass holders. A “Members Only” l<strong>in</strong>e will be at all venues. Members<br />

must have their membership card available as <strong>pr</strong>oof of membership to<br />

use this l<strong>in</strong>e. To take advantage of these benef<strong>its</strong>, please visit page __<br />

to learn more about becom<strong>in</strong>g a member.<br />

Full Festival Pass<br />

Your festival pass will admit you to any sc<strong>ree</strong>n<strong>in</strong>g at the Seattle Lesbian<br />

& Gay Film Festival <strong>pr</strong>ovided you follow these simple guidel<strong>in</strong>es:<br />

Be at the venue at least 20 m<strong>in</strong>utes <strong>pr</strong>ior to the show. There will be a<br />

separate l<strong>in</strong>e for pass holders. Please wait <strong>in</strong> that l<strong>in</strong>e, with your pass<br />

visible. Pass holders will be let <strong>in</strong> first. Pass holders who get to the theater<br />

less than 20 m<strong>in</strong>utes <strong>pr</strong>ior to the show or after the pass holder seat<br />

allotment is reached are not guaranteed a seat. Passes are nontransferable<br />

and non-replaceable.<br />

Party Pass<br />

You will receive <strong>pr</strong>iority seat<strong>in</strong>g at the Open<strong>in</strong>g Night, Clos<strong>in</strong>g Night,<br />

and both Centerpiece films. Includes films and the parties that follow.<br />

Hope L<strong>in</strong>e<br />

When advance tickets for a sc<strong>ree</strong>n<strong>in</strong>g are sold out, rush tickets may<br />

be available at the theater. Some seats at every show are reserved<br />

for pass holders; however, sometimes not all those seats are used.<br />

Once we determ<strong>in</strong>e how many seats will be available, we release<br />

those “rush” seats for sale to people <strong>in</strong> the Hope L<strong>in</strong>e. This l<strong>in</strong>e forms<br />

anywhere from 15 to 90 m<strong>in</strong>utes before showtime.<br />

The Not-So-Small Pr<strong>in</strong>t<br />

• All ticket orders <strong>in</strong>clude a service fee (per ticket).<br />

• An additional fee applies to Will Call or mail orders, but there is no<br />

additional fee for Pr<strong>in</strong>t-At-Home tickets.<br />

• Please arrive on time. Late seat<strong>in</strong>g is not guaranteed. Please check<br />

your tickets for each sc<strong>ree</strong>n<strong>in</strong>g, as start times vary.<br />

• THE BEST LITTLE WHOREHOUSE IN TEXAS SING-ALONG and<br />

ATTACK OF THE MUSICALS are 21-and-over-only sc<strong>ree</strong>n<strong>in</strong>gs (due to<br />

venue rules).<br />

• No refunds or exchanges except <strong>in</strong> the case of <strong>pr</strong>ogram cancellation.<br />

• Program runn<strong>in</strong>g times do not <strong>in</strong>clude <strong>in</strong>troductions, trailers, or Q&A<br />

sessions.<br />

61


OPENING NIGHT<br />

GALA!<br />

FRIDAY, OCTOBER 14<br />

The <strong>16</strong>th festival kicks off at a sweet<br />

new event space on Capitol Hill and a<br />

sweet new collaboration. Our Open<strong>in</strong>g<br />

Night Gala is <strong>pr</strong>esented by Trouble.<br />

Experience huge wall <strong>pr</strong>ojections,<br />

fantastic DJs, and food and dr<strong>in</strong>k<br />

<strong>pr</strong>ovided by our generous sponsors.<br />

Ticket to the Open<strong>in</strong>g Night Film and<br />

Gala required. 21 and over only.<br />

Fred Wildlife Refuge<br />

98 Belmont Avenue E<br />

Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

WE WERE HERE<br />

SATURDAY, OCTOBER 15, 7:00PM<br />

Seattle Volvo<br />

1120 Pike St<strong>ree</strong>t<br />

Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

HANNAH & THE<br />

HASBIAN<br />

MONDAY, OCTOBER 17, 8:30PM<br />

Wildrose<br />

1021 E Pike St<strong>ree</strong>t<br />

Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

HEART BREAKS<br />

OPEN<br />

TUESDAY, OCTOBER 18, 9:00PM<br />

Purr<br />

1518 11th Avenue<br />

<strong>We</strong>st Seattle kickoff reception for<br />

SPORK<br />

THURSDAY, OCTOBER 20, 9:00PM<br />

Heartland Café<br />

4210 SW Admiral Way<br />

62<br />

CENTERPIECE GALA<br />

SUNDAY, OCTOBER <strong>16</strong><br />

Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of LEAVE IT ON THE FLOOR, please jo<strong>in</strong> us for<br />

a gala reception at the Lobby Bar. Your ticket to the film <strong>in</strong>cludes the<br />

gala reception. 21 and over only.<br />

The Lobby Bar 9<strong>16</strong> E Pike St<strong>ree</strong>t<br />

Pre-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

LONGHORNS<br />

Sponsored by TLA Releas<strong>in</strong>g<br />

FRIDAY, OCTOBER 21, 7:00PM<br />

Still Liquor<br />

1524 M<strong>in</strong>or Avenue<br />

Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

EATING OUT 5<br />

SATURDAY, OCTOBER 22, 8:30PM<br />

Design With<strong>in</strong> Reach<br />

1918 First Avenue<br />

Post-sc<strong>ree</strong>n<strong>in</strong>g reception for<br />

LOCAL PRODUCE<br />

SATURDAY, OCTOBER 22, 2PM<br />

Urbane Coffee & W<strong>in</strong>e Bar<br />

<strong>16</strong>35 8th Avenue<br />

CENTERPIECE<br />

GALA<br />

FRIDAY, OCTOBER 21<br />

Follow<strong>in</strong>g the sc<strong>ree</strong>n<strong>in</strong>g of WISH<br />

ME AWAY, please jo<strong>in</strong> us for a<br />

gala reception <strong>in</strong> the atrium of<br />

Pacific place at Il Fornaio Restaurant<br />

and Bakery. Enjoy some<br />

of Il Fornaio’s signature savory<br />

<strong>bit</strong>es and desserts and an array<br />

of beverages. Your ticket to the<br />

film <strong>in</strong>cludes the gala reception.<br />

Il Fornaio Restaurant and Bakery<br />

Pacific Place | 600 P<strong>in</strong>e St<strong>ree</strong>t<br />

CLOSING NIGHT<br />

GALA!<br />

SUNDAY, OCTOBER 23<br />

Celebrate the sweet end<strong>in</strong>g to<br />

10 days of films with our Clos<strong>in</strong>g<br />

Night Gala. <strong>We</strong> are pleased to<br />

be back at the newly remodeled<br />

South Lake Union Discovery Center.<br />

Enjoy a delicious sampl<strong>in</strong>g<br />

of food from South Lake Union<br />

restaurants and caterers and<br />

dr<strong>in</strong>ks <strong>pr</strong>ovided by our generous<br />

sponsors. Presented by Seattle<br />

Met Magaz<strong>in</strong>e. Ticket to the Clos<strong>in</strong>g<br />

Night Film and Gala required.<br />

South Lake Union<br />

Discovery Center<br />

101 <strong>We</strong>stlake Avenue N


SOUTH LAKE UNION<br />

DISCOVERY CENTER<br />

101 <strong>We</strong>stlake Avenue N<br />

Seattle, WA 98109<br />

206-324-5900<br />

discoverslu.com<br />

CINERAMA THEATER<br />

2100 Fourth Avenue<br />

Seattle, WA 98121<br />

206-448-6680<br />

c<strong>in</strong>erama.com<br />

PACIFIC PLACE CINEMA<br />

600 P<strong>in</strong>e St<strong>ree</strong>t, 4th floor<br />

Seattle, WA 98101<br />

206-652-8908<br />

amcenterta<strong>in</strong>ment.com/<br />

PacificPlace<br />

IL FORNAIO RESTAURANT<br />

AND BAKERY<br />

600 P<strong>in</strong>e St<strong>ree</strong>t<br />

Seattle, WA 98101<br />

ilfornaio.com<br />

ADMIRAL THEATER<br />

2343 California Avenue SW<br />

Seattle, WA 981<strong>16</strong><br />

206-938-3456<br />

thehistoricadmiraltheater.com<br />

SW Admiral Way<br />

California Avenue SW<br />

<strong>We</strong>st Seattle<br />

SW Admiral Way<br />

Queen Anne Ave N<br />

1st Ave N<br />

Queen<br />

Anne<br />

Seattle<br />

Center<br />

Alaskan Way<br />

Broad St<br />

1st Ave<br />

5th Ave N<br />

Taylor Ave N<br />

Elliott<br />

Bay<br />

Aurora Ave N<br />

Lenora St<br />

<strong>We</strong>stlake Ave N<br />

Bell St<br />

6th Ave<br />

5th Ave<br />

4th Ave<br />

<strong>We</strong>stlake Ave N<br />

9th Ave N<br />

Lake<br />

Union<br />

Virg<strong>in</strong>ia St<br />

6th Ave<br />

Fairview Ave N Fairview Ave E<br />

Stewart St<br />

P<strong>in</strong>e St<br />

Pike St<br />

Madison St<br />

Howell St<br />

Eastlake Ave N<br />

E P<strong>in</strong>e St<br />

E Pike St<br />

E Madison St<br />

Boren Ave<br />

Harvard Ave E<br />

Broadway E<br />

E Roanoke St<br />

VENUE MAP<br />

Aloha St<br />

99<br />

E Aloha St<br />

Roy St<br />

E Roy St<br />

Mercer St E Mercer St<br />

Seattle<br />

N<br />

WEST SEATTLE BRIDGE<br />

Denny Way<br />

Blanchard St<br />

99<br />

7th Ave<br />

Terry Ave N<br />

1st Ave S<br />

1st Ave S<br />

1st Ave S<br />

S Jackson St<br />

Yesler Way<br />

4th Ave S 4th Ave S<br />

5th Ave S<br />

S Royal Brougham Way<br />

SoDo<br />

S Hanford St<br />

S Atlantic St<br />

WEST SEATTLE BRIDGE<br />

Melrose Ave E<br />

S Holgate St<br />

S Lander St<br />

6th Ave S<br />

Belmont Ave E<br />

E Olive Way<br />

6th Ave S<br />

10th Ave E<br />

E Union St<br />

James St<br />

Airport Way S<br />

S Spokane St<br />

E Republican St<br />

E John St<br />

E Denny Way<br />

Capitol<br />

Hill<br />

10th Ave E<br />

12th Ave E 12th Ave E<br />

509<br />

E P<strong>in</strong>e St<br />

E Pike St<br />

S Columbia Way<br />

21st Ave<br />

FRED WILDLIFE<br />

REFUGE<br />

98 Belmont Avenue E<br />

Seattle, WA 98102<br />

206-588-6959<br />

EGYPTIAN THEATRE<br />

805 E P<strong>in</strong>e St<strong>ree</strong>t<br />

Seattle, WA 98122<br />

206-781-5759<br />

landmarktheatres.com<br />

CENTRAL CINEMA<br />

1411 21st Avenue<br />

Seattle, WA 98122<br />

206-686-MOVI<br />

(206-686-6684)<br />

central-c<strong>in</strong>ema.com<br />

NORTHWEST<br />

FILM FORUM<br />

1515 12th Avenue<br />

Seattle, WA 98122<br />

206-329-2629<br />

nwlmforum.org<br />

THE LOBBY BAR<br />

9<strong>16</strong> E Pike St<strong>ree</strong>t<br />

Seattle, WA 98122<br />

206-328-6703<br />

thelobbyseattle.com<br />

63


52<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

(A)SEXUAL<br />

Angela Tucker<br />

angela@artseng<strong>in</strong>e.net<br />

10 DAYS (LOAD)<br />

Ana David, Queer Lisboa<br />

ana@queerlisboa.pt<br />

A DATE FOR DOMINIQUE<br />

Nikki Lee Taylor<br />

nikkitaylor98112@yahoo.com<br />

A DAY IN THE COUNTRY<br />

Pella Kagerman<br />

pellapupp@hotmail.com<br />

ALICE IN ANDREW’S LAND<br />

Lauren Mackenzie<br />

laurenm_ny@yahoo.com<br />

AMEN<br />

Mumbai Queer Film Festival<br />

kashishmqff@gmail.com<br />

BALDGUY<br />

Toril Simonsen,<br />

Norwegian Film Institute<br />

Toril.Simonsen@n.no<br />

BEHOLDER<br />

Nisha Ganatra<br />

nisha.ganatra@gmail.com<br />

BEST LITTLE WHOREHOUSE IN<br />

TEXAS SINGALONG<br />

Katie D<strong>in</strong>telman<br />

kd<strong>in</strong>telman@swankmp.com<br />

BOB’S NEW SUIT<br />

Alan Howard<br />

arh104@aol.com<br />

BOY CHEERLEADERS<br />

Gav<strong>in</strong> Humphries<br />

gav<strong>in</strong>@quarklms.com<br />

CANNIBALS<br />

Juanma Carrillo<br />

juanitodj@gmail.com<br />

CARMEN RUPE<br />

Lucy Hayes<br />

lucymhayes@gmail.com<br />

CB<br />

Doug Ischar and Tom Daws<br />

dischar@uic.edu<br />

CHANGE<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

CHARLOTTE<br />

Daniel Monks<br />

daniel_monks@hotmail.com<br />

CODEPENDENT LESBIAN SPACE<br />

ALIEN SEEKS SAME<br />

Mary Ann Curto<br />

MaryAnnCurtoManagement@<br />

gmail.com<br />

COLD STAR<br />

Kai Stänicke<br />

kai.staenicke@gmx.de<br />

COUPLES THERAPY<br />

Mike Rose<br />

fruitycenter@gmail.com<br />

CUPCAKE: A ZOMBIE LESBIAN<br />

MUSICAL<br />

Rogan Brown Films<br />

rogan@<br />

zombielesbianmusical.com<br />

CYCLICITY<br />

Jason Knade<br />

jason@jasonknade.com<br />

DIRTY GIRL<br />

The <strong>We</strong><strong>in</strong>ste<strong>in</strong> Company<br />

www.we<strong>in</strong>ste<strong>in</strong>co.com<br />

DOKKA DOKKA<br />

Barry Morse<br />

frenchfrye2000@mac.com<br />

64<br />

DON’T LOOK AT ME<br />

John Strong<br />

notsostrong@gmail.com<br />

DROWNING<br />

Azure Productions<br />

aj.bell@azure<strong>pr</strong>oductions.<br />

com.au<br />

EAST BLOC LOVE<br />

Logan Mucha<br />

logan.mucha@gmail.com<br />

EATING OUT 5<br />

Michael Shoel<br />

mjshoel@ariztical.com<br />

ECUPID<br />

JC Calciano<br />

jc_calciano@yahoo.com<br />

EXISTENCE<br />

Mumbai Queer Film Festival<br />

kashishmqff@gmail.com<br />

FINDING JUDY<br />

Gary Riotto<br />

garyriotto@aol.com<br />

FLUID<br />

Dara Sklar<br />

DaraS@schwartzcomm.com<br />

FLYERS<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

FOR SUCH A TIME AS THIS<br />

Joe W<strong>in</strong>dish<br />

jw<strong>in</strong>dish@gmail.com<br />

FORTUNE COOKIE MAGIC<br />

TRICKS<br />

Derek Lui<br />

dereklui12@gmail.com<br />

FRANSWA SHARL<br />

Hannah Hilliard<br />

hannah@radicalmedia.com<br />

FRIDA & ANITA<br />

Liz Rosenfeld<br />

www.lizrosenfeld.com<br />

GAYSIAN DREAM<br />

Bernie Esp<strong>in</strong>osa<br />

bernie1201@gmail.com<br />

GIRL BUNNIES: BIG TREE<br />

Sarah Deragon, Framel<strong>in</strong>e<br />

sderagon@framel<strong>in</strong>e.org<br />

GOING DOWN IN LA LA LAND<br />

Casper Andreas<br />

<strong>pr</strong>oduction@embrem.com<br />

GUN HILL ROAD<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

HALF<br />

Alex Bohs<br />

alexbohs@yahoo.com<br />

HANNAH & THE HASBIAN<br />

Chris Hock<strong>in</strong>g/Nicholas Colla<br />

<strong>pr</strong>oducers@latenitelms.com<br />

HARVEST<br />

Lewis Tice<br />

lewis@tlareleas<strong>in</strong>g.com<br />

HEART BREAKS OPEN<br />

Basil Shadid<br />

basil@basilshadid.com<br />

HELLA STRONG<br />

Catheleen Arnerich<br />

cathleenarnerich@gmail.com<br />

HIT SO HARD<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

HOW ARE YOU<br />

Henrik Underbjerg<br />

henrik@radiatorlm.com<br />

PRINT SOURCES<br />

I AM<br />

Sonali Gulati<br />

sonalilm@yahoo.com<br />

I DON’T WANT TO GO BACK<br />

ALONE<br />

Daniel Ribeiro<br />

danielribeiro@<br />

lacunalmes.com.br<br />

I WAS A TEENAGE WEREBEAR<br />

Tim Sullivan<br />

ts22@newrebel.org<br />

JAMIE AND JESSIE ARE NOT<br />

TOGETHER<br />

<strong>We</strong>ndy Jo Carlton<br />

wenjo.carlton@yahoo.com<br />

JOE + BELLE<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

JOHNNY & LYMAN: A LIFE<br />

TOGETHER<br />

Paul Detwiler<br />

pdetwiler@sunstroke.sdsu.edu<br />

JUDAS KISS<br />

J.T. Tepnapa<br />

judaskiss@me.com<br />

KAWA<br />

Corey Tong<br />

coreytong@earthl<strong>in</strong>k.net<br />

KINK CRUSADERS<br />

Mike Skiff<br />

skiff@thirdrailmedia.com<br />

LEAN LIKE A CHICHA<br />

Torelore Productions<br />

lonnietr@torelore.com<br />

LEAVE IT ON THE FLOOR<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

LESBIAN CLICHÉ SONG<br />

Amy Turner<br />

thatswhatshesaidshow@gmail.<br />

com<br />

LONGHORNS<br />

Lewis Tice<br />

lewis@tlareleas<strong>in</strong>g.com<br />

LOST LAKE<br />

Zackary Drucker<br />

www.zackarydrucker.com<br />

LUST LIFE<br />

Lynda Tarryk<br />

ltarryk@gmail.com<br />

MAN 2 MAN<br />

Christopher H<strong>in</strong>es<br />

christopherh<strong>in</strong>es@me.com<br />

MANHUNT<br />

Fury Productions<br />

fury<strong>pr</strong>od@hotmail.fr<br />

MARRIED IN SPANDEX<br />

Allison Kole<br />

alursula@yahoo.com<br />

MARY LOU<br />

Nancy Fishman<br />

nancykshman@gmail.com<br />

MIND<br />

Julian Morgans<br />

julianmorgans@hotmail.com<br />

MISERABLE ANIMALS<br />

Ingrid Jungermann<br />

<strong>in</strong>grid.jungermann@gmail.com<br />

MORGAN<br />

Sandon Berg<br />

sandman_ca54@hotmail.com<br />

MORNING BEFORE<br />

Zhen Wang<br />

justzheng@hotmail.com<br />

MOTHER TONGUE<br />

Octavio Nadal, Aura Films<br />

octavio.nadal@auralms.<br />

com.ar<br />

MS. THING<br />

Karen X. Tulch<strong>in</strong>sky<br />

arenxtulch<strong>in</strong>sky@gmail.com<br />

MY LAST ROUND<br />

Anne Wiedlack<br />

aw@m-appeal.com<br />

MY PAST MY PRESENT<br />

Melanie Rodriga<br />

m.rodriga@murdoch.edu.au<br />

NICE SHIRT<br />

Eric Gernand<br />

esgernand@rcn.com<br />

NO DIRECTION<br />

Melissa F<strong>in</strong>ell<br />

melissa.nell@gmail.com<br />

NOT-SO SUBTLE SUBTEXT<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

NOW HERE<br />

Joey Kuhn<br />

JosephKuhn@gmail.com<br />

OH MY COOTCH!<br />

Hila Ben Baruch<br />

hilajust4u@gmail.com<br />

OLIVIA<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

ORCHIDS: MY INTERSEX<br />

ADVENTURE<br />

Kristen M Fitzpatrick<br />

ktzpatrick@WMM.com<br />

OUR LIPS ARE SEALED<br />

Kelly Dolak<br />

ourlipsaresealedlm@gmail.<br />

com<br />

OUT FOR THE LONG RUN<br />

Scott Bloom<br />

tragoidia@aol.com<br />

OUTLAND<br />

Pr<strong>in</strong>cess Pictures<br />

www.<strong>pr</strong><strong>in</strong>cess.net.au<br />

PERCEPTION<br />

Sam Berl<strong>in</strong>er<br />

videokid24@gmail.com<br />

QUEER CAFÉ<br />

Reel Queer Youth<br />

RQY@th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org<br />

QUEER UMBRELLA<br />

Rosa Middleton<br />

rosacmiddleton@gmail.com<br />

RED LIGHT BULB<br />

Clyde Peterson<br />

clyde@yourheartbreaks.com<br />

REEL QUEER YOUTH 2011<br />

Reel Queer Youth<br />

RQY@th<strong>ree</strong>dollarbillc<strong>in</strong>ema.org<br />

REGRETS<br />

Kelly Burkhardt<br />

burkhardtkelly@yahoo.com<br />

RELATIVITY<br />

Lila Kitaeff<br />

lila@<strong>ree</strong>lgrrls.org<br />

ROMEOS<br />

Brandon Peters<br />

Brandon@strandreleas<strong>in</strong>g.com<br />

SAPPHO’S FIRE<br />

Alexia Kosmider<br />

akosmide@risd.edu<br />

SHOT DAY<br />

Syniva Whitney<br />

www.syniva.com<br />

SISTER SMILE<br />

Inter RoissyFilms<br />

<strong>in</strong>ter@roissylms.com<br />

SLIP AWAY<br />

Michelle C. Bonilla<br />

<strong>in</strong>fo@slipawaythemovie.com<br />

SLOW<br />

Darius Clark Monroe<br />

darius@nyu.edu<br />

SLOW BURN<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

SLUT - THE MUSICAL<br />

Ruth Saunders<br />

Ruth.Saunders@aftrs.edu.au<br />

SPIRAL TRANSITION<br />

Ewan Duarte<br />

ewanduarte@gmail.com<br />

SPORK<br />

Molly Albright<br />

mollyalbright@me.com<br />

SPRING<br />

Hong Khaou<br />

hkhaou@me.com<br />

STILL AROUND<br />

Vanessa Domico<br />

vdomico@outcast-lms.com<br />

STITCHES<br />

adiyaeor@gmail.com<br />

STOP IT – BRIE<br />

Mike Rose<br />

fruitycenter@gmaill.com<br />

STRAIGHT & NARROW<br />

Dez McMahon, Real to Reel<br />

dez@rawartworks.org<br />

THE ADVOCATE FOR FAGDOM<br />

Jürgen Brün<strong>in</strong>g<br />

<strong>pr</strong>oducer@ottothezombie.de<br />

THE APPOINTMENT<br />

Alex DePaz<br />

depazlms11@gmail.com<br />

THE CHERDONNA & LOU<br />

SHOW: THE MOVIE<br />

Lila Kitaeff<br />

lila@<strong>ree</strong>lgrrls.org<br />

THE GREEN<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

THE GROVE<br />

Open Eye Pictures<br />

regan@openeyepictures.com<br />

THE LADY PARANORMA<br />

V<strong>in</strong>cent Marcone<br />

v<strong>in</strong>cent@mypetskeleton.com<br />

THE LULU SESSIONS<br />

S. Casper Wong<br />

casper@oomedia.com<br />

THE NANNY PROJECT<br />

Oli Rodriguez<br />

www.olirodriguez.com<br />

THE NIGHT WATCH<br />

Richard Donnelly<br />

Richard.Donnelly@pearson.com<br />

THE RESCUE<br />

Philippe Gossel<strong>in</strong><br />

pgossel<strong>in</strong>@wesleyan.edu<br />

THE SCANDALOUS FOUR<br />

Art of Life Films<br />

artoifelms@hotmail.com<br />

THE SISTERHOOD<br />

Roger Horn<br />

rogerhorn77@gmail.com<br />

THE UNSPEAKABLE: WYNNE<br />

GREENWOOD<br />

Clyde Peterson<br />

www.doitforthegirls.com<br />

THE WOLF IN SHORTS<br />

Lucia Stano<br />

lucia.stano@libero.it<br />

THIS IS WHAT LOVE IN ACTION<br />

LOOKS LIKE<br />

Morgan Jon Fox<br />

sawedoffpictures@gmail.com<br />

THREE<br />

Brandon Peters<br />

Brandon@strandreleas<strong>in</strong>g.com<br />

TOMBOY<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

TRANSSEXUAL DOMINATRIX<br />

Shawna Virago<br />

houseofvirago@hotmail.com<br />

TWO BEDS<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

UNDER PRESSURE<br />

CFMDC<br />

book<strong>in</strong>gs@cfmdc.org<br />

UNHAPPY BIRTHDAY<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

VALMAY THE VISITOR FROM<br />

BEEP BEEP BLEETLEBOX 967<br />

Susan Earl<br />

studioswirl@gmail.com<br />

VARLA JEAN AND THE MUSH-<br />

ROOM HEADS<br />

Mark Cortale, illyriamc@aol.<br />

com<br />

VIGILANT! HEALTHY!<br />

WHOLESOME!<br />

Shelley Dresden<br />

shelley.dresden@gmail.com<br />

VITO<br />

Jeffrey Schwarz<br />

jeffrey@automatpictures.com<br />

WATCH OVER ME<br />

myshlandia@gmail.com<br />

WATER WELLS<br />

Hila Ben Baruch<br />

hilajust4u@gmail.com<br />

WE ONCE WERE TIDE<br />

Jason Bradbury<br />

jason@jason-bradbury.co.uk<br />

WE WERE HERE<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

WHEN A PERSONAL STRUGGLE<br />

ENDS. AND WHAT REMAINS<br />

F<strong>in</strong>n Paul<br />

www.nngpaul.word<strong>pr</strong>ess.com<br />

WHITE PAPER<br />

Seyed Mohsen Pourmohseni<br />

Shakib<br />

imanshakib1880@yahoo.com<br />

WHY DOES GOD HATE ME?<br />

Joel McCarthy<br />

joelmc2003@gmail.com<br />

WILD IMAGININGS<br />

Daniel Monks<br />

daniel_monks@hotmail.com<br />

WINNER TAKES ALL<br />

Hunter Lee Hughes<br />

hunterlh@yahoo.com<br />

WISE KIDS<br />

Jeffrey W<strong>in</strong>ter<br />

jeffrey@newamericanvision.<br />

com<br />

WISH ME AWAY<br />

Jason Ishikawa<br />

jason.ishikawa@lmsalescorp.<br />

com<br />

YES MAN<br />

Grant Reed<br />

<strong>ree</strong>d1<strong>16</strong>@gmail.com<br />

YOU MOVE ME<br />

G<strong>in</strong>a Hirsch<br />

gkhirsch@gmail.com

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